Sentences with phrase «jokes with director»

Chris Rock, who swaps motormouth comedy for French art house in 2 Days in New York, talks about trading dirty jokes with director and co-star Julie Delpy.
She completed her look with black Brian Atwood pumps and was seen laughing and joking with director Susanne Bier, but co-star Bradley Cooper was noticeably absent.
Mark Hamill has even joked with director Gunn about appearing in the film during a Twitter exchange.
As all the actors sit around in their ridiculous costumes, primed and ready for their auditions, a man with a lollipop suddenly emerges from the casting room, laughing and joking with the directors.

Not exact matches

«In many cases, it's non-diluted capital, you can't beat that with a stick,» jokes Linda Darragh, a Kellogg school professor and executive director of the Kellogg Innovation and Entrepreneurship Initiative.
Novack and his team work with the directors and creators of the show to make sure that they're letting jokes and scenes speak for themselves.
«These jokes are reflective of an underlying general anxiety about [surveillance],» Parker Higgins, director of special projects at the Freedom of the Press Foundation, said in a phone call with Motherboard.
For years now the long - running joke has been that FIA stands for «Ferrari International Assistance», and Bernie claimed that those in the sport (with the exception of race director Charlie Whiting) have been helping to keep Ferrari a front - running team.
Though he often joked that he'd been around the Olympics since the days of Baron Pierre de Coubertin, Bud Greenspan kindled his love affair with the Games in 1948, when, as a 21 - year - old radio sports director, he filed dispatches on the competition for WHN in New York City.
New York Gov. David Paterson jokes with Agricultural Commissioner Dan Hooker (left) and fair director Dan O'Hara (right) Thursday during opening ceremonies at the first day of the New York State Fair.
«The issue around V1G or smart charging was that it was too difficult to make any revenue — it was almost a joke,» said Scott Fisher, director of alternative energy services with NRG.
A one - joke movie if ever there was, but the joke happens to be a good one — a Tracy - and - Hepburn - style battle of the sexes in which Kate can fly and blast through walls — and director Ivan Reitman (who made Ghostbusters) feels at home with the mix of screwball and supernatural.
In - jokes for horror - film fans abound (the dog is named Jason, the monster in the Friday the 13th series; a cafe is the Craven Inn - Wes Craven directed the first Nightmare on Elm Street), and it's possible that those fans will be satisfied with the expensive, surreal special effects unleashed by director Renny Harlin.
Some of the jokes fall flat, others are badly telegraphed and it weaves in and out of being a documentary and just a film to the point of distraction but it ' s hard for me to dislike the movie since I ' ve worked with people like this especially the director, Harry Penderecki... only not as likeable.
In this universe rife with inside jokes and gems disguised as throwaway lines, Guest himself appears as the wondrously detached director of the film, who asserts his authority by not asserting it when dealing with addled actors or wounded first - time screenwriters (Bob Balaban and Michael McKean).
More importantly, there's nothing nearly so mirthful about the trailer, or the general thought of director Chris Columbus teaming up with Sandler's Happy Madison production company; unless the Columbus who wrote Gremlins shows up, this is likely to be another Sandler comedy where only the most wan jokes make the cut.
Director Rian Johnson said it was Fisher who came up with a joke Luke told about how she had changed her hairstyle when they briefly reunited in the film
Director and co-screenwriter Will Gluck showed his antic talents in Easy A and Fired Up, and he keeps this film popping along with in - jokes and non sequiturs.
The jokes aren't as good as the ones in The Heat and Spy (both products of her relationship with director Paul Feig and, in the case of The Heat, writer Katie Dippold).
It's safe to say that new director David Leitch (aka one of the guys that killed John Wick's dog) doesn't mess with the formula here, maybe a few less genitalia jokes, but by the by Wade Wilson's newest adventures being the world's most smart - mouthed anti-hero are going to play out exactly the way you thought they were going to.
Wilderpeople is a generous genre blend, with Waititi, director of the wacky, vampiric mockumentary What We Do in the Shadows, finding cheeky jokes in the duo's perilous journey.
Since all this sounds dull and boilerplate on paper, Wedding Crashers director David Dobkin works his crude mojo and covers this face - off with a wall - to - wall mélange of dick, shit and piss jokes.
There's a genuinely delicate way in which writer / director Taika Waititi builds the relationship between the boy and his foster mother — the gradual move from Ricky's silence to becoming comfortable in everyday conversation, his first - night decision to run away from his new home becoming something a good - night joke between the two, a birthday celebration (which Ricky realizes, without a trace of bitterness, is his first) at which Bella serenades the now - teenager with her tiny electronic keyboard.
Goofy and entertainingly cartoonish, the seriousness and the darkness of the original is nowhere to be found in this latest action - adventure bonanza — a strength and a weakness at the same time depending on your love for the original film — with director Jake Kusdan ensuring that a steady pace of undertakings and jokes is kept throughout its reasonable runtime.
A fleecy romantic caper with a dusting of feminism, the picture is basically a one - joke movie successfully nursed by director Ivan Reitman.
I sat down with director Michael Showalter, star and co-writer Kumail Nanjiani and co-writer Emily Gordon to discuss the translating their romance to the big screen, Nazi jokes, finding a three act structure in the sloppiness of life, «white culture» and Muslims and the prospects of working together again.
Perhaps that's because director Brad Peyton and screenwriter Carlton Cuse (with the help of Andre Fabrizio and Jeremy Passmore) seem to be in on the joke.
In keeping with the director's late style, it's a series of disjointed and overlapping ruminations and jokes, half - oblique narrative and half - essay film, shot in an experimental digital 3D that is guaranteed to slice out your eyeballs.
Loath as I am to admit it, the off - putting conservatism of Apatow's Knocked Up, The 40 Year Old Virgin, and Superbad buys them staying power; I've now seen Walk Hard's theatrical cut once and the Director's Cut twice (the second time with commentary activated), and the jokes keep all but evaporating on contact.
Featuring two current Oscar nominees (Hugh Jackman and Naomi Watts), two Oscar winners (Halle Berry and Kate Winslet) and many more big names including Emma Stone, Richard Gere, Justin Long and Stephen Merchant, this ramshackle arrangement of one - joke vignettes, each with a different director, is an orgy of bad taste that feels laboured, plotless and dull.
Everyone is game when it comes to the in - jokes, from F. Murray Abraham, Anthony Quinn, and even director John McTiernan (The Hunt for Red October, Die Hard with a Vengeance) himself.
The movie is such a massive decline that it must be some kind of joke on the part of any combination of director Paul Weitz (perhaps a subversive plan to kill a franchise he was not a fan of with his first (and let us hope only) entry), writers John Hamburg and Larry Stuckey (the former, maybe, enjoying steady work with the series after the success of the first movie; the latter possibly assuming he could coast on the coattails of his partner), and / or the cast (if we go with the hypothetical assault on the audience's sense of dignity, no doubt laughing themselves silly at the sight of the paycheck).
The home entertainment release of The Big Sick features all - new bonus content including two behind - the - scenes featurettes, audio commentary with cowriters Kumail Nanjiani and Emily V. Gordon, producer Barry Mendel, and director Michael Showalter, the 2017 SXSW panel, deleted scenes, jokes that didn't quite make the big screen, and bonus footage from The Big Sick Comedy Tour featuring hilarious stand - up performances, Q&A s, and backstage moments.
THIS IS WHERE I LEAVE YOU Director: Shawn Levy Starring: Jane Fonda, Jason Bateman, Tina Fey, Corey Stoll, Adam Driver, Connie Britton, Kathryn Hahn, Rose Byrne, Dax Shepard, Timothy Olyphant, Debra Monk It's become a joke with my parents that I love movies about dysfunctional families.
The first Deadpool movie's director, Tim Miller, envisioned a big - budget follow - up while Reynolds was determined to stick with the formula of raunchy jokes and acerbic one - liners.
«Airplane» and «Scary Movie 3» director David Zucker hasn't found religion — this movie is still packed with gratuitous scantily - clad women, diarrhea jokes and mindless slapstick, at one point all in the same scene.
When Mike Tyson was approached by the director James Toback about doing a documentary on his life and times, the former heavyweight champion of the world joked, «I was expecting that with any film about my life would only ever end up being sold on street corners.»
The jokes roll in thick & fast and Chris Hemsworth confirms his place in the category of «comic - talent - underused - because - let's - face - it - he's - very - pretty» actors but the absolute scene stealer is the director himself who appears as Korg, a rock monster built like a backstreet bouncer and blessed with the voice of a pre-pubescent choir boy.
Sheeni is pretty and worldly, talking with Nick about music and cinema in ways he never imagined with someone his age (She corrects him on the director of Tokyo Story, unlike a classmate who jokes about tampons coming with a copy of La Strada).
«I've been like cracking jokes with [director Scott Spiegel] with my whoopee cushion and everything like that,» she told us before going on to praise the helmer.
Mistress America, however, lacks the emotional pull of While We're Young; it's a looser but more disposable entertainment, and while Gerwig and Baumbach remain masters at penning hilarious bon mots, they've failed to supply their joke - machine narrative with the kind of prickly, complicated characters that occupy the director's best work.
Despite the fact that these comedies have been built almost entirely around boorish body fluid jokes and a very few bawdy gems («This one time, at band camp...»), in «American Wedding» director Jesse Dylan jumps so impetuously from dog - doo - mistaken - for - chocolate gags to trite tender - moment montage sequences to sex scenes involving invalid grandmothers that none of it — the jokes or the sentiment — comes across with any conviction.
Shane Black (Robocop 3), who plays Hawkins, the bespectacled commando with a gift for raunchy jokes, would go on to greater success the same year as the screenwriter for Lethal Weapon, kicking off a long and lucrative career as a screenwriter and, later, an action director in his own right.
The scenes are juxtaposed with Robbie breaking the fourth wall to speak directly to the audience and make jokes and the actress said she discussed balancing the tone at length with director Craig Gillespie.
He joked through his Golden Globes acceptance speech, admitting that after a career filled with indie films — and, you know, Charlie's Angels — it was nice to be in something that people actually saw and thanking writer - director Martin McDonagh for «not being a dick.»
Director and co-writer Paul King includes a few big slapstick moments, but they arise naturally out of the character's unfamiliarity with the civilized world, and only one brief burp / fart joke enters the proceedings.
On Blu - ray and DVD with two commentary tracks (one from director Paul Feig and co-writer Katie Dippold, the other featuring editor Brent White, producer Jessie Henderson, production designer Jeff Sage, visual effects supervisor Pete Travers, and special effects supervisor Mark Hawker), the featurettes «Meet the Team,» «Visual Effects: 30 Years Later,» and «Slime Time,» and «Jokes a Plenty: Free For All,» and a collection of alternate improvisational takes (what was called «Line - o-rama» in Judd Apatow disc releases).
Rife with penis jokes, pot smoking, foul language, and other giggle - inducing gags, director David Gordon Green and his...
Death - wish mechanic Michael Winner first made his name as a director of comedies (You Must Be Joking, The Jokers, I'll Never Forget Whats» isname)-- a fact one remembers only with some straining, and without the assistance of his latest film.
A curiously joyless movie that tries to channel the giddy amorality of Dr. Strangelove but forgets to add jokes or dramatic stakes, War Dogs is a major whiff from Hangover trilogy director Todd Phillips, who won't be graduating to serious material like Anchorman's Adam McKay did with The Big Short.
a b c d e f g h i j k l m n o p q r s t u v w x y z