Sentences with phrase «is dead in the water as»

Were I less computer literate or lacked a clean backup I would be dead in the water as far as my Amazon books were concerned.

Not exact matches

After all, if your business doesn't offer a solid value proposition — otherwise known as the reason why customers buy what you're selling — then it's dead in the water.

Startups that don't gamble are likely to either lose money because they are not bringing in enough customers or they are going to simply push along, without spending much and without making any revenue, which is as good as being dead in the water.

Q. 4 It is only acceptable as an adult to believe childish Bronze Age mythology like talking snakes, the Red Sea splitting, water turning into wine by magic, mana falling from the sky, a man living in a whale's belly, a talking donkey, superhuman strength, a man rising from the dead and angels, ghosts, gods and demons in the field of:

A flood leaves evidences; the world today is covered 3/4 in water and the 1/4 that is land is covered in sediment layers and trillions of dead things as fossils.

In light of the following context, it might be preferable to understand Paul's reference to baptisms not as water baptism or ritualistic washings for the dead, but as identification with the dead (cf. 10:2).

It was thought that the significance of baptism was not in the symbol of going under the water and then rising back up as though from the dead, but in the power of the water itself after it had been blessed by a priest.

John does, after all, preaching that the old way is dead, and the promised Messiah is coming who will usher in a new era of peace for the entire world, and that those who want to participate in this new era must show it by going through the waters of baptism, much as the followers of Ea would have done 3000 years earlier.

«So let me get this straight, you have two - way conversations with invisible spirits, you think the earth is 10,000 years old, you believe the world was once covered in water (about 5,000 years ago), you believe your invisible sky father came to earth in human form after a virgin birth, then rose as a zombie, from the dead, then ascended into an invisible sky city... all because the first people on earth ate and apple before proceeding on with decades of incest... am I getting this?»

Genesis and Exodus, for example, are clearly based on earlier Babylonian myths such as The Epic of Gilgamesh, and the Jesus story itself is straight from the stories about Apollonius of Tyana, Horus and Dionysus (including the virgin birth, the three wise men, the star in the East, birth at the Winter solstice, a baptism by another prophet, turning water into wine, crucifixion and rising from the dead).

Genesis and Exodus, for example, are clearly based on earlier Babylonian myths such as The Epic of Gilgamesh, and the Jesus story itself is straight from the stories about Apollonius of Tyana, Ho.rus and Dionysus (including virgin birth, the three wise men, the star in the East, birth at the Winter solstice, a baptism by another prophet, turning water into wine, crucifixion and rising from the dead).

Just as the sign of Jonah was in Jesus being raised from the dead, so is the sign of Jonah in our being born again through the waters of baptism, and through those waters rising to new life in Christ.

Genesis and Exodus, for example, are clearly based on earlier Babylonian myths such as The Epic of Gilgamesh, and the Jesus story itself is straight from the stories about Apollonius of Tyana, Horus and Dionysus (including virgin birth, the three wise men, the star in the East, birth at the Winter solstice, a baptism by another prophet, turning water into wine, crucifixion and rising from the dead).

However, it now appears as though the deal is dead in the water, with Delph seemingly clarifying — without qualification — that he is not heading for the exit door.

So goodbye Wenger and thanks for the ancient history glory days but most of us, - pires and Ken, being dinosaur type exceptions on here and also the sweet, naive and ever water guzzling TY from Arsenal fan TV — prefer living in the here and now and looking forward to the near future, for we are all a long time dead, as our club has effectively been this last decade.

I can't wait for your Wenger type excuses when both these targets are dead in the water, as they say.

It's not like they have anything to lose at this point, Roman as top face is dead in the water currently.

As the latest Arsenal transfer news has it looking as though the signing of the England hero Jamie Vardy from Leicester City is dead in the water, Arsenal fans will be wondering where Arsene Wenger goes next in his search for more fire power to boost our chances of getting our hands on the Premier League trophy once agaiAs the latest Arsenal transfer news has it looking as though the signing of the England hero Jamie Vardy from Leicester City is dead in the water, Arsenal fans will be wondering where Arsene Wenger goes next in his search for more fire power to boost our chances of getting our hands on the Premier League trophy once agaias though the signing of the England hero Jamie Vardy from Leicester City is dead in the water, Arsenal fans will be wondering where Arsene Wenger goes next in his search for more fire power to boost our chances of getting our hands on the Premier League trophy once again.

His promise to make Arsenal one of the biggest clubs in the world has spectacularly back - fired and is as hollow and as dead in the water as our challenge for the PL title since moving to the soul-less soccer - bowl.

The reds of Manchester have been somewhat put in the shade by their city rivals and whilst winning the Premier League is pretty much dead in the water with Jose Mourinho as manager they are well capable of putting in a sustained challenge for the Champions League.

Well, Cameron said something about minimum alcohol pricing and the BBC got in hot water for including a panda in a list of newsworthy women, but apart from that it was dead as a dodo.

The Liberal Democrats predicted this signals a change of heart from the prime minister but senior Whitehall sources went as far as to say the super casino plans were dead in the water.

The former Tory whip, Andrew Mitchell, was quoted by an MP in the Mail on Sunday as effectively declaring the PM «dead in the water» and saying she'd lost her authority.

Yet in waters from the Sea of Japan (aka East Sea) to the Black Sea, jellies today are thriving as many of their marine vertebrate and invertebrate competitors are eliminated by overfishing, dead zones and other human impacts.

As an alternative to the pipeline, a regional environmental group called EcoPeace Middle East has proposed restoring the flow of water in the Jordan River, which has been dammed and diverted until only 10 % of its former flow reaches the Dead Sea.

A new study led by researchers at the Virginia Institute of Marine Science reveals that land use in the watersheds from which this «dissolved organic matter» originates has important implications for Bay water quality, with the organic carbon in runoff from urbanized or heavily farmed landscapes more likely to persist as it is carried downstream, thus contributing energy to fuel low - oxygen «dead zones» in coastal waters.

Less oxygen dissolved in the water is often referred to as a «dead zone» (in red above) because most marine life either dies, or, if they are mobile such as fish, leave the area.

The best way to exfoliate is to sit in a hot Jacuzzi for 20 minutes until you feel your dead skin cells have fully absorbed as much water as possible or until your fingers become wrinkly.

They knew legally I was vulnerable of which I ----------- it does not matter much now as they already knew legally I was dead in the water.

Karim Aïnouz — «Love for Sale,» «Madame Satã» Rakhshan Bani - Etemad — «Under the Skin of the City,» «The May Lady» Siddiq Barmak * — «Opium War,» «Osama» Aida Begić * — «Children of Sarajevo,» «Snow» Jeremy Brock — «True Crimes,» «The Last King of Scotland» Jared Bush * — «Zootopia,» «Moana» John Collee — «Tanna,» «Master and Commander: The Far Side of the World» Buddhadeb Dasgupta — «The Wrestlers,» «The Red Door» Kenneth Angelo Daurio, Jr. — «The Secret Life of Pets,» «Despicable Me» Luke Davies — «Lion,» «Life» Mohamed Diab — «Clash,» «Cairo 678» Lav Diaz * — «A Lullaby to the Sorrowful Mystery,» «Norte, the End of History» Katie Dippold — «Snatched,» «Ghostbusters» Nelson Pereira dos Santos * — «How Tasty Was My Little Frenchman,» «Barren Lives» Ildikó Enyedi * — «Simon Magus,» «My Twentieth Century» Safi Faye * — «Mossane,» «Lettre Paysanne» Feng Xiaogang — «If You Are the One,» «A World without Thieves» Paz Alicia Garciadiego — «Bleak Street,» «Deep Crimson» Bahman Ghobadi — «Turtles Can Fly,» «A Time for Drunken Horses» Goutam Ghose * — «Shankhachil,» «Paar» Eric Heisserer — «Arrival,» «Lights Out» Barry Jenkins * — «Moonlight,» «Medicine for Melancholy» * — «The Holy Mountain,» «El Topo» Phil Johnston * — «Zootopia,» «Wreck - It Ralph» Kim Ki - duk * — «3 - Iron,» «Spring, Summer, Fall, Winter... and Spring» Mohammed Lakhdar - Hamina * — «Chronicle of the Years of Embers,» «The Winds of the Aures» Brit Marling — «The East,» «Another Earth» Márta Mészáros * — «Diary for My Children,» «Adoption» Mike Mills — «20th Century Women,» «Beginners» Idrissa Ouedraogo * — «Tilaï,» «Yaaba» Éva Pataki — «The Seventh Room,» «Diary for My Loves» Cinco Paul — «The Secret Life of Pets,» «DespicableMe» Jordan Peele * — «Get Out,» «Keanu» Simon Pegg — «Run Fat Boy Run,» «Shaun of the Dead» Mohammad Rasoulof * — «Manuscripts Don't Burn,» «Goodbye» Eran Riklis * — «Lemon Tree,» «The Syrian Bride» Céline Sciamma — «My Life as a Zucchini,» «Tomboy» Mrinal Sen * — «The Case Is Closed,» «In Search of Famine» Taylor Sheridan — «Hell or High Water,» «Sicario» Sooni Taraporevala — «Mississippi Masala,» «Salaam Bombay!»

As Radcliffe's dead body springs back to life — through karate - chopping, water - vomiting, and wind - breaking — he becomes the id to Dano's struggling everyman, who is also lost in the woods.

Writers Karim Aïnouz — «Love for Sale,» «Madame Satã» Rakhshan Bani - Etemad — «Under the Skin of the City,» «The May Lady» Siddiq Barmak * — «Opium War,» «Osama» Aida Begić * — «Children of Sarajevo,» «Snow» Jeremy Brock — «True Crimes,» «The Last King of Scotland» Jared Bush * — «Zootopia,» «Moana» John Collee — «Tanna,» «Master and Commander: The Far Side of the World» Buddhadeb Dasgupta — «The Wrestlers,» «The Red Door» Kenneth Angelo Daurio, Jr. — «The Secret Life of Pets,» «Despicable Me» Luke Davies — «Lion,» «Life» Mohamed Diab — «Clash,» «Cairo 678» Lav Diaz * — «A Lullaby to the Sorrowful Mystery,» «Norte, the End of History» Katie Dippold — «Snatched,» «Ghostbusters» Nelson Pereira dos Santos * — «How Tasty Was My Little Frenchman,» «Barren Lives» Ildikó Enyedi * — «Simon Magus,» «My Twentieth Century» Safi Faye * — «Mossane,» «Lettre Paysanne» Feng Xiaogang — «If You Are the One,» «A World without Thieves» Paz Alicia Garciadiego — «Bleak Street,» «Deep Crimson» Bahman Ghobadi — «Turtles Can Fly,» «A Time for Drunken Horses» Goutam Ghose * — «Shankhachil,» «Paar» Eric Heisserer — «Arrival,» «Lights Out» Barry Jenkins * — «Moonlight,» «Medicine for Melancholy» Alejandro Jodorowsky * — «The Holy Mountain,» «El Topo» Phil Johnston * — «Zootopia,» «Wreck - It Ralph» Kim Ki - duk * — «3 - Iron,» «Spring, Summer, Fall, Winter... and Spring» Mohammed Lakhdar - Hamina * — «Chronicle of the Years of Embers,» «The Winds of the Aures» Brit Marling — «The East,» «Another Earth» Márta Mészáros * — «Diary for My Children,» «Adoption» Mike Mills — «20th Century Women,» «Beginners» Idrissa Ouedraogo * — «Tilaï,» «Yaaba» Éva Pataki — «The Seventh Room,» «Diary for My Loves» Cinco Paul — «The Secret Life of Pets,» «DespicableMe» Jordan Peele * — «Get Out,» «Keanu» Simon Pegg — «Run Fat Boy Run,» «Shaun of the Dead» Mohammad Rasoulof * — «Manuscripts Don't Burn,» «Goodbye» Eran Riklis * — «Lemon Tree,» «The Syrian Bride» Céline Sciamma — «My Life as a Zucchini,» «Tomboy» Mrinal Sen * — «The Case Is Closed,» «In Search of Famine» Taylor Sheridan — «Hell or High Water,» «Sicario» Sooni Taraporevala — «Mississippi Masala,» «Salaam Bombay!»

Co-op has never been more important as Dead Island Riptide players band together to defend new, key territories in water - soaked tropical locales against hordes of never - before - seen zombie types.

Karim Aïnouz — «Love for Sale,» «Madame Satã» Rakhshan Bani - Etemad — «Under the Skin of the City,» «The May Lady» Siddiq Barmak * — «Opium War,» «Osama» Aida Begić * — «Children of Sarajevo,» «Snow» Jeremy Brock — «True Crimes,» «The Last King of Scotland» Jared Bush * — «Zootopia,» «Moana» John Collee — «Tanna,» «Master and Commander: The Far Side of the World» Buddhadeb Dasgupta — «The Wrestlers,» «The Red Door» Kenneth Angelo Daurio, Jr. — «The Secret Life of Pets,» «Despicable Me» Luke Davies — «Lion,» «Life» Mohamed Diab — «Clash,» «Cairo 678» Lav Diaz * — «A Lullaby to the Sorrowful Mystery,» «Norte, the End of History» Katie Dippold — «Snatched,» «Ghostbusters» Nelson Pereira dos Santos * — «How Tasty Was My Little Frenchman,» «Barren Lives» Ildikó Enyedi * — «Simon Magus,» «My Twentieth Century» Safi Faye * — «Mossane,» «Lettre Paysanne» Feng Xiaogang — «If You Are the One,» «A World without Thieves» Paz Alicia Garciadiego — «Bleak Street,» «Deep Crimson» Bahman Ghobadi — «Turtles Can Fly,» «A Time for Drunken Horses» Goutam Ghose * — «Shankhachil,» «Paar» Eric Heisserer — «Arrival,» «Lights Out» Barry Jenkins * — «Moonlight,» «Medicine for Melancholy» Alejandro Jodorowsky * — «The Holy Mountain,» «El Topo» Phil Johnston * — «Zootopia,» «Wreck - It Ralph» Kim Ki - duk * — «3 - Iron,» «Spring, Summer, Fall, Winter... and Spring» Mohammed Lakhdar - Hamina * — «Chronicle of the Years of Embers,» «The Winds of the Aures» Brit Marling — «The East,» «Another Earth» Márta Mészáros * — «Diary for My Children,» «Adoption» Mike Mills — «20th Century Women,» «Beginners» Idrissa Ouedraogo * — «Tilaï,» «Yaaba» Éva Pataki — «The Seventh Room,» «Diary for My Loves» Cinco Paul — «The Secret Life of Pets,» «DespicableMe» Jordan Peele * — «Get Out,» «Keanu» Simon Pegg — «Run Fat Boy Run,» «Shaun of the Dead» Mohammad Rasoulof * — «Manuscripts Don't Burn,» «Goodbye» Eran Riklis * — «Lemon Tree,» «The Syrian Bride» Céline Sciamma — «My Life as a Zucchini,» «Tomboy» Mrinal Sen * — «The Case Is Closed,» «In Search of Famine» Taylor Sheridan — «Hell or High Water,» «Sicario» Sooni Taraporevala — «Mississippi Masala,» «Salaam Bombay!»

A new report indicates that Arnold Schwarzenegger's planned Terminator 6 may be dead in the water, as the star isn't keen on returning.

The Trump Administration's proposed $ 167 million funding increase for the federal Charter Schools Fund as well as implement education tax credits into the proposed revamp of the tax code are already dead in the water.

As voucher school advocates in Wisconsin celebrate the 25th anniversary of the Milwaukee school choice program this week, an effort to pass a school accountability bill appears to be dead in the water.

Aaron's right that Subaru junkies will probably buy it, though if it doesn't drive as well as or better than the average hybrid, it could be dead in the water.

Add to that the fact that 38 per cent of people still have no plans to start reading ebooks, and print might not be quite as dead in the water as people seem to think.

As a «new» author, who is considered dead in the water by the traditional publishing industry because of being chronologically «old», self / indie publishing is a no - brainer.

and as far as «dead in the water» name one product, (except the G1 (tmo)-RRB- thats hasnt been dead 6 months later?!

As we have long predicted, the FHA's short refi program continues to be dead in the water.

Formerly called, «animal collectors,» a term which may denote collection of valuable items like stamps or cars, hoarders confine animals in filth, often in uncomfortably small cages, underfed and dehydrated although food and water are on the premises; dead or dying animals are often found on the premises as well.

Limber tail syndrome, also referred to as dead tail, cold water tail, and broken tail, is a condition often seen in hunting or sporting dogs.

To remove these stages, as well as eliminate dead fleas, your pet's bedding should be washed in hot water or replaced.

When one of our Humane Officers arrived on scene, it was exactly as the reporting party stated — 2 dogs in a small crated, placed in direct sun, with no food or water, and one looked dead.

On Saturday mornings, when the weekly commuters who usually rush in like blood have emptied out like a stomach and left only cigarette butts scattered like piñata droppings, I roam around thinking of the dead four hundred, passing the library and remembering it as a reservoir, not full of books but of water; I gather up anecdotes from when this neighborhood was something else.

The Dead Sea is one of the densest bodies of water on our planet, meaning that you don't swim so much as float or bob — like a cork — in the water.

Though we don't have a shred of detail when it comes to Mass Effect: Andromeda's future DLC plans at the minute, it certainly isn't as dead in the water as yesterday's rumours suggested.

In this interview Rauschenberg speaks of his role as a bridge from the Abstract Expressionists to the Pop artists; the relationship of affluence and art; his admiration for de Kooning, Jack Tworkov, and Franz Kline; the support he received from musicians Morton Feldman, John Cage, and Earl Brown; his goal to create work which serves as unbiased documentation of his observations; the irrational juxtaposition that makes up a city, and the importance of that element in his work; the facsimile quality of painting and consequent limitations; the influence of Albers» teaching and his resulting inability to do work focusing on pain, struggle, or torture; the «lifetime» of painting and the problems of time relative symbolism; his feelings on the possibility of truly simulating chance in his work; his use of intervals, and its possible relation to the influence of Cage; his attempt to show as much drama on the edges of a piece as in the dead center; his belief in the importance of being stylistically flexible throughout a career; his involvement with the Stadtlijk Museum; his loss of interest in sculpture; his belief in the mixing of technology and aesthetics; his interest in moving to the country and the prospect of working with water, wind, sun, rain, and flowers; Ad Reinhardt's remarks on his Egan Show; his discontinuation of silk screens; his illustrations for Life Magazine; his role as a non-political artist; his struggles with abstraction; his recent theater work «Map Room Two;» his white paintings; and his disapproval of value hierarchy in arIn this interview Rauschenberg speaks of his role as a bridge from the Abstract Expressionists to the Pop artists; the relationship of affluence and art; his admiration for de Kooning, Jack Tworkov, and Franz Kline; the support he received from musicians Morton Feldman, John Cage, and Earl Brown; his goal to create work which serves as unbiased documentation of his observations; the irrational juxtaposition that makes up a city, and the importance of that element in his work; the facsimile quality of painting and consequent limitations; the influence of Albers» teaching and his resulting inability to do work focusing on pain, struggle, or torture; the «lifetime» of painting and the problems of time relative symbolism; his feelings on the possibility of truly simulating chance in his work; his use of intervals, and its possible relation to the influence of Cage; his attempt to show as much drama on the edges of a piece as in the dead center; his belief in the importance of being stylistically flexible throughout a career; his involvement with the Stadtlijk Museum; his loss of interest in sculpture; his belief in the mixing of technology and aesthetics; his interest in moving to the country and the prospect of working with water, wind, sun, rain, and flowers; Ad Reinhardt's remarks on his Egan Show; his discontinuation of silk screens; his illustrations for Life Magazine; his role as a non-political artist; his struggles with abstraction; his recent theater work «Map Room Two;» his white paintings; and his disapproval of value hierarchy in arin his work; the facsimile quality of painting and consequent limitations; the influence of Albers» teaching and his resulting inability to do work focusing on pain, struggle, or torture; the «lifetime» of painting and the problems of time relative symbolism; his feelings on the possibility of truly simulating chance in his work; his use of intervals, and its possible relation to the influence of Cage; his attempt to show as much drama on the edges of a piece as in the dead center; his belief in the importance of being stylistically flexible throughout a career; his involvement with the Stadtlijk Museum; his loss of interest in sculpture; his belief in the mixing of technology and aesthetics; his interest in moving to the country and the prospect of working with water, wind, sun, rain, and flowers; Ad Reinhardt's remarks on his Egan Show; his discontinuation of silk screens; his illustrations for Life Magazine; his role as a non-political artist; his struggles with abstraction; his recent theater work «Map Room Two;» his white paintings; and his disapproval of value hierarchy in arin his work; his use of intervals, and its possible relation to the influence of Cage; his attempt to show as much drama on the edges of a piece as in the dead center; his belief in the importance of being stylistically flexible throughout a career; his involvement with the Stadtlijk Museum; his loss of interest in sculpture; his belief in the mixing of technology and aesthetics; his interest in moving to the country and the prospect of working with water, wind, sun, rain, and flowers; Ad Reinhardt's remarks on his Egan Show; his discontinuation of silk screens; his illustrations for Life Magazine; his role as a non-political artist; his struggles with abstraction; his recent theater work «Map Room Two;» his white paintings; and his disapproval of value hierarchy in arin the dead center; his belief in the importance of being stylistically flexible throughout a career; his involvement with the Stadtlijk Museum; his loss of interest in sculpture; his belief in the mixing of technology and aesthetics; his interest in moving to the country and the prospect of working with water, wind, sun, rain, and flowers; Ad Reinhardt's remarks on his Egan Show; his discontinuation of silk screens; his illustrations for Life Magazine; his role as a non-political artist; his struggles with abstraction; his recent theater work «Map Room Two;» his white paintings; and his disapproval of value hierarchy in arin the importance of being stylistically flexible throughout a career; his involvement with the Stadtlijk Museum; his loss of interest in sculpture; his belief in the mixing of technology and aesthetics; his interest in moving to the country and the prospect of working with water, wind, sun, rain, and flowers; Ad Reinhardt's remarks on his Egan Show; his discontinuation of silk screens; his illustrations for Life Magazine; his role as a non-political artist; his struggles with abstraction; his recent theater work «Map Room Two;» his white paintings; and his disapproval of value hierarchy in arin sculpture; his belief in the mixing of technology and aesthetics; his interest in moving to the country and the prospect of working with water, wind, sun, rain, and flowers; Ad Reinhardt's remarks on his Egan Show; his discontinuation of silk screens; his illustrations for Life Magazine; his role as a non-political artist; his struggles with abstraction; his recent theater work «Map Room Two;» his white paintings; and his disapproval of value hierarchy in arin the mixing of technology and aesthetics; his interest in moving to the country and the prospect of working with water, wind, sun, rain, and flowers; Ad Reinhardt's remarks on his Egan Show; his discontinuation of silk screens; his illustrations for Life Magazine; his role as a non-political artist; his struggles with abstraction; his recent theater work «Map Room Two;» his white paintings; and his disapproval of value hierarchy in arin moving to the country and the prospect of working with water, wind, sun, rain, and flowers; Ad Reinhardt's remarks on his Egan Show; his discontinuation of silk screens; his illustrations for Life Magazine; his role as a non-political artist; his struggles with abstraction; his recent theater work «Map Room Two;» his white paintings; and his disapproval of value hierarchy in arin art.