Women were most likely to hold the job title of staff writer, whereas men were most likely to hold
the job title of film critic.
Not exact matches
Although her character figures into the
title, the key journey
of the
film is that
of the tormented Hilditch, and Hoskins does an astonishing
job in bringing this very complex character to life.
The Logan brothers — whose family's streak for misfortune gives the
film its ironic
title — recruit incarcerated safe - cracker Joe Bang (Craig) for the
job, and breaking him out
of prison ends up as one more spoke on this plan's spinning wheel.
Women writing reviews were most likely to hold the
job title of staff writer (35 %), followed by
film critic (29 %), freelancer (29 %), or some other type
of critic (8 %).
Men critics in areas other than
film wrote an average
of 6
film reviews whereas women with this
job title wrote an average
of 3
film reviews.
Here is Tony Scott's remake
of the 1974
film of the same name, except that one had words instead
of numbers in the
title, and I must say that Mr. Scott had a tough
job to update this movie without making it completely ridiculous.
I may not be getting their exact
job titles correct, but as a veteran, I am going by my experience and observations
of the
film.
The first trailer didn't do a very good
job of showcasing everything the
film has to offer (focusing mainly on the budding relationship between the
title character and his pupil's sister), but the cast is great and Steven Soderbergh is usually reliable.
The
film is introduced with the atypical
title «William Friedkin's
Film Of Tracy Letts» «Killer Joe,» «suggesting that it'll be a no - frills adaptation of the play, but that's not quite true; it's plenty faithful to the stage version, but Friedkin and Letts (the latter of whom adapted the screenplay himself) do a pretty good job in making the play cinematic, certainly more so than either «Carnage» or «A Dangerous Method,» adding some striking locations (including an abandoned rollercoaster) and even a chase scen
Of Tracy Letts» «Killer Joe,» «suggesting that it'll be a no - frills adaptation
of the play, but that's not quite true; it's plenty faithful to the stage version, but Friedkin and Letts (the latter of whom adapted the screenplay himself) do a pretty good job in making the play cinematic, certainly more so than either «Carnage» or «A Dangerous Method,» adding some striking locations (including an abandoned rollercoaster) and even a chase scen
of the play, but that's not quite true; it's plenty faithful to the stage version, but Friedkin and Letts (the latter
of whom adapted the screenplay himself) do a pretty good job in making the play cinematic, certainly more so than either «Carnage» or «A Dangerous Method,» adding some striking locations (including an abandoned rollercoaster) and even a chase scen
of whom adapted the screenplay himself) do a pretty good
job in making the play cinematic, certainly more so than either «Carnage» or «A Dangerous Method,» adding some striking locations (including an abandoned rollercoaster) and even a chase scene.
Not that everything is frothy and frilly here, for the Miss Pettigrew
of the
title is like something out
of Dickens, a poor governess thrown out
of her most recent
job — perhaps not unfairly, though, the
film suggests — who stumbles, almost literally, into a
job as a «social secretary» for Delysia.
OPENING THIS WEEK Kam's Kapsules: Weekly Previews That Make Choosing a Film Fun by Kam Williams For movies opening July 1, 2011 BIG BUDGET
FILMS Larry Crowne (PG - 13 for brief profanity and sexuality) Tom Hanks stars in the
title role
of this romantic romp as a victim
of downsizing who develops a crush on his jaded speech professor (Julia Roberts) when he enrolls at a community college to brush up on his
job skills.
Last year brought us a biopic revolving around the life
of Steve
Jobs, the aptly
title JOBS, starring Ashton Kutcher and while that
film...
The porn actress
of the
title feels one
of the many pulls
of motherhood and does double filmmaking time to secretly make another
film while keeping it together at her day
job.
The crew
of semi-anonymous British TV veterans behind the Crackle series Snatch have stumbled into the kind
of job that gets pawned off on patsies and chumps: turn the Guy Ritchie movie
of the same
title into a crime series with the approximate production value
of a Guy Ritchie - influenced student
film.
Last year brought us a biopic revolving around the life
of Steve
Jobs, the aptly
title JOBS, starring Ashton Kutcher and while that
film received mixed reviews at best, it looks like Hollywood isn't quite done with the Apple founder just yet as a new higher brow version is in pre-production based on a bold script by Oscar winner, Aaron Sorkin (THE SOCIAL NETWORK, THE NEWSROOM, THE WEST WING).
According to Variety, Gore Verbinski, director
of the Pirates
of the Caribbean
films, has changed his
job title for BioShock to producer.
For the
title of this exhibition, Williams has taken a line from a documentary by French director Jean - Luc Godard, in which an amateur filmmaker compares his daily
job as a factory worker with his hobby
of editing his
films of the Swiss countryside as «the production line
of happiness.»
That exhibition's
title is taken from a line in a documentary by Jean - Luc Godard, in which an amateur filmmaker compares his daily
job as a factory worker with his hobby
of editing his
films of the Swiss countryside by calling it «the production line
of happiness.»