Sentences with phrase «jokes in movies about»

Not exact matches

Keeping enough of the movies greatest hits («Stop trying to make fetch happen») while sprinkling in new jokes about RuPaul's Drag Race and the president's Twitter account pleased critics.

Goods go up in price every year due to inflation (think about how we joke that movie tickets used to cost $ 2) so your money doesn't stretch as far as it used to.

And the overall messages and themes and in - jokes about black culture was just heartwarming to see, and then to witness weeks later this fabulous movie lead and directed and cast by black people break the box office record by gaining $!

Although we joked about «Warrior» above, we actually really enjoyed Gavin O'Connor's MMA film, perhaps even because of (rather than in spite of) its commitment to exploiting every underdog sports movie convention in cinema history.

it is funny in deed but, when their is someone to cover Sandler's movie their most likely gonna never make a film again Oh look see Denis Dugan and Frank Coraci BOOOOOO!!!!!!!!! you suck stop making adam sandler movies here is the problem they are directors who don't care about cinematography or shots of using the camera all they care is comedy!!!!!!! see Tyler Perry yeah their just like this big joke.

Dave this movie is brilliant, you may want to watch it again, just in case you missed out on the clever jokes... The kind of movie to LOL the entire time, also, what «s so wrong about falling in love and rolling over like a dog?

I didn't care about any of the characters and to compare this to Tarantino like dialogue maybe the biggest joke in this movie.

Although Deadpool 2 repeats the first movie's jokes about the character being a scrappy castoff not good enough for Marvel's higher - profile franchises — at one point, Wade opens the wrong door in Charles Xavier's manor and finds the better - known characters staring back at him in confused irritation — this one has the budget and the clout to allow him to associate with a higher class of co-star.

Good: Starscream is a lot cooler in this movie, Best computer - graphics for any movie to date, Original Optimus voice, Bumblebee vs. Barricade scene was awesome, Decent story, but the Unicron story is a million times better Bad: No Hot Rod or Soundwave, Shia LeBeouf, Ending, Futile attempts to connect to classic scenes, lines and concepts, No Stan Bush soundtrack, Some immature humor ruined a lot of the movie for me, Poor dialogue I really expected a lot from this movie and am very critical about my feelings towards it - Overall Michael Bay made a good movie, but he made it appeal to the masses (immature jokes and a lot of action) and it gave up a lot of other crucial aspects to the story and quality of the Transformers franchise.

There are almost too many in - jokes about superhero movies to keep track of, at the expense of Marvel and DC alike.

When a franchise descends to having its own characters wink at the audience with jokes about how it's run out of ideas, and resorts to just (literally) setting things on fire, not once but twice in it's 90ish minute runtime, it's one movie past time to stop.

It's a wry in - joke to have a villain worried about the hazards of overpopulation in a film that features nineteen movie stars billed above the title, and I've seen Infinity War lauded in certain circles for «unprecedented ambition» simply because it's so damn crowded.

Downsizing (* 1/2) Filmmaker Alexander Payne (Sideways) and writing partner Jim Taylor turn the quirk factor up a notch and forget to add substance and emotion to this one - joke movie about a couple (Matt Damon, Kristen Wiig) that wants to follow the trend of downsizing into 5 - inch humans and living in a private utopian community.

Employing his estimable charisma and infusing just enough subtle humor into his line readings to let the audience know that he's in on the joke, the actor makes you wish the movie was all about him.

The ridiculously named Mitch Rapp (Teen Wolf's Dylan O'Brien)-- about whom, sadly, the movie fails to make a «Rapp sheet» joke — has just surprised his girlfriend Katrina (Charlotte Vega) with an engagement ring as they vacation in...

That being said, in the movie's one surprising twist, despite an R rating ripe for some knowing jokes about how a network television show entirely built around T & A could never actually show either, the only nudity here is one dead man's penis.

EMILY BLUNT jokes about working with ANTHONY HOPKINS in new horror movie The...

The movie makes a few jokes about the absurd but pleasant nature of musicals, with Hannigan confused by Stack's political aide (Bobby Cannavale) breaking into song in order to convince her to betray Annie.

We get all of these jokes about the characters in the story working with a dreadful script, audience members being chastised for talking during proceedings and the fact that everyone acting here seems to just want the movie to end, so they can go home.

When I first heard about the plot from a friend, who went on to explain how «cool» it was to bring love and death and the allure of suicide together in one film, I wasn't sure if it was a joke or a real movie.

If the movie is solely about the joke regarding Hollywood vanity and selfishness, it's one that displays a surprising amount of imagination in incorporating various end - of - the - world clichés (e.g., a marauding band of cannibals) and demonic figures, which are rendered with special effects of equally surprising efficiency, into the comedy.

My humor - o - meter pegs the success rate of these jokes at about one in three, including (at best count) three fart jokes, two penis jokes, one testicle joke, and at least three jokes about Scary Movie not being real, but, you know, actually being a movie insMovie not being real, but, you know, actually being a movie insmovie instead.

Points is, when you're an adult and you see the trailers for one of those movies, you grown about all of the fart jokes JUST IN THE TRAILER, or the fact that there's going to be some sarcastic humor in therIN THE TRAILER, or the fact that there's going to be some sarcastic humor in therin there.

And indeed this might be the best kids» movie since Pixar's masterpiece (with a spot of bad language and several jokes about perverts thrown in).

Davis has everything that Lopez doesn't in Maid in Manhattan: modesty, natural beauty, charisma, a wry sense of humour — you could watch a whole movie about this persona, which is probably what Hughes had in mind, and her one sequence ends with a joke that also happens to be a far more accurate representation of the subtle fear that aristocracy puts in the minimum - wager than any of the Cinderella markers you'll find in Maid in Manhattan.

The very first joke in This Is 40 — a movie made in 2012 by experienced comedy professionals — is about Viagra.

The ridiculously named Mitch Rapp (Teen Wolf's Dylan O'Brien)-- about whom, sadly, the movie fails to make a «Rapp sheet» joke — has just surprised his girlfriend Katrina (Charlotte Vega) with an engagement ring as they vacation in sunny Spain, taking care not to dip his smartphone in the water as he films this happy event.

The filmmakers ultimately did not take him out of the movie, but during a news crawl in the film, they included a joke about Christopher Plummer respectfully turning down a role in Deadpool 2.

Sure, some of the jokes falter and the film pales in comparison to some of the early Farrelly productions, but this was a movie made about diehard Red Sox fans who had watched their team lose time and time again.

Talking about the project's origins, Anderson teasingly tied in some of Phantom Thread's plot, joking that he hadn't been feeling well and noticed «a love and affection» from his wife he hadn't seen in a while, adding: «So, I called Daniel to say, «I think I have a good idea for a movie...» One thing lead to another and then we had fashion books all over our house and we kept talking, writing and then things kept going, going and going until it seemed impossible to stop.

Beneath a thin veneer of sex jokes, the movie is about the denial and suppression of regret that occurs in the quest for long - term happiness.

However, since the Bond movies were never famous for taking themselves seriously, what we have in «Kingsman» is a film making cartoonish jokes about films that were often cartoonish jokes.

But in trying to make a 10 - best list, I tripped right over my own divided soul right at the top: My two faves of 2016 are Jim Jarmusch's Paterson, an infinitely gentle - souled movie about the poetry of life and the life of poetry that finds more pleasure and meaning in ordinariness than most movies do in extraordinariness, and Yorgos Lanthimos» The Lobster, a perfectly sustained dystopian sick joke about the desperate, poignant futility of seeking human connection.

Lord and Miller inject the movie with the kind of silly and manic energy that's become a touchstone in all their projects, but there aren't enough truly laugh - out - loud moments, with many of the recurring jokes failing to hit their mark, including one about Jenko and Schmidt's age that's well beneath everyone involved.

Award: The Assassin Least Sexy Movie: 50 Shades of Grey (Runner - up: A LEGO Brickumentary) Best Tolkien Reference: The Martian Best Gag Involving a Hammer: Avengers: Age of Ultron Best Joke About Naming Your Fists «Cagney and Lacey»: Spy Best Celebrity Cameo: LeBron James, Trainwreck Best Imaginary Friend: Bing Bong, Inside Out Most Awkward Interplay Between Real and Fictional Theme Parks: Tomorrowland (Runner - up: Jurassic World) Best Contact Lenses: Johnny Depp, Black Mass Best Eyeglasses: Sean Harris, Mission: Impossible — Rogue Nation Best Glass Eye: Christian Bale, The Big Short Best Robot: Ava (Ex Machina) Worst Robot: Chappie (Chappie) The Cameron Crowe Award for a Soundtrack in Search of a Movie: Aloha Best Aerial Stunt: Mission: Impossible - Rogue Nation (Runner - up: Spectre) Worst Oven - Cleaning Method: The Visit Worst Misuse of a Juice Bottle: Sleeping with Other People Best Movie About Journalism: Spotlight Worst Movie About Journalism: Truth The Sudden Ubiquity Award: Domhnall Gleeson (Ex Machina, Brooklyn, Star Wars: The Force Awakens, The Revenant); Tom Hardy (Mad Max: Fury Road; Legend; The Revenant); Oscar Isaac (Ex Machina, Mojave, Star Wars: The Force Awakens) Best Dog - boy: Jack Bright, The Good Dinosaur Worst Dog - man: Channing Tatum, Jupiter Ascending Worst Implicit Historical Comparison: Moving the events of The Secret in Their Eyes from Argentina's Dirty War to post-9 / 11 America Best Backward - Looking Reboot: Star Wars: The Force Awakens Worst Backward - Looking Reboot: Terminator Genisys Best Home Movies: Me and Earl and the Dying Girl Nicest Russian Spy: Mark Rylance, Bridge of Spies Trends of the Year: Women ruling comedy (Trainwreck, Spy); an overdue pushback against CGI (Mad Max: Fury Road, Star Wars: The Force Awakens); sneakily feminist themes in summer sequels (Magic Mike XXL, Mad Max: Fury Road); spy spoofs (Spy, Kingsman: The Secret Service, The Man from U.N.C.L.E, the final third of Spectre)

The deleted / extended bits are as follows: Andy Samberg (4:12) on Bob Dylan, Aziz Ansari (1:42) on acting and Twitter, alternate Reggie banter (0:39), Medi - Ship complications (1:06), Fabrice Fabrice (4:21) performing a poem on a lost city, Anna Kendrick (1:47) recalling her Tony nomination as a 12 - year - old and eating a cat's liver, Rodney Waber (5:34) dishes more Harrison Ford gossip, dances, and reveals a senior citizen ticket price trick, David Cross (2:49) talks talking animals and white toilets, Senator Dewhurst (3:14) confesses strange sex dreams about his aunt and his plan to drive drunk, Zoe Saldana (2:03) answers questions about movies and acts out a Jerry Maguire reboot, «Garry Marshall» (1:19) explains why he's done with movies, Gillian Jacobs (1:38) discusses the ghost of Christopher Marlowe and the conflict in Nebraska, Chef Emeril Lugosi (0:34) endures a pun about sun - dried tomatoes, Andy Richter (4:59) delivers a kid - friendly version of «The Aristocrats» joke, pulls a gun after not answering a fart question (a task handled by Andy Samberg on the show itself), and responds to the 1990s TV movie The Shining, Tom Perdy (0:44) shows off a couple of additional cartoons.

Hot Tub Time Machine 2, the painfully unfunny sequel to its very funny predecessor, is a movie about three dicks making dick jokes in the future.

One at least has to appreciate that the movie uses its setting as a fact and not as fodder for lazy jokes about outdated technology and contemporary fads (More technical - minded folks, though, will wonder why television broadcasts of the era are shot in scope).

The movie's jokes include tweaks on films» prophecies about heroes (a wise character voiced by Morgan Freeman ends a prophecy with «All this is true because it rhymes») and villains having paper - thin disguises (represented in «Lego» by the fact that the characters in the film apparently can't connect that Lord Business and President Business are the same person).

In the movie, the Merc with the Mouth makes a joke about the Sorting Hat from the «Harry Potter» series.

On TV, the show exists in the form of 12 - minute - or-less bursts between commercials, and that's about as long as the movie sustains any individual joke.

That's about the funniest line in the movie, and it's a bit of a meta - joke.

(The harmless in - jokes about the movie business are the film's most personal element, since the Affleck character's rote estranged - dad role is utterly generic.)

The character has always had room for a joke or two, especially in Joss Whedon's Avengers movies, but it was primarily about putting his nobility and strength first and then letting Hemsworth's comic timing come about as an added bonus.

Why the Dark Knight trilogy is so good is because it worked at giving you a real movie, with substance, a story, it wasn't about squeezing in as many explosions and fights and stupid jokes as possible, hence it works so well.

The Five - Year Engagement, which runs longer than two hours and invites all kinds of bitter jokes about the title, is another collaboration between writer / director Nicholas Stoller and writer / star Jason Segel in which they seem to have written and shot a movie that is four hours long, then awkwardly stuffed it into a still - overlong two - hour frame

The movie milks its formula of nudging the period for all it is worth in the first act (There's a running joke about the lack of smiling subjects in photographs, and the racism of the time is acknowledged with a shooting gallery with targets that are despicable racial caricatures — acknowledged but not addressed in any worthwhile way until a cameo that concludes the movie).

We also don't know whether Cable will come from the future, as he did in the comics, but given the inside jokes in «Deadpool» about the X-Men movies» confusing timelines, that seems possible.

In as many words, this movie — the songs, the jokes, the cameos, the running gags — is mixed into about the most perfect viewing experience.

Known for smaller, critically acclaimed indie comedy films like What We Do in the Shadows and Hunt for the Wilderpeople, Waititi joked that Marvel Studios «didn't care» about their movies anymore because they hired him — but the partnership was ideal considering his storytelling skills.