Sentences with phrase «jeu d'enfants»

He was the subject of retrospective exhibitions at the Jeu de Paume in Paris in 1994 and at the Reina Sofía Museum in Madrid in 2000.

For her 2014 solo exhibition at the Jeu de Paume, «Maji Maji,» she examined the history of the Maji Maji War (1905 — 07), one of the African continent's biggest uprisings in the 20th century.

The Musée des Beaux Arts de Nantes organized a career retrospective in 1989, and in 1993 his paintings from the 1980s were the subject of an exhibition at the Jeu de Paume in Paris.

Two years later he was invited to participate in the Carnegie Institute exhibition in Pittsburgh and has since been the subject of major solo exhibitions and retrospectives at the Solomon R. Guggenheim Museum, New York (1962 and 1995); Musée d'Art Moderne de la Ville de Paris (1973); Nationalgalerie, Berlin (1974); Albright - Knox Art Gallery, Buffalo (1977); Museo Nacional Centro de Arte Reina Sofia, Madrid (1990); Schirn Kunsthalle Frankfurt (1993); Spanish Pavilion, 45th Venice Biennale (1993); Galerie Nationale du Jeu de Paume, Paris (1994); Kestner Gesellschaft, Hannover (1997); and Kunsthalle Krems, Austria (1998).

Jeu de Paume... 27Sep

Other one - person exhibitions have been organized by the Museum of Contemporary Art in Los Angeles, the Serpentine Gallery in London, the Jeu de Paume in Paris, and the Schaulager in Basel.

Tàpies has been the subject of numerous one - artist exhibitions at venues including the Solomon R. Guggenheim Museum, New York (1962, 1995); Louisiana Museum of Modern Art, Humlebæk, Denmark (1974); The Seibu Museum of Art, Tokyo (1976); Albright - Knox Art Gallery, Buffalo, NY (1977); Stedelijk Museum, Amsterdam (1980); Museo Nacional Centro de Arte Reina Sofia, Madrid (1990, 2005); The Museum of Modern Art, New York (1992); Schirn Kunsthalle, Frankfurt (1993); Galerie Nationale du Jeu de Paume, Paris (1994); Museum of Contemporary Art, Kagawa (1996); Museu d'Art Contemporani de Barcelona (2004); Dia Center for the Arts, Beacon, NY (2009); Museum für Gegenwartskunst Siegen, Germany (2011); and Guggenheim Bilbao (2013).

They may range from jeu d'esprits to condensed sonnets to tough little epigrams, but all are characterised by the reserved intelligence of their maker.

Simon's work has been the subject of solo exhibitions at many major museums, including the Garage Museum of Contemporary Art, Moscow (2016); Jeu de Paume, Paris (2015); Museum of Modern Art, New York (2012); and Tate Modern, London (2011).

• Until 24 September, Jeu de Paume, Paris

Recent solo museum exhibitions include «Cotton Puffs, Q - Tips ®, Smoke and Mirrors: The Drawings of Ed Ruscha,» Whitney Museum of American Art (2004, traveled to The Museum of Contemporary Art, Los Angeles; and National Gallery of Art, Washington, D.C., through 2005); «Ed Ruscha,» MAXXI, Rome (2004); «Ed Ruscha: Photographer,» Jeu de Paume, Paris (2006, traveled to Kunsthaus Zürich; and Museum Ludwig, Cologne, through 2006); «Ed Ruscha: Fifty Years of Painting,» Hayward Gallery, London (2009, traveled to Haus der Kunst, Munich; and Moderna Museet, Stockholm, through 2010); «Ed Ruscha: Road Tested,» The Modern Art Museum of Fort Worth, Texas (2011); «On the Road,» Hammer Museum, Los Angeles (2011, traveled to Denver Art Museum, Colorado; and Museum of Contemporary Art, Miami, through 2012); «Reading Ed Ruscha,» Kunsthaus Bregenz, Austria (2012); «Artist Rooms on Tour: Ed Ruscha,» Tate Modern, London (2009, traveled to Inverness Museum and Art Gallery, United Kingdom; Bristol Museum and Art Gallery, United Kingdom; and The Hatton Gallery, Newcastle, United Kingdom, among other venues, through 2013); «Ed Ruscha: Standard,» Los Angeles County Museum of Art (2012, traveled to The Rose Art Museum, Brandeis University, Massachusetts, through 2013); «Ed Ruscha - Los Angeles Apartments,» Kunstmuseum Basel, Switzerland (2013); «In Focus: Ed Ruscha,» The J. Paul Getty Museum, Los Angeles (2013); and «Ed Ruscha: Mixmaster,» Pinacoteca Giovanni e Marella Agnelli, Torino (2015 — 16).

They have exhibited at Galeria Fortes Vilaça, São Paulo; Jeu de Paume, Paris; 55th Venice Biennale, Venice; Sharjah Biennial 11, UAE and South London Gallery, London.

Scully's major solo exhibitions, include, most notably the Metropolitan Museum of Art, New York; the Hirshhorn Museum and Sculpture Garden, Washington, D.C.; the Phillips Collection, Washington, D.C.; the Modern Art Museum of Fort Worth; Whitechapel Art Gallery, London; MACRO, Rome; Galerie nationale de Jeu de Paume, Paris; and Fundació Joan Miró, Barcelona, among many others.

Solo Exhibitions N2 Galeria, Evan Roth: La Vanguardia Americana, Barcelona, Spain, 2012 Welcome To Detroit, Eastern Michigan University, Ypsilanti, Michigan, 2012 90 Bowery, When We Were Kings (Speed Show), New York City, New York, 2011 Advanced Minority Gallery, AVAILABLE ONLINE FOR FREE, Vienna, Austria, 2009 Gallery Anno Domini, Dept. of Homeland Graffiti Liquidation Sale, San Jose, CA, 2008 Group Exhibitions 2012 House for Electronic Arts Basel, Collect the WWWorld, Basel, Switzerland Jeu de Paume Virtual Space, Form@ts, Paris, France [DAM] Berlin, Summer Splash, Berlin, Germany Science Gallery, Hack the City, Dublin, Ireland Bemis Center for Contemporary Art, «Transceiver», Omaha, Nebraska Centre de Cultura Contemporia de Barcelona, The Influencers 2012, Barcelona, Spain Contemporary Art Center, Is This Thing On?

This obsession inspired Vilanova to move to Brussels in 2013 - so he could browse the flea market of Place du Jeu de Balle every day in search of postcards.

Other recent solo exhibitions include the Jeu de Paume, Paris; Sprengel Museum, Hannover (where he was the recipient of the Kurt Schwitters Prize), and the BAWAG Foundation in Vienna, Austria.

In 1992 «Ellsworth Kelly: The Years in France» was organized by the Galerie Nationale du Jeu de Paume in Paris and the National Gallery in Washington.

His 2010 — 14 retrospective The Place We Live, organized by the Yale University Art Gallery, traveled to eight museums around the world, including the Los Angeles County Museum of Art, the Museo Nacional Centro de Arte Reina Sofía, Madrid, and the Jeu de Paume, Paris.

He is believed to have painted over 8,000 works, during his long life his work has been exhibited in museums and institutions all around the world, including solo exhibitions at the Jeu de Paume in Paris, the Museum of Modern Art and the Guggenheim Museum in New York.

Sixteen years later, Tom Mabry, the Museum of Modern Art's curator, included Asbury Park South in the first European exhibition of American painting, held in Paris» Jeu de Paume in 1938.

Group shows include FRAC, Nord Pas - de - Calais; Fotomuseum Winterthur, Zurich; Kunsthalle, Mulhouse; FormContent, London; Jeu de Paume, Paris; and MACBA, Barcelona.

Lorna Simpson [exhibition itinerary; Jeu de Paume, Paris, May 28 - September 1, 2013; Haus der Kunst, Munich, october 10, 2013 - january 19, 2014; Addison Gallery of American Art, Phillips Academy, Andover, Massachusetts, september 2, 2014 - january 4, 2015]

His works have been exhibited at MoMA, Mass MoCA, The Whitney Museum, The New Museum, The Walker Art Center, Jeu De Paume, MAC Marseille, MAC Lyon, Pompidou Center, Lincoln Center, ICA The Clocktower, The Kitchen, The Alternative Museum, Eyebeam Art & Technology, List Visual Arts Center, La Gaite Du Lyrique, Stuttgart Kunstverein, Steim Institute, the Moscow Center for Contemporary Art, Postmasters Gallery, Pace Digital Gallery.

Curatorial projects include: Tales of Empathy, Jeu de Paume, Paris (2014), Yona Friedman.

Simpson's exhibition at the AAM coincides with her first major European retrospective at the Jeu de Paume in Paris.

His work has been the subject of solo exhibitions at various institutions including at the Museo de Arte Contemporáneo de Oaxaca, México (2017); Jeu de Paume, Paris (2016); the CAPC, Bordeaux (2016); Museo Universitario de Arte Contemporáneo (MUAC), Mexico City (2012); and MoMA P.S. 1, New York (2012).

In 2009 a major retrospective of his art was held at the Jeu de Paume, in Paris.

Group presentations include Palais de Tokyo, Paris (2012); Galerie nationale du Jeu de Paume, Paris (2011); Centre d'art contemporain de Genève (2011); 4th Moscow Biennale of Contemporary Art (2011); and FRAC Nord - Pas de Calais, Dunkirk (2011).

Bucher's work has been exhibited at many international institutions including Haus der Kulturen der Welt, Museo de Arte de Zapopan, Bienal de Cartagena, Bienal de Cuenca, Centro Andaluz de Arte Contemporaneo, Venice Biennale, Station Museum of Contemporary Art, Biennal de Lyon, Centre d'Art Contemporain Geneve, Berlin Documentary Film Forum, Jeu de Paume, Prague Biennial, Tate Britain, and the Museum of Contemporary Art, Chicago.

The exhibition opened to great acclaim at the Reina Sofía — one of Europe's most prestigious contemporary art museums — in November of 2011 with an official ceremony attended by Queen Sophia of Spain before travelling to the Museu Gulbenkian in Lisbon and the Jeu de Paume in Paris.

His has had numerous solo exhibitions at the Museum of Contemporary Art, Los Angeles, the Art Institute of Chicago, the Walker Art Center, Galerie nationale du Jeu de Paume, Paris, and the Dia Center for the Arts, New York.

Jeu de Paume presents Muntadas Entre / Between, a major exhibition by internationally recognized artist Antoni Muntadas, one of the early practitioners of conceptual and media art.

Selected exhibitions include: Museum of Latin American Art, Long Beach, CA (2010); Artlink, Buncrana, Ireland (2009); Hungarian Cultural Center, New York, (2009); El Museo del Barrio, New York (2007); Kunsthalle, Vienna, Austria (2007); Valencia Biennial, Spain (2007); Jeu de Paume, Paris (2006); Latin American Pavilion, 51st Venice Biennial (2005); Museum of Modern Art, New York (2005).

Among his recent museum exhibitions are Lee Friedlander: America By Car (2010), at The Whitney Museum of Art, and a retrospective organized at The Museum of Modern Art, New York, that traveled to the Jeu de Paume, Paris.

Bucher's work has been exhibited many international institutions including Haus der Kulturen der Welt, Museo de Arte de Zapopan, Bienal de Cartagena, Bienal de Cuenca, Centro Andaluz de Arte Contemporaneo, Venice Biennale, Station Museum of Contemporary Art, Biennal de Lyon, Centre d'Art Contemporain Geneve, Berlin Documentary Film Forum, Jeu de Paume, Prague Biennial, Tate Britain, and the Museum of Contemporary Art, Chicago.

Also in 2004, The Whitney Museum of American Art organized two simultaneous exhibitions: «Cotton Puffs, Q - tips ®, Smoke and Mirrors: The Drawings of Ed Ruscha,» which traveled to the Museum of Contemporary Art, Los Angeles and the National Gallery of Art, Washington, D.C., and «Ed Ruscha, a Photographer» opened at the Jeu de Paume in Paris in 2006.

Liverpool Biennial 2016, participant of the curatorial faculty; Tomorrow night I walked to a dark black star, Universidad Di Tella, Buenos Aires, 2014; Oo, Lithuanian and Cyprus pavilions in the 55th Venice Biennale, 2013; Fusiform Gyrus, Lisson Gallery, London, 2013; Weather Permitting, 9th Mercosul Biennale, Porto Alegre, 2013; d (OCUMENTA) 13, Kassel, 2012; Repetition Island, Centre Pompidou, Paris, 2010; Satellite Series 4, Jeu de Paume Museum, Paris, 2010 − 2011; Into the Belly of a Dove, Museo Rufino Tamayo, Mexico City, 2010; CAC TV, CAC Vilnius 2004 − 2007; BMW (Black Market Worlds), IX Baltic Triennial, CAC Vilnius, 2005.

Solo shows include Talking is not always the solution, Martin - Gropius Bau, Berlin, DE (2017); Continuous Present, Baltic Center of Contemporary Arts, Gateshead; Omer Fast, James Cohan, New York, US; Omer Fast, Kunsten Museum of Modern Art, Aalborg, DK (all 2016); Omer Fast, Le présent continu, Jeu de Paume, Paris, FR; Omer Fast, Taro Nasu Gallery, Tokyo; MOCAK Muzeum Sztuki Wspolczesnej w krakowie, Krakow, PL (all 2015); 5000 Feet is the Best, Stedelijk Museum, Amsterdam, NL (2014).

The landmark exhibitions in his career include the one organized at the Fundació Joan Miró in Barcelona in 1996, which travelled to the Galerie nationale du Jeu de Paume in Paris and the Malmö Konsthall in Malmö (Sweden) the following year.

Lee has been the subject of numerous solo exhibitions worldwide at institutions including the Asia Society, Houston (2012); Solomon R. Guggenheim Museum, New York (2011); Royal Museums of Fine Arts of Belgium, Brussels (2008); Kunstmuseum Bonn (2001); Städtisches Museum im Städel, Frankfurt (1998); Galerie Nationale du Jeu de Paume, Paris (1997 — 98); The National Museum of Contemporary Art, Seoul (1994); Hara Museum of Contemporary Art, Tokyo (1991); Louisiana Museum of Modern Art, Humlebaek (1978); and Düsseldorf Kunsthalle (1978).

The artist's oeuvre has been featured in a number of important exhibitions dedicated to Gutai, including at the Solomon R. Guggenheim Museum in New York, MOCA — Museum of Contemporary Art in Los Angeles and the Jeu de Paume in Paris.

By then, Kim's works have been celebrated in France, Korea, Taiwan, the United States, Belgium, China, Japan, Germany, Brazil, Switzerland, Canada and Singapore with recent exhibitions at the Gwangju Museum of Art in 2014; the National Taiwan Museum of Fine Arts in 2012; Busan Museum of Art in 2009; National Art Museum of China in 2006; and the Galerie Nationale du Jeu de Paume in Paris in 2004.

Most recently she collaborated with Leo Rubinfien and Sarah Greenough on the retrospective exhibition Garry Winogrand (2013 — 15), which traveled to the National Gallery of Art, Washington, D.C.; the Metropolitan Museum of Art, New York; the Jeu de Paume, Paris; and the Fundación MAPFRE, Madrid.

The exhibition traveled to venues including the National Gallery of Art in Washington D.C.; The Metropolitan Museum of Art, New York; Jeu de Paume, Paris, France; Fundacíon MAPFRE, Madrid, Spain.

He was a member of the curatorial team for the exhibition «HÃ © lio Oiticica», at Witte de With, Rotterdam, the Jeu de Paume, Paris, and other venues, 1992 - 93.

Tony Oursler has had a large number of solo exhibitions all over the world, most recently in venues including the PAC in Milan, the Jeu de Paume in Paris, MOMA in New York, Magasin 3 in Stockholm, the Whitney in New York and the Sammlung Goetz in Munich.

It is not by chance that Anish Kapoor was the first to push open the door to the Jeu de Paume, which he considers as a work of art in itself, to exhibit his installation.

Artists Meeting members have exhibited their work in many major museums around the world including; MoMA, The Whitney Museum, Jeu Du Paume, SF MoMA, Musée D'Art Contemporain de Marseille, The Walker Art Center, Musée D'art Contemporain de Lyon, PS1, The State Hermitage Museum and MCA Chicago.

She has had film retrospectives at the Jeu de Palme (Paris), Museum of Modern Art (New York), Tate Modern (London), National Gallery of Art (Washington, Dq, Kunsthall (Oslo, Norway), Toronto Film Festival, and Pink Life Queer Festival (Ankara and Istanbul, Turkey).

Via this blending of materials and ideas relating to economics, agriculture, magic, anthropology and museology, she extends earlier research, undertaken at the Jeu de Paume and the South London Gallery, into belief systems and pre - and post-independency trajectories in Tanzania.