Sentences with phrase «just done an exhibition»

We've also just done an exhibition with Asad Raza in Brussels at the Villa Empain about the legacy of Glissant.

Not exact matches

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Field's Jurassic World: The Exhibition just became the alpha of Chicago museum must - dos.

I don't just enjoy the runway shows at London Fashion Week, I also think the exhibitions show a lot of inspirational, outstanding pieces, that you shouldn't miss and are often forgotten or underestimated.

This month we've indulged in quite a few things that we love to do, from checking in at a few of favorite galleries for this months exhibitions to interviewing Kimmery Martin a local author who just debuted her first novel.

For now, I'll just say that after I exhibit my «best off» photos at Cafe Rouge starting next Monday, I'll start preparing a new cycle of photos for the new solo exhibition which I've envisioned to be a «travelling» one so that my art can reach some new destinations and people that don't live in Helsinki or New York can see these works too.

Another thing that tha wold be nice would be create your own Event and after a match in Exhibition Mode it would be nice to be able to choose another figter instead of just Rematch and Quit (wich takes you back to the star meny and you have to choose sides everything again) But well no game is perfect and other then some minor thing here and there THQ has done a awesome job, after all it's their first try to make a MMA game on a next gen console.

«They're taking different approaches to it too — Amazon is getting a lot of credit right now in the press for their commitment to the theatrical exhibition of their film, it's not just about the digital platform, where Netflix is taking a slightly different approach — although they're doing limited theatrical with stuff too — it'll be interesting to see what the long - term end result is for those two approaches and where it all ends up, but I think right now it's great for our filmmakers and our producers to make their money back and they have a chance to reach massive audiences through these digital platforms.»

The question of colour is everywhere in Southside With You — the African exhibition Obama takes Michelle to before the gathering, in a rundown part of town where the black community can't get a local centre built; the movie date, where they see Spike Lee's just - released Do The Right Thing, which prophetically highlights the race riots that would resurface during Obama's presidency.

We don't have a clue what it could mean, but CTIA Vice President Rob Mesirow was just recently quoted as saying that a «significant» new tablet would be appearing at the CTIA Wireless 2011 exhibition.

I don't have internet so I just played the campaign or exhibition and it's so much fun.

Another thing that tha wold be nice would be create your own Event and after a match in Exhibition Mode it would be nice to be able to choose another figter instead of just Rematch and Quit (wich takes you back to the star meny and you have to choose sides everything again) But well no game is perfect and other then some minor thing here and there THQ has done a awesome job, after all it's their first try to make a MMA game on a next gen console.

Like most games that you downloaded (which I'm pretty sure you're done with, you're just installing it) You can play exhibition game while installing.

What did «new» mean then — when Condo had just moved to the city and Koons mounted his first solo exhibition, «The New,» in the windows of the New Museum?

I explained to the artist in an e-mail that I didn't «have any specific exhibition project in mind, but just want to have an opportunity to learn more about your practice.»

This year 450 spaces representing thousands of artists will open their studios to the public, presenting everything from straight - up art exhibitions to musical performances — or just about anything the artist wants to do.

We did the whole exhibition with almost no mental thinking at all, everything just flipped in my head like a finished piece.

Notable solo exhibitions have included This Much at Galerie Krinzinger in Vienna, Austria; no I didn't go to any museums here I hate museums museums are just stores that charge you to come in there are lots of free museums here but they have names like real stores at Maryam Nassir Zadeh in New York City, NY; attainable excellence at AMOA - Arthouse in Austin, TX; and, most recently, somebody place at Lisa Cooley in Dallas, TX.

The thing is, in the late «40s and «50s she did these exhibitions with some regularity — an individual show wasn't the definitive painting show just because one hadn't happened in forever.

You get older and you feel you don't have to prove yourself every time you have any exhibition, and sometimes you just want to hang some pictures on the wall, so that's what I did here.

The first day I went to work, an artist had just canceled an exhibition, and he gave me six sets of 35 mm slides and he asked, «Which one of these people do you think I should give a show to.»

It's a much bigger reward for me to create a thematic exhibition, instead of just running as fast as I can on a treadmill to create 30 shows a year, which we used to do.

If photographs, especially of journeys, are traditionally meant to freeze specific moments in time that one can retrieve at a future date, Shirana Shahbazi's solo exhibition at On Stellar Rays gallery, New York, does just the opposite.

It of course helped that Jim had written an essay for an exhibition I did about five years ago, and in it there was a passage about one of my small paintings, which I'd always thought was just so fabulous.

The new exhibition Alberto Giacometti Yves Klein, now open at Gagosian Grosvenor Hill until 11 June, does just that.

On top of running your own commercial gallery — which just launched its fall season on September 11 with an exhibition of Michael Bauer's work — why did you want to add a whole other level of one - night programming, and off - site no less?

It basically let me curate solo exhibitions in the space, so people don't just see one piece by an artist here and there in a mishmash, but can see a solo exhibit of Jon Rafman, a solo exhibit of Chris Hood, a solo exhibit of Charlie Billingham, a solo exhibit of Oscar Murillo.

MTW He's not joking when he says the exhibition is «a lesson in how to be a real artist», and things like, «Great drawing has to be done from life» — and, «She's looking in the mirror and striking a pose, just like the old masters did.

Addendum begins to do just that by including, ad hoc, additional images, objects, gestures and performance that provide a more complete representation of many of the artists that made up the,,, exhibition, while simultaneously further problematizing the original survey.

Jean - Christophe, Stephan Balkenhol: 57 Penguins / 57 Pinguine, Parkett 36, pp. 66 - 69 Benezra, Neal, Stephan Balkenhol: The Figure as Witness / Die Figur als stummer Zeuge, Parkett 36, pp. 37 - 41 1992 Ammann, Jean - Christophe and Horst Schmitter, 57 Pinguine suchen 57 Freunde, advertisement, Frankfurter Allgemeine Zeitung, 30 April, pp. 110 - 111 Searle, Adrian, Not Waving, Not Drowning, Frieze 4, April - May, pp. 17 - 20 Fleissig, Peter, Stephan Balkenhol, Juan Munoz at the Hayward, Doubletake and the New Tate Re-Hang, exhibition review, Hayward Gallery, London, England, City Limits 5, No. 12, February - March, p. 18 Stringer, Robin, Why Cant You Dummies Just Let Me Be Alone, London Evening Standard, London, England, 28 February Bourriaud, Nicholas, Figuration in an Age of Violence, Flash Art, No. 162, January - February, pp. 87 - 91 Cork, Richard, Do You See What I See?

Just as the «basketball drawings» suggest movement, so does the exhibition's staging downstairs, creating a dialogue between outside and inside, seen and unseen, refuse and artwork.

«After more than 20 years of staging exhibitions around the world, my husband said he thought it was about time we do something permanent in Milan,» Miuccia Prada said on a recent afternoon, sipping tea in a conference room at her office near the new site, a spare space with just one artwork, Gerhard Richter's «Five Doors,» dramatically consuming an entire wall.

I didn't get around to making the pilgrimage to the Crystal Bridges Museum of American Art — the Bentonville, Arkansas, institution founded by Walmart heiress and collector Alice Walton that opened just shy of a year ago — until mid-October, when it launched its new exhibitions.

So we thought it would be interesting to do an exhibition where we showed these different positions, but not as a staged show — in the «80s there were a lot of staged shows, like Kasper himself had done «From Here Out» [a 1984 survey of «two months of new German art»]-- but rather as a quite nonhierarchical exhibition where it would just be a couple of paintings by each artist.

At the time of the exhibition, Hirst described «Gambler» as being: «Just when people start doing things for themselves.

You would initially associate Schwitters with Dadaism, however just looking through this major exhibition in the Tate Britain you will find scraps of the surrealists and the cubists; despite this it does feel that he didn't belong in any of these movements, always trying something new or something very bland and documentary, for example his portraits or his landscapes in which he had friends commission him for.

Just as the works in the exhibition existed at once as art and document, so too does the book itself have the hefty, physical presence of a work of art.

Bestselling author, curator, and Assistant Professor at Harvard University Sarah Lewis does just this, bringing the conversation to the forefront of the national stage in a new exhibition, Vision and Justice: The Art of Citizenship, now on view at Harvard Art Museums, Cambridge, through January 8, 2017.

It wasn't just that Ms. Lévy had exhibited and dealt in Mr. Stella's work and had done an exhibition of his black, aluminum and copper paintings from the late 1950s and early 1960s at her previous gallery, L&M Arts, in 2012 — works that, in the words of the Times» Roberta Smith, «represent the cornerstone of Mr. Stella's reputation.»

A fiber arts exhibition in Brooklyn points out that textile production doesn't just result in fabrics that we can touch, it plays a crucial role in the creation of social fabric as well.

Exhibitions (our selection features artist curated exhibitions): Zone 1 / BOS # 26 / Do it Yourself @ 195 Morgan Avenue (formerly 3rd Ward) If you pick just one studio building to visit Exhibitions (our selection features artist curated exhibitions): Zone 1 / BOS # 26 / Do it Yourself @ 195 Morgan Avenue (formerly 3rd Ward) If you pick just one studio building to visit exhibitions): Zone 1 / BOS # 26 / Do it Yourself @ 195 Morgan Avenue (formerly 3rd Ward) If you pick just one studio building to visit this is it.

The Lynden Gallery exhibition of artist Robin Jebavy includes just eight works, but they are big, often about the size of a door, so it doesn't feel like a small show.

If you didn't read our interview with Ana just ahead of the exhibition opening, you can check that out here.

The four artists didn't just contribute individual works — one to three per artist — they chose their co-exhibitors, the venue, and the style of installation, even who would write accompanying materials for the exhibition.

Looking at my photographs from the exhibition reminds me that there was a room of carved stone blocks, about three feet in any direction, with voids of various sizes in their centers, so that as you peered in you didn't know just how deep or shallow the negative space was.

From loneliness to collaboration, I ended up re-reading Cassavetes on Cassavetes (2001), a printed essay that was brought to my attention while curating a group exhibition, which, at its core, prompted the artists to question or evaluate their collaborative impulses.8 In the text, the director John Cassavetes writes plainly about how he works with actors: «I just think that you give somebody something they can do, and allow them to be a person.»

Not only did it lead me to wander casually into Case's show, but it did so at a time when I had just left a Robert Motherwell exhibition at the Paul Kasmin Gallery.

You can do just that at the Brooklyn Museum, which is presenting the New York debut of what its officials think is the first exhibition ever on an intriguing, if slightly macabre, topic: animal mummies.

Jon Pestoni's exhibition of recent abstract paintings at Shane Campbell gallery does just that.

But his question wasn't wrong per se — it just didn't have much to do with the achievement of his exhibition, which takes a more interesting, less expected tack: Garrels asked six abstract painters working in the United States to «select one or two of their own recent paintings to be shown with works by other artists who have had a significant impact on their thinking and the development of their own work.»