Sentences with phrase «jazz scene musicians»
With the burgeoning group of Beat writers, Abstract Expressionist painters and jazz scene musicians, the 1950s and early 1960s were an explosive time period for Tworkov and his New York School colleagues.
http://jacktworkov.com/ Not exact matches
Extras: New audio commentary featuring jazz and film critic Gary Giddins, music and cultural critic Gene Seymour, and musician and bandleader Vince Giordano; new introduction by Giddins; new interview with musician and pianist Michael Feinstein; four new video essays by authors and archivists James Layton and David Pierce on the development and making of «King of Jazz»; deleted scenes and alternate opening - title sequence; «All Americans,» a 1929 short film featuring a version of the «Melting Pot» number that was restaged for the finale of «King of Jazz»; «I Know Everybody and Everybody's Racket,» a 1933 short film featuring Paul Whiteman and His Orchestra; two Oswald the Lucky Rabbit cartoons from 1930, featuring music and animation from «King of Jazz.&rajazz and film critic Gary Giddins, music and cultural critic Gene Seymour, and musician and bandleader Vince Giordano; new introduction by Giddins; new interview with musician and pianist Michael Feinstein; four new video essays by authors and archivists James Layton and David Pierce on the development and making of «King of Jazz»; deleted scenes and alternate opening - title sequence; «All Americans,» a 1929 short film featuring a version of the «Melting Pot» number that was restaged for the finale of «King of Jazz»; «I Know Everybody and Everybody's Racket,» a 1933 short film featuring Paul Whiteman and His Orchestra; two Oswald the Lucky Rabbit cartoons from 1930, featuring music and animation from «King of Jazz.&raJazz»; deleted scenes and alternate opening - title sequence; «All Americans,» a 1929 short film featuring a version of the «Melting Pot» number that was restaged for the finale of «King of Jazz»; «I Know Everybody and Everybody's Racket,» a 1933 short film featuring Paul Whiteman and His Orchestra; two Oswald the Lucky Rabbit cartoons from 1930, featuring music and animation from «King of Jazz.&raJazz»; «I Know Everybody and Everybody's Racket,» a 1933 short film featuring Paul Whiteman and His Orchestra; two Oswald the Lucky Rabbit cartoons from 1930, featuring music and animation from «King of Jazz.&raJazz.»
Indiepix Festival Favorites, Volume 2 Value - priced, three film set of music documentaries: «Icons Among Us: Jazz In the Present Tense,» about the modern jazz scene, with Terence Blanchard, Ravi Coltrane, Robert Glasper, Nicholas Payton, Brian Blade & the Fellowship Band, the Dirty Dozen Brass Band, Donald Harrison Jr., Anat Cohen and Esperanza Spalding; «Echotone,» a lyrical documentary providing a telescopic view into the lives of Austin's vibrant young musicians as they grapple with questions of artistic integrity, commercialism, experimentation, and the future of their beloved city; and «Roaring Abyss,» a stunning audiovisual poem, the product of filmmaker Quino Piñero's two years of field recording traditional and modern music from around every corner of Ethiopia, a country of eighty different nationalities and cultures spread amongst mountains, deserts and foreJazz In the Present Tense,» about the modern jazz scene, with Terence Blanchard, Ravi Coltrane, Robert Glasper, Nicholas Payton, Brian Blade & the Fellowship Band, the Dirty Dozen Brass Band, Donald Harrison Jr., Anat Cohen and Esperanza Spalding; «Echotone,» a lyrical documentary providing a telescopic view into the lives of Austin's vibrant young musicians as they grapple with questions of artistic integrity, commercialism, experimentation, and the future of their beloved city; and «Roaring Abyss,» a stunning audiovisual poem, the product of filmmaker Quino Piñero's two years of field recording traditional and modern music from around every corner of Ethiopia, a country of eighty different nationalities and cultures spread amongst mountains, deserts and forejazz scene, with Terence Blanchard, Ravi Coltrane, Robert Glasper, Nicholas Payton, Brian Blade & the Fellowship Band, the Dirty Dozen Brass Band, Donald Harrison Jr., Anat Cohen and Esperanza Spalding; «Echotone,» a lyrical documentary providing a telescopic view into the lives of Austin's vibrant young musicians as they grapple with questions of artistic integrity, commercialism, experimentation, and the future of their beloved city; and «Roaring Abyss,» a stunning audiovisual poem, the product of filmmaker Quino Piñero's two years of field recording traditional and modern music from around every corner of Ethiopia, a country of eighty different nationalities and cultures spread amongst mountains, deserts and forests.
About Blog Debra Hurd an Oil painter, is famous for her insightful paintings of animals, her vivid city scenes and her passionate and perceptive depictions of jazz, rock, and blues musicians.
The languages of royalty and heroism were handed down from the 1920s jazz scene — an important source of inspiration — where musicians would play outside clubs, competing to draw the biggest crowd.
Part of a group of pioneering artists and jazz musicians ensconced in LA's black arts scene, Hammons soon began transitioning to New York where the urban surround bolstered his concepts and performances.
Instead, he went on to become a jazz musician and a painter, inserting images of African Americans in scenes where he thought they should — and knew they did — exist.
Schadeberg's images are an insightful collection of photographs from South Africa's past, featuring portraits from Drum magazine to Nelson Mandela during the Treason Trial, forced removals from Sophiatown, the night life of jazz musicians and dancers as well as enigmatic scenes of township life.
There, from the late 1960s to mid-1970s, he was part of a group of pioneering artists and jazz musicians ensconced in LA's black arts scene.
Ed van der Elsken's shot street scenes, sensuous nudes, jazz musicians, outsiders and bohemian figures like Vali Myers, his most legendary subject and the pivotal character in his pioneering semi-fictional photobook, Love on the Left Bank.
He at first painted what he saw, which ranged from Meeting Place (1930), a swap meet scene, and The Yellow Hat (1936), a formal Cubist painting, to Dispossessed (1940), an eviction scene, and Jazz Musicians (1948), a visual depiction of the bebop that was being played in Harlem.
About Blog Debra Hurd an Oil painter, is famous for her insightful paintings of animals, her vivid city scenes and her passionate and perceptive depictions of jazz, rock, and blues musicians.
About Blog Debra Hurd an Oil painter, is famous for her insightful paintings of animals, her vivid city scenes and her passionate and perceptive depictions of jazz, rock, and blues musicians.