Sentences with phrase «joke painting by»

«Among the casualties were Lisa Yuskavage's 2003 oil - on - canvas work «Dark Garden II,» a 2001 joke painting by Prince and a pink acrylic work of blank advertising signs from 2004 by Ed Ruscha.

Looking cheap compared to some of his contemporaries like Christopher Wool (b. 1955), a small yellow joke painting by Richard Prince (b. 1949) fetched the princely sum of # 242,500 ($ 405,000) at Sotheby's against a high estimate of # 120,000 ($ 201,000).

(The title is based on a joke painting by Richard Prince included in the sale, which reads «Jewish man talking to his friend: If I live I'll see you Tuesday.

His word painting «Untitled» (1990 - 1991), in enamel and graphite on aluminum, which begins with «THESHOWISO / VERTHE AUDIEN / CEGETUP,» dominates the room devoted to art based on language and advertising, which includes a joke painting by Richard Prince («Nancy to Her Girlfriend,» 1988) and the mock liquor ad, «Come Through with Taste ⎯ Myers's Dark Rum ⎯ Quote Newsweek» (1986) by Jeff Koons.

On my Saturday excursion, Margo Leavin was showing new work by the queen of the appropriationists, Sherrie Levine; Stuart Regen was showing a new batch of nasty joke paintings by Richard Prince; Manny Silverman was hosting a modest retrospective of paintings by Sam Francis; and the Kohn Turner Gallery was showing new work, based on Brancusi and Ezra Pound, by Richard Pettibone.

Not exact matches

That door is always a joke in our house because the color is by total accident (mis - color matched paint) but we love it.

Apartment hunting in New York is no joke — we found our current place pretty easily but I'm thinking the only reason we did is because everyone was scared away by the horrific paint job (yes, the entire apartment was neon orange and a dark grey / blue).

«While the lush 3D location shots of a desolate Moscow are admittedly stunning, the forgettable characters and paint - by - the - numbers plot threaten to burn the entire film out of your brain mere seconds after you've left the theater,» says Daley before joking, «Remove the sporadic alien attacks and «The Darkest Hour «suddenly feels like a Sunday night slideshow of your parents» summer tour of the Motherland.»

A mean trick of nature, a joke that had waited several million years: the lake looked like Lenin's profile, which was imprinted on us by medals, badges, stamps, statues, paintings, and drawings in books.

greg.org is pleased to introduce @TheRealHennessy Tweet Paintings, inspired by Donelle Woolford's Dick Joke series, which were buzzworthy standouts at the most recent Whitney Biennial.

According to AnimalNY, Artist, critic and our go - to appropriation expert Greg Allen has turned joke tweets by artist Jayson Musson (and sometimes internet art critic «Hennessy Youngman») into paintings.

Highlights from Michelle Grabner's crowd - pleasing selection include Dawoud Bey's presidential portrait photography (Barack Obama, 2008), Karl Haendel's Theme Time Drawings, pencil drawings of various subjects arranged in shaped frames across a massive section of wall, and works by Donelle Woolford, the fictional young black female artist «created» by Joe Scanlan and played by various actors whose Joke Painting (detumescence)(2013) investigates the notion of authenticity.

@TheRealHennessy Tweet Painting, Gold Chain, 2014, 14 × 11 in., acrylic and screenprint on canvas Just in time for the Fall auctions, greg.org is pleased to present more @TheRealHennessy Tweet paintings, inspired by Donelle Woolford's Dick Joke series which debuted at John McWhinnie in the 1990s, and which continue to be a source of brouhaha since Michelle Grabner's 2014 Whitney Biennial.

Artist, critic and our go - to appropriation expert Greg Allen has turned joke tweets by artist Jayson Musson (and sometimes internet art critic «Hennesy Youngman») into paintings.

/ 334 Broome / thru 3/2 Opening 2/7 Sadie Benning; Thomas Kovachevich; Dona Nelson / Callicoon / 124 Forsyth / thru 2/17 Siri Berg / Hionas / 124 Forsyth (new, second location) / thru 2/17 Omar Khayyam / Ping / 131 Eldridge / thru 2/16 Andy Graydon / LMAK / 139 Eldridge / thru 2/10 Benjamin Senior / Fuentes / 55 Delancey / thru 3/1 Opening 2/6 Cal Crawford / Brennan & Griffin / 55 Delancey / thru 2/24 Maya Bloch / Thierry Goldberg / 103 Norfolk / thru 2/17 Becky Beasley; Alicja Kwade / Cooley / 107 Norfolk / thru 3/17 Opening 2/10 Erik Wysocan / Gitlen / 122 Norfolk (new location) / thru 2/17 Nevermore / On Stellar Rays / 133 Orchard / thru 3/10 Thomas Bayrle / The Artist's Institute / 163 Eldridge / thru 7/14 Opening 2/10 Tectonic Drift: Amanda Church; Brian Cypher; Stacy Fisher; Gary Petersen; Russell Tyler / Morris / 163 Chrystie / thru 3/16 Opening 2/13 (6 - 9 PM) Casey Ruble / Foley / 97 Allen / thru 2/24 Nathaniel Robinson / Feature / 131 Allen / thru 2/9 Jane Mount / Bekman / 6 Spring / thru 2/17 Opening 2/8 Color or Colour: Ben Eine; Lee Baker; Katrin Fridriks; Michael Bevilacqua / Charles Bank / 196 Bowery / thru 2/17 (extended) The White Album organized by David Fierman & Amie Scally / James / 143B Orchard / thru 2/22 All The Best People / 1:1 / 121 Essex — floor 2 / thru 2/14 SexEd: Chapter 1 curated by Liz Slagus & Norene Leddy / Cuchifritos / 120 Essex (SE corner of market) / thru 3/10 Opening 2/9 (4 - 6:30 PM) Camila Sposati / Eleven Rivington / 11 Rivington / thru 2/10 Environmental Services: Doug Weathersby; Carolyn Salas / Dodge / 15 Rivington / thru 2/17 Narcissister / Envoy / 87 Rivington (second location) / thru 2/10 Takuro Kuwata / Salon 94 / 1 Freeman Alley / thru 2/23 David Kramer; Michael Harrington / Mulherin + Pollard / Freeman Alley — 187 Chrystie / thru 2/24 Metal Coyote curated by Aldo Sanchez / Y / 165 Orchard / thru 2/17 Hooper Turner / Frosch & Portmann / 53 Stanton / thru 3/10 Drew Conrad / Fitzroy / 195 Christie / thru 2/22 (extended) Ishmael Randall Weeks / Eleven Rivington / 195 Chrystie (second location) / thru 2/10 Robin Rhode / Lehmann Maupin / 201 Chrystie / thru 3/9 Nari Ward thru 4/21; NYC 1993 thru 5/26 Opening 2/13 / New Museum / 231 - 235 Bowery Takuro Kuwata / Salon 94 / 243 Bowery / thru 2/25 Fabio Viale; Quadreria Italian Paintings / Sperone Westwater / 257 Bowery / thru 2/23 Lauren Dicioccio; Word: R. Wynne; S. Hyland; K. Fandell; C. Conant; T. Allen / Tomlinson Kong / 270 Bowery / thru 3/29 Vandana Jain / Station Independent / 164 Suffolk / thru 2/10 Snout to Tail: Anna - Sophie Berger; Zak Kitnick; Sean Paul / JTT / 170 A Suffolk / thru 2/17 Dream Out: Joke Schole; Steel Stillman; Sally Webster / Show Room / 170 Suffolk / thru 2/24 Paul Resika / Harvey / 208 Forsyth / thru 2/10 Katrina del Mar / Participant / 253 E Houston / thru 2/17 Kurt Johannessen Opening 2/8; Michael Alan / NOoSPHERE / 251 E Houston / thru 2/24 Melissa Dubbin; Aaron Davidson / Audio Visual Arts / 34 E 1 / thru 2/17 Decopolis / The Proposition / 2 Extra Place (East 1st St. off Bowery) / thru 2/24 Opening 2/6 Joel Holmberg / American Contemporary / 4 E 2 / thru 2/22 Jaimie Warren thru 2/6 Closing talk 8 PM; Herbie Flether thru 2/28 Opening 2/9 / The Hole / 312 Bowery

And on the fourth floor, Donelle is represented by two Dick Joke paintings.

He is not alone either in assuming multiple guises — like Richard Prince with his stale jokes and the Marlboro man, Robert Gober with industrial sinks and pretend newspaper bundles, Jeff Koons with a ceramic poodle and an ad for rum, Josephine Pryde with a cute kid and otherwise identical auto bodies disfigured by splashes of paint, or Liz Deschenes with green screens lit from within and an unsteady pattern of white dots.

Momentarily abandoning the stupefying rhetoric of immediacy that characterized his earlier photographic appropriations, he is now reinscribing his work in the well - lit field of modern paradigms: by referencing the monochrome as he did in his previous «joke» paintings, by reintroducing collage and silk - screen superimpositions, and above all by coating some of his appropriations with a thin layer of white paint that is simultaneously on top of and underneath the imagery.

Made after a florid painting by Paul Jourdy, Prometheus Chained Upon the Rock (1842), the lithograph exaggerates the technical quirks of its model into what Julia Langbein, co-curator of the exhibition with Tobias Czudej, dubs a «high - class dick joke».

Richard Prince, one of the pioneers of the Pictures Generation movement of the late 1970s and early 1980s, has built a career out of wryly commenting upon the psychology of pop culture through appropriated imagery — perhaps best epitomized by his iconic Joke paintings.

Wool's 8 - foot - high enamel - on - aluminum painting, offered by an unnamed European collection, reads «If you can't take a joke you can get the fuck out of my house» in the artist's trademark black block letters.

Indeed, throughout this particular series of illustrated joke paintings, the artist mixed and matched different captions and jokes with anonymous cartoons he culled from the pages of Playboy and The New Yorker, most of which depicted two lovers who are caught in the act of passion by a vindicated onlooker.

The artist makes a trenchant joke by choosing these big paintings — whose text is periodically underlined with impasto pink or gruesome, runny red paint that knowingly fetishizes her own hand — as her contribution to the loaded context of the Biennial.

STANDING AT THE THRESHOLD of «Blues for Smoke,» one could see the following, reading from foreground to background: a video monitor playing Richard Pryor Live in Concert (1979); a painting by Jean - Michel Basquiat; portraits of Jean Genet, Charlie Parker, and James Baldwin by Beauford Delaney; a row of fifty - one old - fashioned hard - top blue suitcases arranged by Zoe Leonard; a black - and - maroonish abstraction by Jack Whitten; a wall drawing by Kira Lynn Harris; and, hovering off to the left, a wall of Glenn Ligon's black - on - gold Richard Pryor paintings, all inscribed with the same joke: «I was a

2017 Builders, Circuit 12, Dallas, TX Fantastic Facade, LVL3, Chicago, IL Deconstructed, Terrault Contemporary, Baltimore, MD 2016 Helter Skelter, Launch F18, New York, NY Water Work, Soho House curated by Patrick Muhundro and Andrea Bergart, New York, NY Transaction, Knockdown Center curated by Elijah Wheat Showroom, Queens, NY Knife Hits, Spring / Break Art Show, New York, NY Faulted Valley Fog, Transmitter, Brooklyn, NY Painting Reassembled, SUNY Westchester Community College curated by Erika Mahr, Westchester, NY 2015 Surface Matters, Knockdown Center curated by Holly Shen and Sam Katz, Queens, NY Handmade Abstract, BRIC, Brooklyn, NY Object» hood, Lesley Heller Workspace curated by Inna Babaeva and Gelah Penn, New York, NY 2014 Ultra Deep Field, Rockford University Art Gallery, Rockford, IL Site Lab, Old Morton Hotel, Grand Rapids, MI BRIC Biennial, BRIC Arts in partnership with LIU University, Brooklyn, NY Insider Joke, Hockney Gallery, Royal College of Art, London, UK 2013 Rushgrove House, Rushgrove House in conjunction with the Royal College of Art, London, UK Limber: Spatial Painting Practices, Herbert Read Gallery, Canterbury UK and the Grandes Galleries de L'Erba, Rouen, France Material, Storefront Bushwick, curated by Liz Dimmitt, Brooklyn, NY Middle Zone, Projekt 722, curated by Corydon Cowansage, Brooklyn, NY No Longer Preseidents But Prophets, Delicious Spectacle, Washington DC Inside Voices, Parallel Art Space, Brooklyn, NY Contemporary Drawing Today, Fort Worth Drawing Center, Fort Worth, TX Paint Things, DeCordova Museum and Sculpture Park, Lincoln, MA 2012 Bleach Blue, FJORD Gallery, Philadelphia, PA Primary, Nudashank, Baltimore, MD Masculinisms, Garden Party / ARTS, Brooklyn, NY Rockford Midwestern Biennial, Rockford Art Museum, Rockford, IL Fakin It, Meyer Gallery, University of Cincinnati, OH 2011 Living Arrangements, PLUG Projects, Kansas City, MO Off the Wall, Visceglia Gallery at Caldwell College, Caldwell, NJ Small Crowd, Mixed Greens, New York, NY Out of Practice, Art Blog Art Blog curated by Nudashank, New York, NY RISD Graduate Thesis Exhibition, Rhode Island Convention Center, Providence, RI New Insights, Art Chicago with NEXT cuarted by Suzanne Ghetz, Renaissance Society, Chicago, IL 2010 Interriuer / Exterieur, Dubois Galerie, Pont - Aven School of Contemporary Art, France Boston Young Contemporaries, 808 Gallery, Boston University Totemic, The Gelman Gallery, RISD Museum, Providence, RI

Glenn Ligon has been inspired by Richard Pryor since 1994, reproducing the text of his raw, often controversial jokes as paintings.

These dick joke paintings, the latest in «her» practice, are based on works by Richard Prince.»

Thirty - three of the thirty - six radiant textbased paintings in his recent show, from the series «No Room (Gold),» 2007, are verbatim transcriptions of a joke delivered live by the late, great stand - up comedian Richard Pryor: I was a nigger for twenty - three YEARS.

Artist, critic and our go - to appropriation expert Greg Allen has turned joke tweets by artist Jayson Musson (and sometimes internet art critic «Hennessy Youngman») into paintings.

Eisenman «s work is respectful to its early 20th - century roots by not making formal aspects of painting into a joke.