In June of 2018, Gale's work will be featured in Made in L.A. 2018, the fourth
iteration of the Hammer Museum's biennial, curated by Erin Christovale and Anne Ellegood.
Following the third
iteration of the Hammer's biennial exhibition, Made in L.A., the museum announced the temporary closure of its third floor galleries for renovation.
This third
iteration of the Hammer Museum's biennial exhibit highlights the methodologies of artists working throughout Los Angeles.
Aram Moshayedi, co-curator of a, the, though, only, this year's
iteration of the Hammer Museum's Made in L.A. biennial discusses the exhibition and Todd Gray's perfomance / social sculpture, Ray in Flash Art.
The latest
iteration of the Hammer Museum's biennial Made in L.A. 2014 exhibition features works by 35 Los Angeles artists, with an emphasis on emerging and under recognized artists.
The third
iteration of the Hammer Museum's biennial exhibition, called «a, the, though, only,» opens June 12.
The third
iteration of the Hammer's SoCal - focused biennial keeps things wondrously minimal, featuring thoughtful exhibits by only 26 artists that jumps between art - making styles, ideas and generations — from the powerful totemic wood sculptures of Kenzi Shiokava to the bright, graphic paintings of Huguette Caland to the humorous research - based installation of Daniel R. Small.
Made in L.A. 2018 is the fourth
iteration of the Hammer's biennial exhibition, continuing to highlight the practices of artists working throughout Los Angeles and the surrounding areas.
Not exact matches
We now have new and interesting power - ups in each
iteration of the series, and SMB 3 with its inclusion
of Kuribo's Shoe, the Tanooki Suit, the Raccoon Suit, the
Hammer Brother Suit, and the Frog Suit are to thank for that.
This summer, the
Hammer presents the third
iteration of our biennial exhibition.
2016 also marked the
Hammer's third
iteration of our biennial exhibition Made in L.A. Titled Made in L.A. 2016: a, the, though, only, the exhibition continued to highlight the practices
of artists working throughout Los Angeles and surrounding areas.
He was featured in the 2012
iteration of Made in L.A., the Biennial exhibition at the
Hammer Museum, and this past summer was featured in The Arcades: Contemporary Art and Walter Benjamin at the Jewish Museum in New York.
The first
iteration of Made in L.A. was in 2012, and prior to that the
Hammer mounted an Invitational exhibition every two years with the exhibitions Snapshot: New Art from Los Angeles (2001); International Paper: Drawings by Emerging Artists (2003); THING: New Sculpture from Los Angeles (2005); Nine Lives: Visionary Artists from L.A. (2009) and All
of this and nothing (2011).
For the
Hammer Museum's «Made in L.A. 2014» biennial, Golden, 41, will present the latest
iteration of Busts: My Personal Winter, a perpetual work in progress she began in 2010.
A continuance
of an evening curated at REDCAT in 2011, with a second
iteration at the
Hammer Museum in 2012, The Artist Theater Program questions where the erotic can be located in contemporary art - making.
Concerned with artistic labor, technologies
of vision, and nostalgia for the avant - garde, previous
iterations of the work took place in different forms at the
Hammer Museum, Los Angeles and Vilma Gold, London in 2012.
At the
Hammer Museum in LA, I'm producing a quite different
iteration of the piece.
While an earlier version
of RPx was shown at the Whitney Biennial, its most recent
iteration opens in September at the
Hammer Museum.
Made in L.A., Los Angeles» biennial, is back at UCLA's
Hammer Museum for its third
iteration of highlighting artists working in the greater Los Angeles area.