Tags Barnes & Noble Books companies e-commerce e-readers earnings IAC jamie iannone
john foley marketing media & publishing moconews Money PaidContent
Not exact matches
THE NORMAL HEART Home Box Office PRODUCED BY: Dante Di Loreto, Dede Gardner, Alexis Woodall, Gina Lamar DIRECTED BY: Ryan Murphy SUPERVISING SOUND EDITOR: Gary Megregian, MPSE SOUND DESIGNERS: Timothy A. Cleveland,
John Petaja SUPERVISING
FOLEY EDITOR: Scott Curtis, MPSE
FOLEY ARTISTS: Alicia Stevenson, Dawn Lunsford SOUND EFFECTS EDITOR: Paul Diller
DAWN OF THE PLANET OF THE APES Chernin Entertainment PRODUCED BY: Peter Chernin, Dylan Clark DIRECTED BY: Matt Reeves SUPERVISING SOUND EDITORS: Will Files, Douglas Murray SUPERVISING
FOLEY EDITOR:
John Murray
FOLEY ARTISTS: Dan O'Connell, Andy Malcolm SOUND EFFECTS EDITORS:
John Morris, Jack Whittaker, Scott Guitteau, Doug Jackson, Mac Smith, David Grimaldi,
FOLEY EDITORS:
John Murray, Scott Curtis, Thomas Small
PRODUCED BY:
John Logan, Sam Mendes, Pippa Harris, Sheila Hockin DIRECTED BY: J.A. Bayona SUPERVISING SOUND EDITOR: Jane Tattersall, MPSE SOUND DESIGNER: Oriol Tarragó
FOLEY ARTISTS: Andy Malcolm, Goro Koyama SOUND EFFECTS EDITORS: David Rose, MPSE, Marc Bech
THE BOXTROLLS Laika Entertainment PRODUCED BY: David Ichioka, Travis Knight DIRECTED BY: Anthony Stacchi, Graham Annable SUPERVISING SOUND EDITORS: Tom Myers, Ren Klyce SOUND DESIGNER: Tom Myers, Ren Klyce SUPERVISING
FOLEY EDITOR: Thom Brennan
FOLEY ARTISTS:
John Roesch, Jana Thorpe SOUND EFFECTS EDITORS: Dustin Cawood, David Hughes, Benjamin A Burtt DIALOGUE / ADR EDITOR: Marilyn McCoppin MUSIC EDITOR: Jonathon Stevens ADR EDITOR: Marilyn McCoppin
FOLEY EDITOR: Jeremy Molod
For SCEE Cambridge: Garry Taylor (audio management and cut scene mixing); Lee Banyard, Jeremy Taylor, Andrew Riley (additional sound design); Ed Colyer, Shepperton Studios (additional
foley); Dan Bardino,
John Broomhall, Kenneth Young, Dave Ranyard (additional audio production); Chip Bell (audio programming) The Numbers: 10 GB of sound FX, approximately three and a half hours of music, 4,500 lines of dialogue