Or, to some extent, the fantasy sequences in The Singing Detective, in which Michael Gambon reminisces (or fantasises) about singing old
jazz standards in a club.
PT: In his catalogue essay for Yearning Upwards, Neil Plotkin makes a case that painting a tree is akin to riffing on
a jazz standard in that the «standard offers the opportunity to consider a familiar subject from a different point of view.»
Not exact matches
Considering legendary
jazz musician John Coltrane a god by musical
standards may be nothing new, but at least one church
in San Francisco has honored the late virtuoso's memory by canonizing him their patron saint.
Considering legendary
jazz musician John Coltrane a god by musical
standards may be nothing new, but at least one church
in San Francisco has honored the late virtuoso's memory by...
SUN AUGUST 13 AT 6:00 PM — TUDOR PARK — LADY AND THE VAMPS (Pop / Rock cover band) @ Tudor Park, 133rd Avenue between 81st and 82nd Streets
in Ozone Park Lady and the Vamps is a band that covers a range of genres from
jazz standards like «Cheek to Cheek» to chart topping hits like «All About That Bass» The band has an impressive and unique sound and its members pride themselves on their technical abilities, improvisational skills, and musical versatility.
Let's Do It, Let's Fall
In Love — Ella Fitzgerald (1956) As a
jazz standard, Let's Fall
In Love has had many guises.
In this 2005 Piano
Jazz session, Wamble and host Marian McPartland perform a number of genre - spanning
standards, from «St. Louis Blues» to John Coltrane's «Naima.»
The fast - rising Virginia songsmith trades
in country - inflected indie rock, which provides a warm backdrop for her voice, though she could just as easily apply her velvety alto to
jazz standards.
It's a measure of the quality of the music
in «Whiplash» that we were originally going to earmark the film for our Soundtracks list (coming next week), so sure we were that director Damien Chazelle had mostly used old
jazz standards to punctuate his thrilling film.
The bebop idea of riffing on a melody to the extent that the melody becomes unrecognizable (with an attendant introduction of dozens of beats to the
standard four - beat bar) carries through
in the frenetic kineticism of series that also, by its format, mirrors
jazz bebop's compact agility (generally carried by quartet and quintet arrangements)-- making a feature - length film, then, a strange place for the «Cowboy Bebop» franchise to go.
It is set primarily
in 1930s Hollywood, enabling the writer - director, who narrates the film but does not appear
in it, to trot out the
jazz standards and old movie references that have always colored his tastes.
Across the pond, Nina Hoss mercilessly snatched ownership of «Speak Low» away from the late Kurt Weill, her warbling rendition of the
jazz standard playing a key role
in one of the greatest final scenes ever shot.
Jazz GLi comes with a raft of
standard features, including power windows and mirrors, central locking and single
in - dash CD stereo.
Thought
Jazz equipped with 10 over years of experiences
in raising & nurture puppies to a competition
standard, competing
in all type of dogsports competitions / trials such as agility.
Selections include classic movie themes from Touch of Evil, Laura, Chinatown, Vertigo, Taxi Driver, Blues
In The Night, Twin Peaks, Toute Une Vie, High Wall, The Long Goodbye and Stormy Weather, modern standards Estate, Caravan, Here's Looking At You and Golden Lady, and two originals: Film Noir (from a poem by Dana Gioia) and Crime Scenes, a San Francisco - inspired jazz suite with voiceover narration in the hardboiled style of Dashiell Hammett and Raymond Chandle
In The Night, Twin Peaks, Toute Une Vie, High Wall, The Long Goodbye and Stormy Weather, modern
standards Estate, Caravan, Here's Looking At You and Golden Lady, and two originals: Film Noir (from a poem by Dana Gioia) and Crime Scenes, a San Francisco - inspired
jazz suite with voiceover narration
in the hardboiled style of Dashiell Hammett and Raymond Chandle
in the hardboiled style of Dashiell Hammett and Raymond Chandler.
Andy Baio: It started a couple years ago, a silly idea wondering what
jazz standards would sound like
in a chiptune style.
Concert: David Virelles at
Jazz Standard On Gnosis, the full - length album on ECM Records from Cuban - born pianist David Virelles
in collaboration with the drummer Román Díaz and the Nosotros Ensemble, traditional Afro - Cuban rhythms are cut with more dissonant musical gestures informed by contemporary improv and classical music.
Various parties involved
in the making of the record will be present for this two - day run at the Flatiron venue known as the
Jazz Standard, connected to the barbecue purveyor Blue Smoke.
Girl Talk (2015), features Moten performing
in «dragged time» slow motion
in counterpoint to an acappella rendition of Betty Carter's
jazz standard «Girl Talk» (reinterpreted and performed by JosiahWise).
In the case of
jazz it is about moving a melody outside of
standard classical form.
smell for
standard pieces that you'll deliver to get a business enterprise proponent has to be hot is exceedingly hard when you deprivation to
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in with the timekeeper won't be tempted to period of play 750 trillion different period.
In jazz, studying «
standards» and their re-composition according to performers» unique musical tastes drives much musical education and innovation.
Putting
in standard phrases is all very well if you can
jazz them up with your skills, qualifications and experience.