Fey is really quite wonderful in the film, which despite the trailer is more of a drama with some clever
jokes than a comedy, per se.
Not exact matches
With more
than 35 million visitors in 2006 and 75,000 new users registering each day, AFF ranks among the 100 most popular sites in the U.S.A.. It's become so mainstream that a
joke about it appeared in the Diane Keaton and Mandy Moore romantic
comedy, Because I Said So.
Nothing gives you an better indicator that a date is going well
than the sound of laughter but if your
jokes are not that good, you had better visit a
comedy club to ensure that there is something to smile about at the end of the evening.
Featuring a screenplay by no less
than five writers, Flushed Away has clearly been geared to appeal primarily to small children - as evidenced by the film's emphasis on action - oriented set pieces and distinctly broad bits of
comedy (there's even a fart
joke thrown in for good measure).
«Just Go with It» has major problems with its lack of wit and exhausted repeated
jokes, but thankfully, Aniston's performance is able to boost up the
comedy in the film; adding to an amount that ranks higher
than many other films that try the same formula of
comedy as of this film With Sandler's and Aniston's connection being believable, «Just Go with It» manages to hit the mark for several adults and teens to enjoy.
The Hangover DVD is what we expect out of every male - audience - focused broad
comedy: there's some mild nudity, more raunchy
jokes than even most 12 - year - olds will be able to stomach, some partially offensive ethnic stereotypes, the women aren't so much as mistreated as nonexistent, and there's Mike Tyson.
«Baywatch» was a regular movie, where his return was not so triumphant, the performances were regular, the plot a bit absurd, and it causes me more stupor that Zac Efron continues to star in
comedy movies with rude
jokes, but what saves are Cameos of the old characters, but by God, as Pam Anderson ruined, and more
than invited her to that movie, it's a damn roll.
That glimmer of recognition is what makes Groundhog Day a particularly witty and resonant
comedy, even when its
jokes are more apt to prompt gentle giggles
than rolling in the aisles.
It's nice to see Arnett playing something other
than an emotionally stunted man - child, and if the pilot for Up All Night didn't make me guffaw all that much, it passed by pleasantly and it was good to see that creator Emily Spivey was able to wring
comedy from the new - parent situation without using the same dozen baby
jokes we've all seen 200 times before.
«The Intervention,» it must be said, is also just a really entertaining drama — a feel - good movie that doesn't try so desperately to be a feel - good movie, partly because DuVall relies more on situational
comedy than straight up
jokes.
Anyway, the entire purpose of Zoolander 2 — and any
comedy sequel made more
than 10 years after the original, and
comedy sequels in general — is to facilitate the repetition of
jokes from the original film among fans who prefer to communicate their thoughts and feelings in movie - quote form, so reference away, referencers.
Unlike most dumb
comedies, Apatow has great affection for his characters, and we like them because he enjoys showcasing them, taking great care in developing them as more
than just
joke fodder.
It's classified as a
comedy for the purposes of the Golden Globes, but there are fewer
jokes than there were in The Wolf of Wall Street, a movie this evokes enough to categorize as a spiritual sequel or companion piece.
The
comedy here works more often
than not and he doesn't linger on any one
joke too long for you to hardly notice the bad ones.
Sure, it's a
comedy on the surface but at the same time Feig is determined to play the spy angle as straight as possible, as if Spy were simply a spy movie with
jokes rather
than a satire on the genre.
Now, if you've read any of my previous reviews about raunchy
comedies, you would know that I'm not always a fan of these things since many of them rely solely on the vulgarity rather
than actually making
jokes.
The Buzz: As with every other Murphy
comedy released since... oh... 1985, the
jokes are broad and offensive more often
than actually funny — but Murphy's nothing if not an old pro, and you can count on his delivery being good for at least a handful of chuckles.
Not that you'd really want it any other way, as you know you're going to get more
jokes per minute
than nearly any other
comedy out there, and one of the funnier deadpan comedic actors in Leslie Nielsen (Nuts, Soul Man).
The film's opening sequence is perhaps the funniest stoner - related prank in the history of movies, but it takes a lot more
than just one
joke to develop a solid
comedy.
The film is a good half hour longer
than its prequel, meaning there's more opportunities for
jokes even if a good hour of the film isn't particularly funny, but having an hour of your
comedy not work is never a good thing.
A few scenes here and there do feel a bit longer
than necessary, and the movie does constantly come back to various
jokes about George Michael and other things to the point where it's beating a dead horse, but chances are you will still be laughing, and that's of the utmost importance for a
comedy.
Those eruptions, more often
than not, don't enlarge the
jokes or provide a scarier, more comprehensive take on the human
comedy.
When two best friends team up to film a
comedy about getting revenge on bullies, the exercise takes a devastating turn when one of them begins to think of it as more
than a
joke.
There are also plenty of times where
jokes fall flat and never quite work, but that's just what you get with substandard writing for a formulaic
comedy that's not meant to be anything more
than week - old counter-programming to «Avengers: Age of Ultron.»
I have seen far too many
comedies lately, ahem Anchorman 2: The Legend Continues, where the
jokes go on for too long and the movie is thirty minutes longer
than it needs to because they are too impressed with their writing and don't know how to edit.
It's a throwback to old screwball
comedies where anything could happen without having to make sense, and it relies on that zaniness to drive laughs rather
than pairing it with rapid - fire
jokes like an Airplane!
While the film contains some
jokes, it's not much for
comedy; the casting of the likes of Chris O'Dowd (Cuban Fury) and Dylan Moran (Good Vibrations) reads as more of a distraction
than an attraction, particularly given O'Dowd's dead eyed approach to the material and Moran trying to engage with a register that doesn't suit him in the slightest.
You understand the routine of the
comedy, how each scene sets up the
jokes and it comes across as strangely scripted and calculated, rather
than a non-stop rollercoaster of laughs.
Rather
than hitting the audience with a set - up, a punchline and then bail immediately, the
comedy seems to live within the
jokes and follows a situation through; not just cutting away after the big laugh - filled reveal.
I had a great time with this flick because it was so much better, and actually full of
jokes,
than most mainstream
comedies I've seen at all this year so far.
Some of the
jokes are just plain unsettling (there's a running
joke about «child molesterers» — not a typo — that comes across as more unpleasant
than amusing), but for every awkward and squirmy wisecrack there's a
comedy goldmine (the cameo by Waititi as a local preacher is one of the funniest scenes in years).
Beyond that, however, the new Baywatch can't decide how best to adapt this old - school guilty pleasure, so it chucks a bunch of f - bombs, dick
jokes, and gross out gags, creating a crude
comedy that's more often repulsive
than fun.
The best I managed were a couple of smirks, mostly based on situational
comedy rather
than actual attempts at
jokes - but the young couple of 16/17 were laughing their asses off at every fart
joke - line, so I guess we know which audience is really captured by the film.
This makes plot and character development more important
than in
comedies whose sole purpose is to string together over-the-top
jokes.
The Square (Google Play, YouTube, iTunes, Vudu, Amazon Video) Another foreign - festival favorite gaining accolades stateside, this Palme d'Or — winning
comedy contains a decidedly larger number of used - condom
jokes than any fellow nominee.
Ultimately, I'm scoring Arthur fairly low compared to other critics, as the one -
joke nature of it, and some all - too obvious contrivances, does make it seem like a more ordinary
comedy than many critics give it credit for.
A more focused
comedy might have treated the opening contrast as an inspired jumping - off point rather
than a general theme — and crafted more
jokes that linger, rather
than dissipating as soon as they land.
One could argue the tonal disconnect between an act of terrorism and
comedy, and yet the injection of some quips and the odd running
joke about a producer obsessed with balls turns out to be one of the film's greatest weapons, moreso
than the overly familiar stench of disdain and dissidence as a poorly planned hostage stunt yields a much more complex discussion about class structure and the corruption of the American financial system.
In our 32 years of Red Nose Days, we've raised more
than # 1billion for our amazing projects here in the UK and in Africa — so it's great to be partnering with the BBC's
Comedy Classroom to help children write their own jokes and comedy for Red Nose Day
Comedy Classroom to help children write their own
jokes and
comedy for Red Nose Day
comedy for Red Nose Day 2017.
The running
joke, then, is that I have an unhealthy obsession with Night Trap, and so anything other
than a
comedy review that ends by saying it's the greatest game ever made would seem oddly out of character for this site.
Created by artist Gordon Young and designer Andy Altman of Why Not Associates, the 2,200 m2 work in front of Blackpool Tower typographically displays
jokes, songs and catchphrases from throughout the ages by more
than 1,000 comedians and
comedy writers.
However, after winning a Steve Martin look - alike contest (no
joke) he found that he was more interested in, and better at, standup
comedy than engineering.
Our tendency to avoid thinking too hard about
jokes is understandable — after all, there seems to be nothing less funny
than analyzing
comedy.