Sentences with phrase «junk art movement»

In the early 1960's Mallary was a prominent member of the Neo-Dada or Junk art movement, following on the heels of Abstract Expressionism along with American artists such as John Chamberlain, Richard Stankiewicz and Claes Oldenburg.

For Immediate Release, April 8, 2014 Robert Mallary Sculptor April 24 - June 27, 2014 Allan Stone Projects is pleased to announce Robert Mallary Sculptor, April 24 - June 27, 2014, an exhibition of nine works from 1959 to 1966, the period in which he established himself in New York as a central figure in the Neo-Dadaist assemblage and junk art movement that followed on the heels of Abstract Expressionism.

Not exact matches

Despite the efforts of the above pioneers, along with those of inter-war artists Marcel Jean (1900 - 93), Joan Miro (1893 - 1983) and Andre Breton (1896 - 1966)- see their respective works Spectre of the Gardenia (1936, plaster head, painted cloth, zippers, film strip, Museum of Modern Art NYC); Object (1936, stuffed parrot, silk stocking remnant, cork ball, engraved map, Museum of Modern Art NYC); and Poem - Object (1941, Museum of Modern Art NYC)- junk art did not coalesce into a movement until the 1950s, when artists like Robert Rauschenberg (1925 - 2008) started to promote his «combines» (a combined form of painting and sculpture), such as Bed (1955, MoMA, New York) and First Landing Jump (1961, combine painting, cloth, metal, leather, electric fixture, cable, oil paint, board, Museum of Modern Art NYArt NYC); Object (1936, stuffed parrot, silk stocking remnant, cork ball, engraved map, Museum of Modern Art NYC); and Poem - Object (1941, Museum of Modern Art NYC)- junk art did not coalesce into a movement until the 1950s, when artists like Robert Rauschenberg (1925 - 2008) started to promote his «combines» (a combined form of painting and sculpture), such as Bed (1955, MoMA, New York) and First Landing Jump (1961, combine painting, cloth, metal, leather, electric fixture, cable, oil paint, board, Museum of Modern Art NYArt NYC); and Poem - Object (1941, Museum of Modern Art NYC)- junk art did not coalesce into a movement until the 1950s, when artists like Robert Rauschenberg (1925 - 2008) started to promote his «combines» (a combined form of painting and sculpture), such as Bed (1955, MoMA, New York) and First Landing Jump (1961, combine painting, cloth, metal, leather, electric fixture, cable, oil paint, board, Museum of Modern Art NYArt NYC)- junk art did not coalesce into a movement until the 1950s, when artists like Robert Rauschenberg (1925 - 2008) started to promote his «combines» (a combined form of painting and sculpture), such as Bed (1955, MoMA, New York) and First Landing Jump (1961, combine painting, cloth, metal, leather, electric fixture, cable, oil paint, board, Museum of Modern Art NYart did not coalesce into a movement until the 1950s, when artists like Robert Rauschenberg (1925 - 2008) started to promote his «combines» (a combined form of painting and sculpture), such as Bed (1955, MoMA, New York) and First Landing Jump (1961, combine painting, cloth, metal, leather, electric fixture, cable, oil paint, board, Museum of Modern Art NYArt NYC).

The original Dada first appeared in Zurich, in 1916, as an anti-art movement, inspired by the junk art of Marcel Duchamp (1887 - 1968), the modernist sculpture of Pablo Picasso (1881 - 1973), Vladimir Baranoff - Rossine (1888 - 1944) and Henri Laurens (1885 - 1954), and the propagandist work of Andre Breton (1896 - 1966).

Traceable to early 20th - century art by Picasso, Duchamp and Schwitters, junk art has analogies in Dada, the works of Alberto Burri (1915 - 95) and later Arte Povera artists from Italy, Spanish artists like Antoni Tapies (b. 1923), and the Californian Funk art movement.

He exerted a significant influence on American art during the 1950s, notably on the work of pioneer performer Allan Kaprow (1927 - 2006), pop artists Jasper Johns (b. 1930) and Robert Rauschenberg (1925 - 2008), the abstract expressionist Robert Motherwell (1915 - 91) and the dancer Merce Cunningham (1919 - 2009), and heralded such movements as Neo-Dada, European Fluxus and methods like junk art.

Indeed, Schwitters» unique and unadulterated dedication to Dada ideas, led to a prolific output of artworks constructed with urban refuse and found objects (objets trouvés) which had a big influence on later movements like Junk Art, Assemblage and Arte Povera.

The every day literally stepped in and with it later brought movements such as Junk Art and Recycled Art and terms such as combines that were used to describe the mix between sculpture and painting and the production of Robert Rauschenberg.

She has therefore emerged on the New York scene as a full - blown master, a true syncretist who fuses every movement of the past fifty years — from Arte Povera to Minimalism to Scatter Art to the latest junk aesthetic — into a variegated practice emphatically her own.