I spent three years
just building audience for my stories and five years before becoming a full time author in the summer of 2012.
Not exact matches
Yes, enormous budgets still matter, but a small business is
just as capable of
building an
audience on Twitter as -LSB-...]
So we teamed up with Zoomph to
build a proprietary
audience profiling and engagement toolkit to do
just that.
This doesn't
just mean your
audience, but your peers as well: you stand to get far more if you reach out and take action to
build your network of connections.
A true influencer doesn't
just put something out there and see what happens; she interacts with her
audience and finds ways to use that content to
build authentic connections.
Just remember, success
building an online
audience comes down to learning what interests your
audience and making it easy for them to find you.
The rapid international expansion planned for 2012 reflects not
just the brand's popularity with
audiences, but also an urgent need to extend its reach in order to
build ad revenue.
However, long - term value is created by providing your target
audience with valuable content they want to receive, and
building trust over time — not
just gathering email addresses.
This is definitely an example of how the link
building playing field constantly changes based on specific strategies becoming common knowledge (and spamable), technology advancements (eg, mobile usage) and
just how your target
audience can instantly put up their personal firewall on specific strategies due to others wasting their time.
Facebook wants to prove it can earn businesses money, not
just build their social media
audience.
I am
just starting out
building my email list (launched my website in April) and I am already interested in segmenting my
audience to figure out their # 1 problem.
I
just wished the old SEO companies who have tried to reinvent themselves as content marketers would spend more time helping their customers «invest» in
building audiences and authority through their content, rather than promising them short term returns on their efforts.
Some practical points: If you're
just starting out, some opportunities that make a lot of sense for platform -
building include: writing guest posts for popular bloggers who share a similar
audience, writing a regular column for a newspaper or online magazine, seeking out speaking gigs (paid or unpaid), participating in conferences (for networking opportunities as well as exposure to new, inspiring ideas), using social media to share your message, and requesting interviews with popular authors / speakers / leaders to feature on your blog.
Instead of
just selling products, it's a way to
build trust, retention and loyalty with a target
audience.
A new Magna Carta should concern itself not
just with a new constitutional settlement for Britain but with
building a culture and processes to ensure that such a settlement was not something played out before a largely passive
audience.
Overall, the Post.com folks show an endearing tendency to try
just about anything that might help
build their
audience, and I'm a big fan of editors who'll throw everything at the wall and see what sticks.
Myhrvold's irreverent advice was
just one of the cutting - edge food science and cooking tips that he shared during his talk, all the while dazzling the
audience with film clips of wine glasses shattering, orange zest vaporizing, and a kernel of popcorn exploding in slow motion (as illustration of the kernel's «structural failure» to illustrate how water in food can become a «steam rocket» as the latent heat of the water
builds up).
I respect him because he chose himself and
just build his own online
audience filming videos of his workout routines with his buddies and posting them on Youtube.
Her new book, The Facebook Era: Tapping Online Social Networks to
Build Better Products, Reach New
Audiences, and Sell More Stuff (Prentice Hall)
just released on March 30th, talks about the cultural transformation underway thanks to social networks like Facebook and Twitter, and what that means for people's behavior, interactions, and relationships — both with one another and with businesses.
It's hard getting scared
just by looking at clips; terror needs to be
built effectively, by immersing the
audience in a situation; and a clip-fest
just isn't the way to achieve it.
Peyton throws in a second quake and a tsunami, but after a while
buildings tumbling into the ocean are
just a bunch of pixels turning everything into visual mush and leaving
audiences in a digital stupor.
The film
builds to this tension - filled finale between Sister Aloysius and Father Flynn, but instead of any real resolution, all the
audience gets is the same push - and - pull discussion they
just heard 20 minutes ago.
This new incarnation doesn't even bother trying to
build upon the original's ideas, instead dumbing down the basic premise of «evil corporations that churn up the violence in sports
just for increased
audience» by reducing all commentary of it down to a global ratings ticker.
And being released early in the season
just gives it time to
build an
audience.
The usual arguments about
building tension and
audience immersion
just won't wash.
Unless you're a an action - craving teen, or
just like really junky popcorn movies of any variety, this blatant cash - grab is
just an attempt to deliver its minimal goods for a ready -
built audience seeking vapid escapism.
«As
audiences stay with us and
audiences keep telling us, as they certainly did all around the world with «Black Panther,» that they're embracing new ideas and new visions and new places and new ways of telling stories, we will
just continue to grow and
build on that,» Feige said at the time.
Now we're at that point where the game is good, it's becoming clear to me that the
just - announced Season 2 character DLC and rebalancing isn't going to be enough to let the game
build the
audience it now arguably deserves.
Evidently, writer - director Duncan Jones and co-writer Charles Leavitt (2015's «In the Heart of the Sea») either have so much respect for the
audience or
just assumed that even the uninitiated would have been able to fill in the blanks of their ineffective world -
building.
It's often deployed as a backhanded compliment, a way of stating that the movie isn't necessarily good but its mere existence is enough for a
built - in
audience who are content
just to see their favorite characters on the silver screen; think the middling Batman v Superman: Dawn of Justice or the aggressively underwhelming X-Men: Apocalypse.
«I'm determined to deliver a film that
builds on the qualities of the first film and draws on the best aspects of the games whilst giving the
audience more nuanced characters, a compelling story and introducing some terrifying new monsters (as well as bringing back a few favourites) and, most important of all...
just scaring the s ** t out of everyone.»
For those of you who know some things about the production of the first film and the underpinnings of the ideals — not
just with the themes of the story itself, but what Christopher Nolan and the producers of the film had in mind for what they were showing the
audience — you will notice how they
built on
just that.
Just as Krasinski was able to get
audiences to
build a connection to
audiences relating to his wordless facial expressions in previous comedies, he now uses that silence as an instrument
building dread and / or emotion out of a head space you share with his characters.
Audiences ate it up (even if critics didn't), and
just like that, a money - pumping machine was
built.
«We have this plan to subvert them in the trailers and make them part of a campaign and
build up the expectation and
just pull the rug out from the
audience.
Authors, you
just want to write your book, yet you've seen a new light: for success, you've got to get engaged with your
audience through platform
building.
A novel featured online can help
build a substantial
audience,
just as an article featuring a non-fiction book can be re-purposed and re-published indefinitely.
I think I'll
just quietly load the paperback first, then claim the profile and run giveaways to
build audience before announcing release of ebook.
If you're getting something out of it (like free promotions) it might be worth a go —
just be mindful you'll only be
building an
audience for Amazon!
As a newbie author
just starting out
building her
audience, the site's still too valuable a tool for me to disregard
just because I'm cranky at the people who manage it.
And, at the same time, you
just might attract the attention of an agent or an editor who loves that you already have a
built - in
audience for your message.
It's much more productive for me to
just do what I'm good at, which is
building the
audience that I already have.
The answers of «
build your
audience» and «rewrite your book» are
just too painful, and learning about Google + is much easier.
It might be
just what you need to draw the attention that your book deserves and be the first step in
building your
audience.
Sometimes it's worth it to
just build a readership over many years so that, when the time comes for a big launch like a debut novel, you have an engaged
audience interested in it already.
But here is Fusion Garage, wasting money by
building a big stage with moving parts for a virtual
audience, and trying desperately to be like Apple or Google, even if people wouldn't mind if they were
just themselves.
I'm willing to take the time to
build up my backlist, to make sure my
audience gets the best experience possible from me (and from what I've got in mind, it will be an EXPERIENCE, not
just a read!).
It was easier to get started and
build an
audience quicker in the Kindle Unlimited world, where borrows counted as sales insofar as Amazon sales rankings were calculated, and quite frankly, it's easier to
just have to make mobi files and worry about uploading and making changes in one place.
Fast turnaround is important to
building a name and keeping connected with your
audience in these areas and giving up control of your backlist (whether
just starting out or established) is small buisness suicide.
Like early bloggers who have
built massive traffic online, authors of all kinds of books have the opportunity to find their own
audiences, and ebooks
just make that whole effort more direct and more efficient.