Playfully approaching the grand canyons of personal trauma and the emotional ruptures of global adoption politics through popping aural ellipses and
jarring jump cuts, Jensen deftly handles a sensitive issue, based on her own experience as a Danish adoptee returning to South Korea to find her birth mother.
Not exact matches
Best - case scenario: The movie remembers what made the first one (and its Japanese inspiration) so damn scary, and director F. Javier Gutierrez emphasizes tension over
jump cuts and
jarring sound cues.
How many
jarring, clipped and frenetically
jump -
cut scenes can you get away with in order to convey the skittery, anxious and nervous world of coke, meth and other paranoiac drugs and the skeezy lowlifes who inhabit it?