Chris Rock, who swaps motormouth comedy for French art house in 2 Days in New York, talks about trading dirty
jokes with director and co-star Julie Delpy.
She completed her look with black Brian Atwood pumps and was seen laughing and
joking with director Susanne Bier, but co-star Bradley Cooper was noticeably absent.
Mark Hamill has even
joked with director Gunn about appearing in the film during a Twitter exchange.
As all the actors sit around in their ridiculous costumes, primed and ready for their auditions, a man with a lollipop suddenly emerges from the casting room, laughing and
joking with the directors.
Not exact matches
«In many cases, it's non-diluted capital, you can't beat that
with a stick,»
jokes Linda Darragh, a Kellogg school professor and executive
director of the Kellogg Innovation and Entrepreneurship Initiative.
Novack and his team work
with the
directors and creators of the show to make sure that they're letting
jokes and scenes speak for themselves.
«These
jokes are reflective of an underlying general anxiety about [surveillance],» Parker Higgins,
director of special projects at the Freedom of the Press Foundation, said in a phone call
with Motherboard.
For years now the long - running
joke has been that FIA stands for «Ferrari International Assistance», and Bernie claimed that those in the sport (
with the exception of race
director Charlie Whiting) have been helping to keep Ferrari a front - running team.
Though he often
joked that he'd been around the Olympics since the days of Baron Pierre de Coubertin, Bud Greenspan kindled his love affair
with the Games in 1948, when, as a 21 - year - old radio sports
director, he filed dispatches on the competition for WHN in New York City.
New York Gov. David Paterson
jokes with Agricultural Commissioner Dan Hooker (left) and fair
director Dan O'Hara (right) Thursday during opening ceremonies at the first day of the New York State Fair.
«The issue around V1G or smart charging was that it was too difficult to make any revenue — it was almost a
joke,» said Scott Fisher,
director of alternative energy services
with NRG.
A one -
joke movie if ever there was, but the
joke happens to be a good one — a Tracy - and - Hepburn - style battle of the sexes in which Kate can fly and blast through walls — and
director Ivan Reitman (who made Ghostbusters) feels at home
with the mix of screwball and supernatural.
In -
jokes for horror - film fans abound (the dog is named Jason, the monster in the Friday the 13th series; a cafe is the Craven Inn - Wes Craven directed the first Nightmare on Elm Street), and it's possible that those fans will be satisfied
with the expensive, surreal special effects unleashed by
director Renny Harlin.
Some of the
jokes fall flat, others are badly telegraphed and it weaves in and out of being a documentary and just a film to the point of distraction but it ' s hard for me to dislike the movie since I ' ve worked
with people like this especially the
director, Harry Penderecki... only not as likeable.
In this universe rife
with inside
jokes and gems disguised as throwaway lines, Guest himself appears as the wondrously detached
director of the film, who asserts his authority by not asserting it when dealing
with addled actors or wounded first - time screenwriters (Bob Balaban and Michael McKean).
More importantly, there's nothing nearly so mirthful about the trailer, or the general thought of
director Chris Columbus teaming up
with Sandler's Happy Madison production company; unless the Columbus who wrote Gremlins shows up, this is likely to be another Sandler comedy where only the most wan
jokes make the cut.
Director Rian Johnson said it was Fisher who came up
with a
joke Luke told about how she had changed her hairstyle when they briefly reunited in the film
Director and co-screenwriter Will Gluck showed his antic talents in Easy A and Fired Up, and he keeps this film popping along
with in -
jokes and non sequiturs.
The
jokes aren't as good as the ones in The Heat and Spy (both products of her relationship
with director Paul Feig and, in the case of The Heat, writer Katie Dippold).
It's safe to say that new
director David Leitch (aka one of the guys that killed John Wick's dog) doesn't mess
with the formula here, maybe a few less genitalia
jokes, but by the by Wade Wilson's newest adventures being the world's most smart - mouthed anti-hero are going to play out exactly the way you thought they were going to.
Wilderpeople is a generous genre blend,
with Waititi,
director of the wacky, vampiric mockumentary What We Do in the Shadows, finding cheeky
jokes in the duo's perilous journey.
Since all this sounds dull and boilerplate on paper, Wedding Crashers
director David Dobkin works his crude mojo and covers this face - off
with a wall - to - wall mélange of dick, shit and piss
jokes.
There's a genuinely delicate way in which writer /
director Taika Waititi builds the relationship between the boy and his foster mother — the gradual move from Ricky's silence to becoming comfortable in everyday conversation, his first - night decision to run away from his new home becoming something a good - night
joke between the two, a birthday celebration (which Ricky realizes, without a trace of bitterness, is his first) at which Bella serenades the now - teenager
with her tiny electronic keyboard.
Goofy and entertainingly cartoonish, the seriousness and the darkness of the original is nowhere to be found in this latest action - adventure bonanza — a strength and a weakness at the same time depending on your love for the original film —
with director Jake Kusdan ensuring that a steady pace of undertakings and
jokes is kept throughout its reasonable runtime.
A fleecy romantic caper
with a dusting of feminism, the picture is basically a one -
joke movie successfully nursed by
director Ivan Reitman.
I sat down
with director Michael Showalter, star and co-writer Kumail Nanjiani and co-writer Emily Gordon to discuss the translating their romance to the big screen, Nazi
jokes, finding a three act structure in the sloppiness of life, «white culture» and Muslims and the prospects of working together again.
Perhaps that's because
director Brad Peyton and screenwriter Carlton Cuse (
with the help of Andre Fabrizio and Jeremy Passmore) seem to be in on the
joke.
In keeping
with the
director's late style, it's a series of disjointed and overlapping ruminations and
jokes, half - oblique narrative and half - essay film, shot in an experimental digital 3D that is guaranteed to slice out your eyeballs.
Loath as I am to admit it, the off - putting conservatism of Apatow's Knocked Up, The 40 Year Old Virgin, and Superbad buys them staying power; I've now seen Walk Hard's theatrical cut once and the
Director's Cut twice (the second time
with commentary activated), and the
jokes keep all but evaporating on contact.
Featuring two current Oscar nominees (Hugh Jackman and Naomi Watts), two Oscar winners (Halle Berry and Kate Winslet) and many more big names including Emma Stone, Richard Gere, Justin Long and Stephen Merchant, this ramshackle arrangement of one -
joke vignettes, each
with a different
director, is an orgy of bad taste that feels laboured, plotless and dull.
Everyone is game when it comes to the in -
jokes, from F. Murray Abraham, Anthony Quinn, and even
director John McTiernan (The Hunt for Red October, Die Hard
with a Vengeance) himself.
The movie is such a massive decline that it must be some kind of
joke on the part of any combination of
director Paul Weitz (perhaps a subversive plan to kill a franchise he was not a fan of
with his first (and let us hope only) entry), writers John Hamburg and Larry Stuckey (the former, maybe, enjoying steady work
with the series after the success of the first movie; the latter possibly assuming he could coast on the coattails of his partner), and / or the cast (if we go
with the hypothetical assault on the audience's sense of dignity, no doubt laughing themselves silly at the sight of the paycheck).
The home entertainment release of The Big Sick features all - new bonus content including two behind - the - scenes featurettes, audio commentary
with cowriters Kumail Nanjiani and Emily V. Gordon, producer Barry Mendel, and
director Michael Showalter, the 2017 SXSW panel, deleted scenes,
jokes that didn't quite make the big screen, and bonus footage from The Big Sick Comedy Tour featuring hilarious stand - up performances, Q&A s, and backstage moments.
THIS IS WHERE I LEAVE YOU
Director: Shawn Levy Starring: Jane Fonda, Jason Bateman, Tina Fey, Corey Stoll, Adam Driver, Connie Britton, Kathryn Hahn, Rose Byrne, Dax Shepard, Timothy Olyphant, Debra Monk It's become a
joke with my parents that I love movies about dysfunctional families.
The first Deadpool movie's
director, Tim Miller, envisioned a big - budget follow - up while Reynolds was determined to stick
with the formula of raunchy
jokes and acerbic one - liners.
«Airplane» and «Scary Movie 3»
director David Zucker hasn't found religion — this movie is still packed
with gratuitous scantily - clad women, diarrhea
jokes and mindless slapstick, at one point all in the same scene.
When Mike Tyson was approached by the
director James Toback about doing a documentary on his life and times, the former heavyweight champion of the world
joked, «I was expecting that
with any film about my life would only ever end up being sold on street corners.»
The
jokes roll in thick & fast and Chris Hemsworth confirms his place in the category of «comic - talent - underused - because - let's - face - it - he's - very - pretty» actors but the absolute scene stealer is the
director himself who appears as Korg, a rock monster built like a backstreet bouncer and blessed
with the voice of a pre-pubescent choir boy.
Sheeni is pretty and worldly, talking
with Nick about music and cinema in ways he never imagined
with someone his age (She corrects him on the
director of Tokyo Story, unlike a classmate who
jokes about tampons coming
with a copy of La Strada).
«I've been like cracking
jokes with [
director Scott Spiegel]
with my whoopee cushion and everything like that,» she told us before going on to praise the helmer.
Mistress America, however, lacks the emotional pull of While We're Young; it's a looser but more disposable entertainment, and while Gerwig and Baumbach remain masters at penning hilarious bon mots, they've failed to supply their
joke - machine narrative
with the kind of prickly, complicated characters that occupy the
director's best work.
Despite the fact that these comedies have been built almost entirely around boorish body fluid
jokes and a very few bawdy gems («This one time, at band camp...»), in «American Wedding»
director Jesse Dylan jumps so impetuously from dog - doo - mistaken - for - chocolate gags to trite tender - moment montage sequences to sex scenes involving invalid grandmothers that none of it — the
jokes or the sentiment — comes across
with any conviction.
Shane Black (Robocop 3), who plays Hawkins, the bespectacled commando
with a gift for raunchy
jokes, would go on to greater success the same year as the screenwriter for Lethal Weapon, kicking off a long and lucrative career as a screenwriter and, later, an action
director in his own right.
The scenes are juxtaposed
with Robbie breaking the fourth wall to speak directly to the audience and make
jokes and the actress said she discussed balancing the tone at length
with director Craig Gillespie.
He
joked through his Golden Globes acceptance speech, admitting that after a career filled
with indie films — and, you know, Charlie's Angels — it was nice to be in something that people actually saw and thanking writer -
director Martin McDonagh for «not being a dick.»
Director and co-writer Paul King includes a few big slapstick moments, but they arise naturally out of the character's unfamiliarity
with the civilized world, and only one brief burp / fart
joke enters the proceedings.
On Blu - ray and DVD
with two commentary tracks (one from
director Paul Feig and co-writer Katie Dippold, the other featuring editor Brent White, producer Jessie Henderson, production designer Jeff Sage, visual effects supervisor Pete Travers, and special effects supervisor Mark Hawker), the featurettes «Meet the Team,» «Visual Effects: 30 Years Later,» and «Slime Time,» and «
Jokes a Plenty: Free For All,» and a collection of alternate improvisational takes (what was called «Line - o-rama» in Judd Apatow disc releases).
Rife
with penis
jokes, pot smoking, foul language, and other giggle - inducing gags,
director David Gordon Green and his...
Death - wish mechanic Michael Winner first made his name as a
director of comedies (You Must Be
Joking, The Jokers, I'll Never Forget Whats» isname)-- a fact one remembers only
with some straining, and without the assistance of his latest film.
A curiously joyless movie that tries to channel the giddy amorality of Dr. Strangelove but forgets to add
jokes or dramatic stakes, War Dogs is a major whiff from Hangover trilogy
director Todd Phillips, who won't be graduating to serious material like Anchorman's Adam McKay did
with The Big Short.