Sentences with phrase «issues in their artistic practices»

Not exact matches

Lothlorien has made internet headlines for her approaches to digital publishing, notably some harsh criticism in recent months over her practice of responding to both positive and negatives reviews of her books, which she sees as more of a customer service issue than an artistic one.

Southern Exposure's nationally recognized Artists in Education (AIE) program brings together diverse youth, artists, schools and organizations to provide meaningful participation in the visual arts, sparking a dialog on contemporary artistic practice and sociopolitical issues.

on critical and timely issues in artistic and curatorial practice.

By placing socially historical imagery in a contemporary context, Dunn is able to rigorously question a range of issues from racial identity to social justice through his artistic practice.

Recent projects include Another Utopia (2015), a year - long project culminating in an installation and film exploring the squatting and housing co-operative movement of the 70's and 80's in London, and The Potential Space (2014), a film looking at parallels between making utilitarian objects and artistic practice, developed with members of Friends of Cathja, a charity that supports people experiencing mental health issues.

With your support, Art in General can continue to offer cutting - edge programs at no cost to the public, enabling them to engage with critical and timely issues through the exploration of different artistic and curatorial practices.

«Each artwork was made in the last year or two and reflects the most critical ideas and issues motivating artistic practices today,» Suzanne Weaver, the institution's curator of modern and contemporary art, said.

They represented several generations of Chicago - based artists who apply activist intentions, conceptual strategies, and experimental artistic approaches to complex social issues; they epitomize a larger «critical mass» of peers who have sustained and invigorated this kind of critical art practice in Chicago.

Paul Kuniholm Pauper's diverse artistic practice arises amidst issues such as consumerism, corporatocratic evolution, anthropological inquiry overlain popular culture, psychological therapeutic mechanisms, sound language, noise identity, compensatory behavior and durational Art, often in response to self - instigated antipathy toward social media and media distortion of identity.

Some of the issues to be expanded upon are: research as artistic production; the problematic question of agency within co-production; professionalization versus the instinctual amateur; writing as curatorial practice; the exhibition as a form of research action; expanded notions of the curatorial and the role of research models and methodologies within these; art writing as a curatorial form, and the distinction between research into curatorial practice / exhibition histories and the curatorial as in itself a mode of research practice.

Aceti explained that Kuball had been chosen because of his artistic practice which, spanning over 40 years, has faced up to the challenges of artworks in public spaces and uncomfortable social themes and issues.

The article, which is about Cianciolo's career and artistic practice, appears in the magazine's November 2015 issue and features her work on the cover.

«In selecting Anicka Yi as the winner from an exceptionally strong group of nominated artists, we wish to highlight the singularity of her vision and the generative new possibilities for artistic production offered by her practice», read a statement issued by the jury.

Interestingly, although being a black artist he does not incorporate motifs related to racial topics, rather he is eager to fully establish his artistic practice by applying purely painterly issues in relation to contemporary points of view, urban experiences and, most importantly, humor.

In October 2012 Montserrat College of Art will welcome the Guerrilla Girls and other artists and academics to approach the topic of Art & Activism as it relates to art history, studio art and contemporary issues within artistic practice.

Through both their artistic and entrepreneurial practices, they are intensely interested in the values and issues of artists independently producing and distributing art.

«Each artwork was made in the last year or two and reflects the most critical ideas and issues motivating artistic practices today,» Suzanne Weaver, the museum's modern and contemporary art curator, said in a statement.

MB: How do you deal with the issue of representation in your artistic practice, working with the medium that, one could argue, plays the most important role in the creation of stereotype images that exist of «Africa»?

Shortlisted submissions are evaluated by the YYZ Programming Committee, which is comprised of contemporary artists and other cultural professionals with broad knowledge of diverse artistic practices and current issues in contemporary art.

She is interested in artistic practices that reflect an engagement with issues of place, identity, and political imagination and has recently worked with artists such as Yael Bartana, Nicole Cherubini, Adler Guerrier, Iman Issa, LOS JAICHACKERS (Julio Cesar Morales and Eamon Ore - Giron), Bouchra Khalili, and Nari Ward to develop new projects and exhibitions.

Art in General also produces an annual educational program on critical and timely issues in artistic and curatorial practice.

Alongside Art in General's exhibition programs that take place in New York and internationally, its public programs and publications examine critical and timely issues in artistic and curatorial practice.

How could the issue of resistance find a place in artistic practices?

The programme elaborates on certain issues articulated by the exhibition such as the use of the body as a terrain for artistic practice and the influence of the biographical in the formation of an artist's vernacular.

In addition to formal and aesthetic criteria, when I develop curatorial concepts I am particularly interested in current issues that are relevant to art - historical discourses and artistic practice, and are also generated from within theIn addition to formal and aesthetic criteria, when I develop curatorial concepts I am particularly interested in current issues that are relevant to art - historical discourses and artistic practice, and are also generated from within thein current issues that are relevant to art - historical discourses and artistic practice, and are also generated from within them.

The walkthrough culminates in a dialog that underscores the key issues we identify as a group, their impact on the communities and political contexts we're engaged in as well as their relationship to the expanded field recognized as artistic practice today.

The artists included in this program employ a variety of techniques regarded as traditional and domestic, such as embroidery and crochet, using craft materials to address cultural and gender issues in a complex intersection of artistic practices, popular culture, and aesthetic splendor.

In an age in which social media has dominated our public and private lives, and issues of identity and representation abound, performance is a contemporary mode of artistic practicIn an age in which social media has dominated our public and private lives, and issues of identity and representation abound, performance is a contemporary mode of artistic practicin which social media has dominated our public and private lives, and issues of identity and representation abound, performance is a contemporary mode of artistic practice.

In 2004 Angelika Richter was appointed director of the 6th Werkleitz Biennale, entitled «Common Property / Allgemeingut», which explored issues of cultural property, knowledge production, collective artistic practice and interventions in the public and media realIn 2004 Angelika Richter was appointed director of the 6th Werkleitz Biennale, entitled «Common Property / Allgemeingut», which explored issues of cultural property, knowledge production, collective artistic practice and interventions in the public and media realin the public and media realm.

«INTERLACE: Three Artists in the Cambodian Diaspora» looks at the artistic practice of Anida Yoeu Ali, Amy Lee Sanford and LinDa Saphan, three female artists of the same generation who grew up as refugees in foreign countries, invested with the dilemma of dealing with issues of hybridity, otherness and displacement.

Since 2008, LMCC has presented a suite of free workshops and intensive seminars on timely issues in the areas of business proficiency, artistic practice, and community engagement.

The group show, whose title is inspired by a song from the 1970s funk band the Ohio Players, looks at issues of society, sexuality and black womanhood — in works that are variously inspired by folk art traditions, Afro - Caribbean folklore and myriad other artistic practices.

The research involves contemporary artists and other cultural practitioners and builds a starting point to re-think issues in contemporary artistic and discursive practices.

Her distinctive curatorial approach is informed by her interest in artistic and cultural diversity, cross-disciplinary artists» practice, social issues and audience engagement.

Moreover, because the images are now thirteen to twenty years old, the relevant issues in the current exhibition are less about recent artistic production and more a matter of curatorial practice, art history, and the history and generative possibilities of the photographic image itself.

And in this sense, speaking of the issue of time you have also mentioned... What is now happening around all of us and is manifesting itself in your artistic practice... Is it, in your opinion, the consequence of the catastrophe that has already occurred, or is it just a process of production and the «screening out» of things that will be able to survive the apocalypse that is yet to come?

She has participated in our curated exhibitions: «FEMME TO FEMME FATALE» @ MODERN EDEN GALLERY and «LES PETIT FOURS» @ FRIENDS OF LEON GALLERY, was featured in Issue 011 of Beautiful Bizarre Magazine, and has shared her thoughts and details of her practice with us through other great interviews over the years: THE ARTISTIC PRACTICE OF ANIA TOMICKA, AN INTERVIEW WITH ANIA practice with us through other great interviews over the years: THE ARTISTIC PRACTICE OF ANIA TOMICKA, AN INTERVIEW WITH ANIA PRACTICE OF ANIA TOMICKA, AN INTERVIEW WITH ANIA TOMICKA.

Third were the thematic issues — Issue 2.6 / Food and Issue 2.15 / Performance: The Body Politic — and the thematic features that unfolded over the course of the year: Bruno Fazzolari's conversation series investigating abstraction and the terms on which it is defined or negotiated in contemporary artistic practice; Elyse Mallouk's Landfill series, which triangulates with a print journal, quarterly subscription, and website, all of which archive and redistribute the materials produced by socially engaged artworks; and Zachary Royer Scholz's series about the historical and contemporary economic, political, technological, and cultural factors that shape the visual arts in the Bay Area and its possibilities for the future.

«Each artwork was made in the last year or two and reflects the most critical ideas and issues motivating artistic practices today,» says Suzanne Weaver, The Brown Foundation Curator of Modern and Contemporary Art.

The exhibition Todas las variaciones son válidas, incluida esta (All Variations Are Valid, Including this One), presented by the Museo Reina Sofía, addresses these issues and reflects upon other key aspects in her artistic practice, for instance the visibility of the creative process in time and space and the mobilisation and transformation of the body.

Batterman's current artistic practice in multi-media collage is primarily concerned with themes of militarism in the context of domesticity, as well as larger issues of national and materialistic identity.

Galleria PACK is proud to present a chronicle of pictures of the most extreme actions by Russian artist Pyotr Pavlensky, whose artistic practice draws attention to and protests against the social and political injustices in Russia today, he points his finger at hard issues such as human rights, censorship as well as the lack freedom of expression and thought in today's Russia and Europe in general.

Exhibitions addressed important issues in contemporary artistic practice, drawing creativity from neglected areas of art.

The complex, internecine role of community in defining artistic practice speaks to larger issues around the critical viability of figurative painting today.

Contributor Francesco Zuddas highlights the exhibition's connection to the Bronx Museum's 2011 Beyond the Supersquare Conference as well as the «well - curated» exhibition's exploration of «two crucial issues:» «the legacy in terms of artistic practice,» and «the observation of the contemporary South - American city.»

In 2011, Independent Curators International (ICI) launched Sourcebook, a new publication series with a focus on artists and their practice, offering a fresh perspective on political and cultural issues impacting and inspiring the artistic process.

Portraying her investigation of the issue through artistic means, she has developed a practice that not only opens the conversation on the subject and with a wide audience but does so in a visually stunning way that often sends chills down the spine.