Sentences with phrase «just focus on the story»

Too many critics talk about the cinematography of the film, who cares about the skylines, odd view points, etc let us just focus on the story and the message of the movie.

This is about the mythology of the Guardians themselves... We really wanted to just focus on the story of the Guardians, and Peter Quill and his father, and how that affects everything else with their lives.»

If you are planning to go through the trilogy, it is not a bad idea to just focus on the story.

If one were to just focus on the story itself, then Shadow of Mordor would be a relatively short 5 - 7 hour affair, but this is a nigh - impossibility as there are a wealth of distractions to keep you focused on everything but the main missions.

Not exact matches

You could just do the main story, focusing on main story quests and skipping all the optional stuff.

Long story short: Don't limit yourself by focusing on just one generation or gender.

It's a great story, especially for people just starting out, since Eric focuses on his formative years.

For me about half the book felt fairly useless since I didn't intend to go into real estate (and he focuses on that heavily, not just on the one chapter but throughout the whole book), and I also am turned off by stories that are purported to be true but you're not sure if they are (ie, as mentioned the whole «rich dad» scenario).

Just for example, it strikes me that the most logical interpretation of the two Genesis stories is that the first is an overview of the whole creation story, the second a more detailed account focusing on man's story.

I have been struggling with bulimia for the last years and I am working on putting an end on this damaging story finally, so thought that just focusing on my recovery and avoiding other distractions will help — and I love the experiment!

Don't focus on breaking «new recipe ground» — just focus on doing what you do best: telling stories about what you are making and doing it in a way that makes us want to share in that story by making the recipe ourselves.

So over decades, I had read all sorts of stories about people who had gone out into the wilds and explored the unknown, and I thought that if we could just focus on the central experiences of their lives, I could condense all sorts of stories into just chapter length tales and put a bunch of them together, sort of show the whole arc of the discovery of the idea of evolution and really where we stand today, right up to very recent things like Neanderthal DNA and the discovery of some recent transitional fossils.

I love that these women grabbed the reins of this conversation we're having about previously accepted societal norms and took it away from just focussing on the victims and perpetrators and the salacious stories and moving it towards pay - equity, legal defense and accountability.

2) Create a list of the areas in your life — inner or outer — that you sense you would like to improve: Getting clear on this is just as important as getting clear on your strengths because it allows you let go of your failure stories and focus on amping up the areas that you sense would really be beneficial to you.

I just touched on this one super funny story... I tried to keep the focus on how amazing he was and what he liked to do, he was bringing up the lifestyle and his past sugar babies.

The 3:47 «Meet Katie» focuses on the story of the furry little yak who just steals her scenes in the film, as the creators talk about the development of the character from a background drawing to full - fledged cult hero.

To my surprise, they didn't do the typical thing and just focus on one aspect of the story, they made the case for the guilt of each of the suspects, and they showed how the police blindly and incompetently when after these three teenagers.

I'm just a critic, but I can tell you from my experience, when you lack funds for better special effects, focus on the story and the experienced cast.

There are also good sub plots; it doesn't just focus on telling a story.

The Legend of Tarzan feels like the sequel to a much more interesting film... I wish Yates would have just focused on the elements of Tarzan's story that made it so interesting in the first place instead of foolhardily trying to modernize it.

I won't go into details of the story and gameplay too much, since most of you already know this game by heart after playing through it so many times on N64, so I'll just be focusing on the improvements that were made, and how it compares to the original.

I really really dislike the main character like he's actually in real life gonna get the girl of his dream, are you serious??? He has a crooked smile, wears pajamas all day outside of his house and talk's like a gay poet, I just think he sucks as an actor, uggh I don't know why I dislike him so much after this movie.On the other hand Rachel Bilson is very cute and not as bad of an actor This movie solely focuses on telling the story and making us like the characters for themselves.

I think the storyline is good, and I like how 3 quarters of the story focuses on the decepticons, just admit it, the bad guys have cooler weapons.

I also feel they focused too much on just Tara and the other characters lacked the developing story they deserved, like Kate for example, I literally do not know what is going on with her.

While the bulk of the story focuses on Hal's journey, much of the final two episodes (the last half of ep 4 and the first half of 5) present viewers with a beautiful, and sometimes quite heartfelt, look at just how and why the works of Shakespeare speak to so many and have lasted so long.

There's a certain class of low - budget indie filmmaking that's become almost its own recognizable style — full of ordinary people just trying to find happiness in unorthodox ways, hand - held close - up shots, montages of locations (easily recognized if you live in the area where they're shot, but not particularly tied to the story, which could take place anywhere) with light music underneath, a tendency to shift focus amateurishly (though I think often on purpose as part of the style), a lot of contemplative pauses and awkward conversations.

This movie could be so much better than it already is by just focusing on the main story of Radnor and his adventure with the young child he finds as well as the love he attempts to create, but it feels the need to deviate from time to time into the stories of Malin Akerman and Zoe Kazan which just bores me.

There are just enough testimonies here and encounters with victims to make the human side of the story crystal clear without losing focus on the bigger picture of establishment corruption.

Ostensibly the story of five sisters who kill themselves, and even more, of the boys who try to befriend the girls and are mystified by their act for the rest of their lives, the film instead chooses to focus on just one of the girls (played by Kirsten Dunst) and the bulk of the film's middle is taken up with the story of her romance with heartthrob Josh Hartnett.

The story, as it were, focuses on an all - female expedition into the depths of the unknown — it's The Descent, but instead of spelunking into hell we're just going to walk there, armed only with assault rifles and PhDs in various applicable fields of study.

The bookend with Christmas telling the stories to both a young and adult Jack Cay (Bradley Whitford) just beg for continued focus on the bond between kindred spirits Allen and Christmas.

They don't need a deeply interconnected universe, they just need to focus on telling great stories.

In term of the length, it shouldn't take more than 20 hours if you just focus on the main story.

Not focusing on political side of the wars these soldiers are placed - in, but rather focusing on their personal stories that are attributed to conflict and how wars unjust / or just alike impact these people and their families during / after their service.

You just don't see that out of indie studios, especially with a game that focuses on story as much as Masquerada does (there is a LOT of voice acting here).

In a brilliant move, the story focuses on a period of just a few months in 1965, rather than tackling the MLK legacy.

Rather than just making a game that followed the events of the story, they focused on the possibility of playing with the Toy Story characters as one would actual story, they focused on the possibility of playing with the Toy Story characters as one would actual Story characters as one would actual toys.

The film also pointedly focuses on the contrasts between characters» lavish homes and abandoned, dismantled buildings that silently tell the stories of a nation's hopes dashed, just as we see how couples» big hopes turn into dust in their hands.

That's where Lindholm really excels as a story - teller: just as A Hijacking spent as much time focusing on the boardroom battles to free the captured vessel as the lives on board, A War devotes half of its runtime to studying the impact of Claus» call.

The Legend of Tarzan feels like the sequel to a much more interesting film, and quite frankly, I wish Yates would have just focused on the elements of Tarzan's story that made it so interesting in the first place instead of foolhardily trying to modernize it.

Here are the stories that will be in the film: A Dame to Kill For — Focuses on Dwight McCarthy (Josh Brolin) Just Another Saturday Night — Focuses on Marv (Mickey Rourke) The Long Bad Night» (original story)-- Focuses on Johnny (Joseph Gordon - Levitt) The Fat Loss (original story)-- A direct follow - up of That Yellow Bastard, focusing on Nancy Callahan (Jessica Alba)

A majority of the first act of the film is spent focusing on the love story between Webber and Miriam (Holliday Grainger), which is fine, but the romance just gets in the way for the other two acts and does not add anything to the film.

As stalagmites of gooey black nanotechnology ooze from Lucy's body and the film begins to feel like a glossy version of Akira (only one that wouldn't dare infringe on the beauty of its star), Luc Besson's vision for the film finally comes into perfect focus: this isn't just the story of a woman who realises the full potential of her brain, it's also the story of a filmmaker remembering the full potential of his genre.

Let's just say that the story takes place during the late 1950s and focuses on the Lodge family and their secrets.

Basically, though, this becomes a very unique boy - and - his - horse story, one that unflinchingly focuses on a young man who's a bit lost and looking for his way in life, the kind of guy we might just walk right by and never notice if it wasn't for that horse right by his side.

As much as the miniseries focuses on Olive and her issues, McDormand said that the larger story «is about a marriage and how a marriage survives depression and not just one woman's depression, but generations of depression, and also how a small town survives it, and different ways that people in those generations handle mental illness, not just depression.»

It's important to focus on just one key idea, event, product, or story when writing a news release.

Not just focusing on what the parents need to do, or the expectations for your class, but rather, hearing the families story about how they got where they are now, what they want for their kids this year in your class, and what they want for their future.

The 50 stories gathered here, along with hundreds of others, were submitted as part of the Rethink Learning Now campaign, a national grassroots effort to change the tenor of our national conversation about schooling by shifting it from a culture of testing, in which we overvalue basic - skills reading and math scores and undervalue just about everything else, to a culture of learning, in which we restore our collective focus on the core conditions of a powerful learning environment, and work backwards from there to decide how best to evaluate and improve our schools, our educators, and the progress of our nation's schoolchildren.

People should just focus on writing interesting stories with complicated characters.