Sentences with phrase «ist ein»

Die Dental Anxiety Scale ist ein ökonomisches Screening - Instrument zur Abschätzung des allgemeinen Zahnbehandlungsangstniveaus, während das Dental Fear Survey insbesondere bei hochängstlichen Patienten deren spezifische Dentalphobien erfassen kann.

Solo exhibitions 2018 T293, Roma (upcoming) 2018 INCA, Institute for New Connotative Action, Portland, OR, US (upcoming) 2018 «The Prodigal Daughter», GagaReena, Los Angeles, CA, US (upcoming) 2018 «Invisible receivers», Century Pictures, Brooklyn, NY 2017 «I Am Your Voice», Karst, Plymouth 2017 «The Crack - Up», Neuer Berliner Kunstverein, Berlin 2016 «Claire Fontaine», Académie de France à Rome — Villa Medici, Rome 2016 «Claire Fontaine», Museo Pietro Canonica a Villa Borghese, Rome 2016 «MAY OUR ENEMIES NOT PROSPER», Galerie Neu, Berlin 2015 «The winter of discontent», Carl Kostyál, London 2015 «Love is Never Enough», Air de Paris, Paris 2015 «Stop Seeking Approval», Metro Pictures, New York 2015 «Pretend to be dead», T293, Rome 2013 «Using Walls, Floors, and Ceilings», The Jewish Museum, New York 2013 «Un regard sur l'Inventaire vol.1 et vol.3», Frac Haute Normandie, Sotteville - lès - Rouen 2013 «Etrangers Partout», Frac Provence - Alpes - Cote d'Azur, La Bouilladisse 2013 «Some Redemptions», Metro Pictures, New York 2013 «1493», Espacio 1414, Porto Rico 2013 «Redemptions», CCA Wattis Institute for Contemporary Arts, San Francisco 2013 «Sell Your Debt», Queen's Nails, San Francisco 2012 «Carelessness Causes Fire», Audain Gallery, Vancouver 2012 «Breakfast starts at midnight», Index, Stockholm 2012 «Ma l'amor mio non muore», T293, Rome 2012 «Équivalences et Généralités», La Douane, Galerie Chantal Crousel, Paris 2012 «M - A-C-C-H-I-N-A-Z-I-O-N-I», Museion, Bolzano 2011 «M - A-N-I-P-U-L-A-T-I-O-N-S», SIZ Gallery, Rijeka 2011 «Working Together», Metro Pictures, New York 2011 «The Assistants», Petra, Messico D.F. 2011 «I», Yama, Istanbul 2011 «The Interpreter», Artist Projects, Art Brussels, Brussels 2011 «P.I.G.S.», MUSAC Contemporary Art Museum, Castiglia e León 2011 «Some instructions for the sharing of private property», Onestar Press, Paris 2011 «No Family Life», Air de Paris, Paris 2011 «Fighting Gravity», Regina Gallery, London 2011 «Fighting Gravity», Regina Gallery, Moscow 2011 «Arando en el mar», Gaga Galería de Arte Contemporáneo, Messico D.F. 2010 «Consumption», Helena Papadopoulos Gallery, Athens 2010 «Closed for Prayers», Dvir Gallery, Hangar 2, Jaffa Port 2010 «Kultur ist ein Palast der aus Hundescheiße gebaut ist», MD72, Mehringdamm 72, Berlin 2010 «Unbuilding», Caterina Tognon Gallery, Venice 2010 «Economy», Museum of Contemporary Art, Miami Nord 2010 «Future Tense», Museo Tamayo Arte Contemporáneo, Messico, D.F. 2009 «Inhibitions», Reena Spaulings, New York 2009 «After Marx April, After Mao June», Aspen Art Museum, Aspen 2009 «Recessions», Galerie Gabriele Senn, Wien 2009 «The Exhibition Formerly Known as Passengers», CCA Wattis, San Francisco 2009 «Changement de Propriétaire», Sorry We're Closed, Brussels 2009 «Tamed», Perché Napoli?

David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.

Das erste Plug - in - Hybrid - Serienautomobil der Kernmarke BMW ist ein Sports Activity Vehicle.

I wish, for example, that I could have the time back for the one hour I wasted watching Philip Gröning's Mein Bruder heißt Robert und ist ein Idiot (My Brother's Name is Robert and He is an Idiot) before walking out of this three - hour long Teutonic exercise in treading on Terrence Malick - ia.

Vergleich ist ein Test.

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Not exact matches

In der Szene, in der Miranda Andy erklärt, dass ihr ausgebeulter blauer Cardigan ein Abbild einer Designer - Kollektion aus vergangenen Jahren ist.

Dass auch wenn man keine Ahnung von Designern und den aktuellen Shows auf den Laufstegen hat, man wahrscheinlich spätestens in der nächsten Saison ein Teil trägt, das von genau diesen Shows inspiriert ist.

speed dating leipzig telegraph 4339Wir erwarten, dass ein Mann ritterlich ist, aber wenn er die Tr fr uns hlt, werden einige von uns.

best free online dating sites 2015 Ein Fundus von Ideen ist hier fr den Suchenden auf 5 Seiten zu finden.

In yesterday's email I came across the following sentence: «Das Traumwunderland ist per S - Bahn wirklich nur ein paar Katzensprünge entfernt.»

Ars Futura Galerie, Zurich, Switzerland An Schlaf ist nicht zu denken, Lab of Gravity, Hamburg, Germany Wespennest, (Wasp's Nest) Anton Kern Gallery, New York, NY 1999 Amerika verschwindet nur das Lächeln bleibt (America Disappears Only the Smile Remains), Anton Kern Gallery, New York, NY KAPUTT und die Folgen (Kaputt and the Consequences), Robert Prime, London, UK Videos, Centre Saint Gervais, Geneva, Switzerland 1998 Ein Sandstrand voll Glas (A Beach Full of Glass), Galerie Daniel Buchholz, Cologne, Germany Kunstschnee will schmelzen, Bureau Amsterdam, Stedelijk Museum, Amsterdam, Netherlands 1997 Samstag Morgen, Zuckersumpf, Robert Prime, London, UK This Bittersweet Disaster, Anton Kern Gallery, New York, NY 1996 Strom, Anton Kern Gallery, New York, NY The Bienenkorb Times, Galerie Daniel Buchholz, Cologne, Germany FRAC Languedoc Roussillon, Montpellier, France 1994 LOW, Artistbooth, Cologne Art Fair, Cologne, Germany LA BOUM, with Thorsten Slama, New Reality Mix, Stockholm, Sweden OMRON, six videos by Lothar Hempel, Preview Theatre Wardour Street, London, UK Bewegungslehre (No Future), Buchholz und Buchholz, Cologne, Germany 1992 240 Minuten, with George Graw, Galerie Esther Schipper, Cologne, Germany

In deutscher oder englischer Sprache, ist Stefan ein erstklassiges Klima Kommunikator.