There are some flourishes that nod to the genre Spy is satirizing, and the requisite action setpieces are staged capably enough, but usually with a clear focus on
jokes over visual refinement.
Not exact matches
Just when 21 Jump Street seems like it is about to trip under its own feet, it finds the perfect
joke or
visual to win you back
over, making it a very difficult film to condemn.
This is network TV, so the consequences of the women's actions are less severe than what one might see
over on cable; there is a bit of cartoon sparkle in their mischief, and a shellac of bouncy
jokes and
visual gags that overrides their nagging qualms about spiraling out of control.
You can, believe it or not, see some of Leitch's affinity for the silent classics in Deadpool 2, a movie that often blends action and comedy with
visual wit and efficiency, offering an unexpected new angle to a sequel that returns with the expected load of R - rated snark and in -
jokes for movie buffs (Celine Dion sings
over the opening sequence, which invokes everything from Bond movies to Flashdance.)