Sentences with phrase «issues about making the film»

Not exact matches

19 August 2014: An Oscar - winning director has made a feature film about the baby milk issue.

After getting some blowback for criticizing a program that indirectly benefited her as Miranda Hobbes in the two Sex and the City movies (actors» salaries are not eligible for the subsidies, and the long - running TV show completed filming before the program was created), she made it clear she was serious about the issue, as the New York Post reported:

She and her colleagues published another paper in the same issue of Journal of Heredity about blue macaws, the charismatic and threatened parrots made famous by the animated film Rio.

* documentary filmmaker - I make films about social issues * teacher - I teach socially conscious filmmaking to children...

Even when it turns turbulent, the film sustains its warm summer glow, and makes itself a conversation piece about the moral issues it means to raise.

That the film makes almost zero sense is besides the point; those worrying about what Frank's job is, how Mitch's nerdy co-workers find out about the fraternity, or why Mitch's standard - issue love interest Nicole (Ellen Pompeo, who looks like a more sandy - haired Renée Zellweger) has any interest in the doofus will be flummoxed by the gaping holes in logic and narrative cohesion on display.

During the interview, Hooper talked about if he felt any pressure following up Les Miserables and The Kings Speech, the experience of making a film about transgender issues when the subject is so timely, when he first realized Redmayne and Vikander would deliver such tremendous performances, deleted scenes, how his first cut compared to the finished film, if he's conscious of making «awards» films and whether he want to break out of that, future projects, and so much more.

Talks about making a film about transgender issues when the subject is so relevant and such a part of the zeitgeist.

There are a lot of things to admire about the 12 - issue miniseries (from its multilayered narrative to its psychologically complex characters), but the Holy Bible of comic books it is not, and that only makes reviewing the film adaptation even more difficult.

The biggest issue found in Future Weather is how the film pushed its conservation message into as many scenes as possible, making it seem more about saving the environment than about its characters.

Now he has made a film set in Albania, in Albanian about an issue most have never heard about.

For all of his obvious skills and uncommon talent as a visual storyteller, Kosinski's first two films were short on character depth and emotional engagement, but whether a function of Kosinski's innate preferences for spectacle over substance or simply script - related issues, Kosinski's feature - film output made him an odd, left - of - field choice to direct a film about American firefighters and the Yarnell Hill Fire of 2013 that resulted in the greatest loss of firefighters since 9 - 11 more than a decade earlier.

Finally, he's made a film about something larger than daddy issues, and in so doing, even made me slightly more empathetic toward his entire career.

The issue is not that the film fails to «repair» these three marriages, or to showcase some sort of profound personal growth in these individuals; for a movie that seems sincerely curious about what makes healthy relationships work, it taps only into their most familiar problems, and then relies on cute, superficial solutions to them.

The film isn't about the central issue at stake; it's simply a character - study of one woman going through life who decides to make a specific choice when faced with a difficult situation.

Mysterious and ethereal, the German film (given Sonvilla's documentary - making history, perhaps) brings into question issues about Europe's future.

Gary Oldman makes the iconic role of George Smiley his own, but he's about the only thing in this bleak film that I have no real issue with.

Clooney has repeatedly said he's not looking for a career change, but at the Toronto International Film Festival, where his new film «Suburbicon» is screening, he made it clear that he won't stop speaking out about the political issues he cares about.

Granted, the earlier films never made a big deal about characters chowing down (and I don't recall Diego taking a bite since the series began, though perhaps he has), but this time our heroes spend so much time stranded at sea that starvation and eating should be an issue.

In the end, I am going to go with my gut instinct about the film and judge it not by the title or lack of thematic focus, and give Estevez his due in making a compelling film about a plethora of interesting issues, with tie - ins to events that effectively contrast to the state of today's world.

Without issuing directives nor suggesting that only films made by and / or about women be eligible, we asked members to suggest titles they?d like to see on AWFJ?s Top 100 Films List.

Redmayne has publicly positioned his interest in making this film as an effort to raise further awareness about transgender issues, and perhaps Hooper et al. similarly wanted to capitalize on the timeliness of the subject in an effort to raise further awareness.

«We wanted to make the film entertaining and funny at the same time as we're dealing with complicated social issues,» says Ostlund of his film, about a suave museum curator (Claes Bang) whose life unravels when his wallet and phone are stolen.

This speaks, of course, of larger industry problems, of issues of funding and distribution, of what stories get made and marketed to larger audiences, of which films get studio backing, which stars get cast, etc. but it nevertheless seemed rather telling that stories of young black men and cross-cultural relationships, and foreign films about burgeoning and belated sexual awakenings end up ghettoized this way.

Rather than face these issues and the people involved, she accepts a job making a film about the ship - breakers of Chittagong, beaches that are the graveyards of decommissioned liners, an environment with safety issues, full of men with tragic stories.

What I care about is that indie authorship gains a viability and respect to sit alongside indie film and indie music, so that when someone makes the decision of how they want to publish, the issue or fear of stigma doesn't enter into the decision at all.

Introduction by Renske Janssen will feature a live phone interview with Lawrence Weiner himself all the way from France; about the motivation for making this film and the way it relates to current issues in art and society, a question which forms the backdrop of the presentation.

Central to all of Shonibare's work, which includes sculpture, painting, photography, and film - making, is the debate about social, cultural, and political issues that shape history and constructs identity.

Produced by CFACT and CDR Communications in the one - of - a-kind entertaining and informative style that has made CFACT's award - winning ClimateDepot.com one of the world's most sought after sources for reliable, hard - to - find facts about climate issues, this groundbreaking film tears the cover off of global warming hype, and exposes the myths and exaggerations of this multi-billion dollar issue.