In an age of STEAM and the colliding of everything,
the isolated life of an artist feels visionary to us.
Not exact matches
Labs provide
artists an
isolated retreat setting
of soul - nurturing natural beauty, removed from the demands
of contemporary
life.
While
living in the
isolated rural area
of Broken Hill, his mother, a practising
artist introduced him to art through a diverse collection
of art reproductions, stored in an old suitcase.
«Tatjana Gerhard (* 1974,
lives in Berlin) invents ghostlike figures who hurl autistically on the floor or sit
isolated and forlorn on tree trunks... Nina Weber (* 1980, currently
lives in South Africa as part
of an
artist residency program) makes ink and ink pen drawings that are very dense and ornamental.»
Lubaina Himid has dedicated much
of her professional and curatorial
life to making Black
artists and specifically Black female
artists more visible, but here in Hull she is very literally representing Black
lives, by for example overpainting porcelain dinnerware with the images
of slaves that would have been the ones using them to serve food, or by
isolating racist stereotypes in newspaper clippings from the Guardian, or through her larger than
life cut - outs
of Black servants in A Fashionable Marriage.
Many
of the
artists create to relax or escape, using creativity as a response to
life's difficulties and as a vehicle to express themselves in an increasingly
isolating and lonesome world.
Salt's recent paintings continue to portray imagery
of America from the 1970s; Red Mailbox II features signature elements that the
artist has depicted throughout his career — the nearly broken - down vehicle in the driveway, the aging mobile home, and the subtle signs
of life disrupting and comingling with the
isolated, rural setting.
Terence Koh's work (sculptures, installations, performances, and
artist books) address the beauty and sublime transcendence
of emptiness, the intertwining
of all realms
of life and death, and the constellations
of dark matter that create the
isolate worlds in which we
live.
The broad range
of vision engages one with its formal and narrative authority — from elegant self - contained cerebral works like On Kawara's «Today» series, in which the
artist paints only a date
of the year against a background
of color, and Roni Horn's wall - sized photographic series composed
of 36 progressive clown portraits
of perceptual ambiguity, both
artists neatly
isolating individual permutations
of life's sequential narrative, to Peter Fischli and David Weiss» collaborative film, «Der Lauf der Dinge (The Way Things Go),» in which the unconstructed imagery is punctuated by bursts
of random narrative that addresses
life's impermanence.
An important aspect
of Altoon's story is the transition from a fully engaged New York studio
artist with twenty years
of showing at Marlborough Gallery, New York to an
isolated Vermont
artist living in an 1830's remote cape and fully engaging in a daily conversation with a lively art community.
Perpetuating the glamorized narrative
of the artistic benefits
of culturally
isolated madness feels both outdated and detrimental to
living outsider
artists whose practices can in fact provide a more nuanced understanding
of the complexities
of mental disability.