He compiled, presented & mixed the first album of Baile Funk produced outside of Brazil «Slum Dunk Presents Funk Carioca», (Mr Bongo Records in 2004) as well as an essential primer to early - 80s Post-Punk from São Paulo, the influential The Sexual Life of The Savages — Underground Post Punk from Sao Paulo, released on
Soul Jazz Records in 2005).
The game also allows you to lay your choice of dozens of smooth
jazz records in the background as you send out patrolmen and conduct investigations.
My dad played lots
of jazz records like Miles Davis, Nina Simone and Ray Charles.
Senator Cruz introduced me as «an international bestselling author, a Top Five
jazz recording artist, and a leading Canadian human rights activist».
Inspired by «Herbert Bayer's Bauhaus posters and the
old jazz record sleeve designs of Duke Ellington», the end result is a contemporary design that ties in with the focus of the brand as an online furniture and homeware boutique.
He built the largest
independent Jazz record label in the world, Fantasy Records and, through the Saul Zaentz Company, became a prominent independent film producer.
Glenn Ford is the dedicated new teacher, Anne Francis is his supportive wife, Louis Calhern is the faculty snob and Richard Kiley is the enthusiastic fellow teacher who gets his vintage
jazz record collection smashed by his students.
Elisa immediately bonds with the creature, befriending him at first with eggs, and later
with jazz records, communicating with him by teaching him sign language.
Cymbal crashes —
from jazz recordings to rock tunes — thrive in that open space, exhibited in smooth, powdery puffs.
Local luminaries Low Budget and Spank Rock will be making a mess on the main floor, and we will be up in the attic trying to figure out ways to
play jazz records, then not playing them at all.
Turned down by every Hollywood studio and most of the major American directors, it was finally made independently by a pair of first time producers — actor Michael Douglas (who bought the rights from his father) and
jazz record impresario Saul Zaentz — and émigré director Milos Forman.
Each speak a universal language both dizzy, daring and strange, from
light jazz records to hard boiled eggs we sense an intimacy simmering between the two.
A son of immigrants who grew up in poor circumstances, Zaentz created the world's largest independent
jazz record company, Fantasy Records, before becoming a film producer who won Best Picture Academy Awards for three films (One Flew Over the Cuckoo's Nest, Amadeus, and The English Patient).
Eleven - year - old Delphine has only a few fragmented memories of her mother, Cecile, a poet who wrote verses on walls and cereal boxes, played
smoky jazz records, and abandoned the family in Brooklyn after giving birth to her third daughter.
In the New York of a decade ago, the square inches of blue eye shadow, lip - disappearing moustaches, and ludicrously suggestive grapefruits dotting the pages of Soul
Jazz Record Publishing's history of disco record covers were still easily plucked from dollar bins and discarded curbside stacks.
He designed album covers for
Pacific Jazz Records and other companies, but the music's reliance on sensual improvisation is what infiltrated his paintings.
With his interactive display of multicolored concentric rectangles, vintage record players covered in sequins and yarn -
covered jazz records, artist Jim Lambie presents work with an ingenious appeal.
Abbott's All Green (1954) projects an intoxicating lyricism akin to Miles Davis» All Blues from his classic
modal jazz recording, Kind of Blue, from the same time period.
Wilmington abstract artist Ellen Priest has painted countless works - including a 17 - year ongoing series of her expressions of
various jazz recordings.
Douglas» major film work Luanda - Kinshasa, 2013 is also presented, which dynamically portrays the documentation of a fictitious Miles
Davis jazz recording set in the 1970s.
The clean low end also served the warm upright bass tones heard on
jazz recordings such as Freddie Hubbard's Dedicated To You extremely well, with each pluck of the strings coming through clearly in the musical image.
In fact, Studio MDHR used traditional hand drawn cel animation, watercolor backgrounds, and
original jazz recordings to faithfully recreate the look and feel of the era.
Years ago, Harvey Pekar did a comic where he figured that with the money he would save by not collecting tons of
old jazz records, he could self - publish a comic book.
His music has been released on labels such as
Soul Jazz Records / Mr Bongo / Bizarre Music / Sulphur Records / Slum Dunk Music — including a collaboration with French artist Sophie Calle «Samba de Monalisa — Tetine Vs Sophie Calle».
A pillar of Pittsburgh's arts community, whose work is on view in 20/20: The Studio Museum in Harlem and Carnegie Museum of Art, Mosley will lead a drawing session, prompted by his sculptures and keyed to his personal collection
of jazz records.
«I think I was meant to be a musician,» says Schwisberg, who was a violin prodigy as a child before moving on to become a DJ and later make 36
jazz records in the 1980s.
Sebastian and Julia are rebels — he's a «sodomite» who listens to
jazz records, she bobs her hair and smokes cigarettes — but they're also committed Catholics, indoctrinated since childhood by their devout, gracious, but domineering mother, Lady Marchmain (Emma Thompson).
Sidney Chambers and the Shadow of Death by James Runcie Good - natured vicar Sidney Chambers doesn't mean to get tangled up in all sorts of murders and thefts — he'd much rather listen to
jazz records, play a nice game of backgammon and put off writing his weekly sermon.
It's not long before you're reunited with his old Pokémon companion Pikachu, who can now speak and has a penchant for coffee and old
jazz records.
Inspired by cartoons of the 1930s, the visuals and audio are painstakingly created with the same techniques of the era, i.e., traditional hand - drawn cel animation, watercolour backgrounds and original
jazz recordings.
Inspired by cartoons of the 1930s, the visuals and audio are painstakingly created with the same techniques of the era, i.e. traditional hand drawn cel animation, watercolor backgrounds, and original
jazz recordings.»
Today, the lovely people at Monotype unveil what may be the first typeface directly inspired by
a jazz record.
Drawing on Tetine's albums The Sexual Life of the Savages (Soul
Jazz Records) & Slum Dunk Presentes Funk Carioca (Mr Bongo Records), this talk explores an intense period of collectivism and DIY production of music, text, art & performance.
Her music has been released internationally on record labels such as Soul
Jazz Records / Mr Bongo / Bizarre Music / Sulphur Records / Slum Dunk Music.
Introducing him at the United States Senate in 2015, Ted Cruz called Mark Steyn «an international bestselling author, a Top Five
jazz recording artist, and a leading Canadian human rights activist».