The goal is to help ensure writers focus not
just getting their work published, but that it has an impact on people's lives.
Not exact matches
While this strategy
works just fine for large publishers that already have established brands and
get thousands of shares on any new article they
publish (such as Mashable or TechCrunch), a more pragmatic approach is needed for
just about every other business.It's true that
getting quality inbound links starts with great content on your client's website, but the missing link is
getting journalists, contributors, authors, and editors at quality publications to become aware of that content so that they can link to it when writing relevant stories / articles.
Consider this... a person goes to college,
gets a four year degree in archaeology (or some antiquities preservation analog); spends summers sifting through sand and rock and gravel, all the while taking graduate level classes... person eventually obtains the vaunted PhD in archaeology... then
works his / her tail off seeking funding for an archeological excavation, with the payoff being more funding, and more opportunities to dig in the dirt... do you think professional archaeologists are looking hard for evidence of the Exodus on a speculative basis... not a chance... they know their PhD buys them nothing more than a job at Tel Aviv Walmart if they don't discover and
publish... so they write grants for digs near established sites / communities, and stay employed sifting rock in culturally safe areas... not unless some shepard stumbles upon a rare find in an unexpected place do you
get archeological interest and action in remote places... not at all surprising that the pottery and other evidence of the Exodus and other biblical events lie waiting to be discovered... doesn't mean not there...
just not found yet...
So, first, congratulations, because I am only
just beginning to see how much
work this is going to be and I guess my question is, how do you
get published?
On 1 December 2000, ORI
published regulations requiring all research staff
working on Public Health Service - funded projects to
get formal ethics training — not
just NIH trainees as was previously the case.
«This apparent editorial bias leads to the «file - drawer effect,» in which research with statistically significant outcomes are much more likely to
get published, while other
work that might well be
just as important scientifically is never seen in print.
All great authors know that a killer first line is almost more important than the first few pages, and authors put in hours of
work just to
get Following is a list of the 100 best first lines from novels, as decided by the American Book Review, a nonprofit journal
published at the Unit
I am
just getting ready to self -
publish my first book after deciding I didn't want to hand a traditional publisher my hard
work so that they could make most of the money off it.
Some also offer a sample manuscript evaluation, which can be an economical way to find out
just how much
work your book needs to
get it ready to
publish.
Digital
publishing made the speed - to - market incredibly fast, and
just like other e-short platforms, Byliner was able to
get quality non-fiction into the hands of busy readers with minimal delay, along with dedicated fiction
works that were written expressly for snippet - like consumption from some of the top names in books.
Getting published by a company
just proves, while it can be impossible, people that do that for a living thought your
work was good enough to sink their time and efforts.
So those who do
get published by an indie publisher can put
just as much care and effort into their
work as what goes into a traditionally produced novel.
Once, it was basically a kinder term for vanity
publishing; then it was a trick entrepreneurial authors could use to
get their
work out there (after investing some time and money); but now, it's very much a frictionless Long Tail scenario... If you're a new author, why not
just publish to Kindle and iBooks and see how you fare?
Authors who self
publish (I
just put out my first ebook so I know) soon discover that it's really hard to
get your
work visable without paying big $ for it.
For my indie -
published work, the very best way to make sure I
get the most money is to
just buy books from me directly — either via my Paypal.Me link, or via my Square store.
Randomly stumbled upon this tonight and I see most of the comments are now years old... but in response to your last comment Tracy about how you know at least some writers that make $ 1,000 a day by writing longer
works... out of curiosity, are these writers
publishing dozens of books to
get to that level or did they
just find the right niche and only have to
publish a few books to
get to that level?
Finally, any indie authors still choosing to operate under a half - arsed mentality of, «eh, I'll
just publish it through Amazon», will inevitably
get pushed to the bottom of the pile as those who are serious about making things
work will continue to hike to the top — egged on by readers, peers and other like - minded artists within this incredibly supportive community.
That's
just one reason I suggest, while you're
working on
getting traditionally
published, self -
publish and start building a fan base.
I'd love to have the confidence to self -
publish, but whenever I read about the «how - to» of how other writers have done it, I
just get so intimidated and feel like I'd never be able to do that kind of
work.
One is where an author self
publishes a book,
working from a Word file, or similar and trying, what with very sparse technical skills, to
just get the darn thing out there.
If
getting published traditionally doesn't especially help you to
get your books on the shelves of stores (unless you are talented, awesome, hard -
working, and lucky enough to be a Jim Butcher), then you've
got a legitimate reason to question whether you want to roll the dice with traditional publishers (who absolutely offer many great advantages), or
get 70 % royalties on your indie ebooks and
get paid 80 % of your print book's list price (minus the cost of POD printing) with your print - on - demand book via Lightning Source and their 20 % short discount option — which
gets you right into Amazon.com and other online bookstores,
just like the big boys do.
Hands Off Books Review and Bonus It is
just so much fun learning all the different ways that you can
get your kindle books
published without having to do much
work at all yourself!
But yes lots of bloggers
get so overwhelmed with requests they have to draw lines to cut back, but the point of this post is
just because they may not accept requests that does not mean they do not read self -
published work so we should encourage that by creating better quality self -
published work and keeping up the professional standards of conduct.
Perhaps one for a magazine who
publishes several short stories per issue, one for an agent who
just got done
working with Madonna on a book of short stories, and one for a publisher who has
published short story collections and anthologies in the past, but since we don't know any of those writers, this would be a cold call type of letter so to speak given we don't know the publisher either, but yet we know he
publishes short stories.
Margaret Harrison [00:02:07] Oh thanks, well so, yeah, I've
worked my whole career in
publishing and I started out on the ebook side
working for OverDrive, a major distributor of ebooks at public libraries, and focusing on ebooks, so much of it is about the metadata, not
just getting books into channels but also making sure those books, as Justine said, can be discoverable, can be found, and so I started spending a lot more of my time on metadata, and I'm a curious person so I
got to know a lot and here I am
But, if you are surrounded by writers who
just love to write; who really don't care if their
work gets publishing, you are in the wrong group.
Don't
get me wrong, that filtering process led to a lot of great
work getting published over the years, and even made a lot of that
work better than it would have been otherwise, but I would guess that for every success story of that kind there are
just as many books that went through the wood - chipper of legacy
publishing and came out the other side half the product it once was.
Just be aware that while self -
published authors do
get more control and a higher percentage of income, they also
get 100 % of the cost and
work of releasing their book.
I now have to
get back to a hopeful, hard -
working novelist and tell her that, because she thought about garnering traditional book reviews
just about the time the book was slated to be
published, that plan
just isn't going to
work out for her.
You Can Fashion a Reputation
Getting published in literary or genre magazines helps you pitch your novels, because those credits indicate that you are a
working writer, not
just a one - hit wonder.
At that time, the self -
publishing thing was really
just getting going and I wasn't sure where it would lead, so I
just kept
working.
It's really important that you educate yourself, not
just on how
publishing works, both self -
publishing and traditional
publishing, but how you
work and how you can
get the
work done.
Whether your idea for a book is in the idea stage, or you've written a few chapters or the entire manuscript,
working with a book coach can provide crucial direction and professional expertise that you
just can't
get if you haven't been in the
publishing industry for years.
An online blog doesn't necessarily imply
publishing your
work just for the sake of it and not
getting anything in return.
I am
just getting started, having
just self -
published my first book, with not much of a budget to
work with right now, and was looking for an inexpensive way to do a book trailer!
At the end of the day, with the business plan and building your author platform and remembering to pay it forward and
work with other authors in your genre, the whole concept of «The 7 - Step Guide to Authorpreneurship» is
just to make it really easy, really simple for you to
get started without you having to make the series, serious decisions «Do I traditionally
publish?
I am
just wondering about whether it is best to
get an Australian literary agent to approach Australian arms of
publishing houses or whether going overseas to the US and UK to
get an agent
works best?
For example, photographers sign stock agency contracts with outrageously bad terms they should never accept, and authors sign
publishing contracts with outrageously bad terms they should never accept, in both cases demonstrating a desperate willingness to undervalue their
work to nearly nothing
just to
get into print.
«Not too far in the future, the author comes to the Pubslush site,» Ioannou says, «
gets a checklist of the steps that the book needs;
gets to choose an editor who has lots of experience with that kind of book or a young editor
just starting out who will do the
work more cheaply; sees samples of the
work of a lot of cover designers and picks one; sees an array of publishers who might be interested in
publishing the book — or
gets various options to self -
publish; and
gets help to pay for it all» with crowdfunding «or can
just pay for it all on the spot if that option appeals more.»
You can use the Smashwords guide to
get your manuscript ready for any site, whether it's B&N or Amazon; it all
works pretty much the same with
just a few exceptions (which I will
get to in a minute), and even if you are not going to use Smashwords to
publish, you can still use their guide to format your book on your own.
How
Publishing Really
works has a normal feature where they review self -
published books, and one of the best categories on there is the «page number test», where the reviewer says how many pages they
got through before they
just couldn't take it anymore.
At the same time, I
get both sad and frustrated when self - publishers share their
work before it is actually ready to be
published, such as no professional editing, self - made cover designs, front and back matter missing or incomplete or
just wrong.
Joyce, you say, «How
Publishing Really
works has a normal feature where they review self -
published books, and one of the best categories on there is the «page number test», where the reviewer says how many pages they
got through before they
just couldn't take it anymore.
It's not, as Andrew Wheeler seems to allege, me suddenly discovering Bookscan, what with my coming out of the direct market and all, and
just not
getting how the big
publishing picture
works.
It could be you've tried to
get a traditional
publishing contract, but it
just didn't
work out.
If you are
just getting started and want to
get on a fast - paced course, like one - on - one, but really
get up to speed on how the
publishing industry
works, you can also access that at MakePublishingFun.com.
Yes, the distribution you
get with traditional
publishing helps
get your
work in the hands of more people, but I always try to remember I was
just as good of a writer before my contracts than I was after.
If you're
just starting out, the Select program from Kindle Direct
Publishing is one of the best ways to
get your
work
If the editor has done all this
work, and he thinks your book needs three pages of sex, and the only way he's going to
get paid is percentage, then you
just put yourself in the same position as with traditional
publishing, where you have to take the chance this editor hit the vision
just right and will make it better and not truncate it or castrate it.
So, again, you
just got the CEO of a major
publishing company to admit that his company has no viable business model; they can't offer authors anywhere near as good a deal as Amazon because «The numbers
just wouldn't
work.»