by Walter Chaw David Yates's The Legend of Tarzan is at once a long - overdue, if massively - fictionalized, biopic of George Washington Williams's time in the Congo observing colonial Belgium's abuses of the rubber,
ivory, and diamond
trades; and it's an adaptation, nay, updating of Edgar Rice Burroughs's first five Tarzan books, with heavy creative
license taken but the spirit kept largely intact.
Following the ban, Hong Kong issued possession
licenses to traders, allowing
ivory obtained before 1976 (before CITES provisions became applicable to elephants) to be freely
traded, and
ivory imported before 1990 (pre-ban
ivory) to be
traded within Hong Kong.