Sentences with phrase «just horror genre»

These guys aren't just horror genre writers — these guys are the REAL deal.

And we are in the generation where most of the heroes in movies are women, not just the horror genre.

Not exact matches

By R. C. Americo — 2018 is shaping up to be a fantastic run for the Horror genre, but don't just take my word for it.

5 MUST - SEE FILMS FOR HORROR FANS IN 2018 By R. C. Americo - 2018 is shaping up to be a fantastic run for the Horror genre, but don't just take my word fHORROR FANS IN 2018 By R. C. Americo - 2018 is shaping up to be a fantastic run for the Horror genre, but don't just take my word fHorror genre, but don't just take my word for it.

Just tired of not being able to bond with anyone over the anime I watch, I watch most genres aside from horror

But this overbearing sense of familiarity is what dogs Cold Fear down into the lower echelons of the genre — it just doesn't do enough to further survival horror in any way at all.

The tweaking of genres — the prison - escape flick in Chicken Run; monster horror in Were - Rabbit — in ways that made fun of cinematic tropes while also rapturous embracing them has elevated Park's work way above the standard notion of «it's a cartoon, it's just for kids.»

These guys aren't trying to elevate the genre... they just want to make a psychic wars horror film and blow up some heads.

There's almost excessively little within Cabin Fever that won't seem all - too - familiar to horror fans, as scripters Randy Pearlstein and Roth have infused the narrative with just about every convention and cliche of the genre imaginable - and yet it's clear that the movie, in its early stages, fares much better than one might've anticipated.

Writer - director Thom Eberhardt (Captain Ron, The Night Before), who had just come off of a similar survivalist horror tale, Sole Survivor, imbues his film with a tongue planted firmly in his cheek, and a genuine love for the various B - movie genres that gives the film the necessary sense of fun needed in order to not get bogged down in deadly seriousness that would have done the film in for sure.

It's the kind of movie Guillermo Del Toro would have made back in his Devil's Backbone days; and it certainly doesn't hurt that it knows enough about its genre to make a knowing, haunted reference to Robert Wise's Curse of the Cat People in not just a tree - knot mailbox, but also the depth of its parent / child relationship, all of disappointment and horror.

Just like an Indian curry dish, the list is filled with all kinds of genres — comedy, romance, drama, horror, thriller, et al..

Why did so many people bow at the feet of «The Babadook,» not just the most critically acclaimed horror film of the half - decade but one of the most critically acclaimed films, period, of any genre?

As it is now, Crimson Peak is still the best horror film of the year, just not for the typical reasons associated with the genre.

In other hands, a zombie movie is just a zombie movie, but Land of the Dead, a horror film laced with rife with social commentary, political satire, and black humor, is not just a return to the genre he practically single - handedly created (or at least definitively redefined), but a return to form.

Probably because I like horror genre and the story was supernatural and suspenseful - not just some pseudo military fantasy mission.

It is worthy of the title for so many reasons, because Peele invented a genre of horror we've never seen, because it was made for $ 5 million and make $ 175 million at the box office, because it is truth about the black experience in America, not just among the white supremacists, but really everywhere you go.

Make no mistake: Spectral combines military action, supernatural horror, and high - tech sci - fi craziness into a broad, familiar, and generally entertaining genre film — but let's just say this flick isn't exactly what we'd call Oscar bait.

One of the greatest horror movies of all time, and my personal favorite Christmas horror movie, is coming home this December just in time to make the perfect gift for genre fans, and Scream Factory has announced details of its upcoming 2 - disc Collector's Edition blu - ray release of Bob Clark's original 1974 Black Christmas.

well, considering that «sci - fi» is just a setting and not a genre, you're looking at either comedy, horror, drama, action, suspense... etc..

While horror movies often get shuffled into the «escapist entertainment» corner, a way to escape the world and just let your inner animal hoot and holler at blood and guts for 90 minutes, there are few genres as ready, willing, and effective at actually reflecting our real - world fears and anxieties.

Whilst most horror remakes have us quaking with fear at just how much (and usually how badly) our genre faves will be pillaged for...

Horror seems to have more passionate fans than any other genre, but I just can't understand the devotion.

In terms of gameplay, The Evil Within follows the standard archetype of the survival horror genre that includes limited ammunition, poorly lit areas and creatures just waiting around the corner to devour your soul.

Another part is just understanding more and more where the tropes of the horror genre come from and why they work so well (when they work).

While it doesn't exactly reinvent the wheel, it brings a fresh (and hilarious) twist on the slasher genre; it's just a solid - as - hell film that I think horror fans are really going to get a kick out of.

They're inherently terrifying, which lends itself to more serious genre fare, yet we often see them portrayed in horror comedies like Return of the Living Dead, Shaun of the Dead, and Zombieland (just to -LSB-...]

Entertainment Weekly just kicked off their annual round up of horror movie recommendations for Halloween time from well known celebrities who appreciate the genre, and as a horror fan behind and icon in front of the camera, Elijah Wood is quick to name John Carpenter «s 1978 masterpiece Halloween as his favorite.

Chris has done this incredible thing where the sequel, the way he described it to me, elevates the movie from being a horror movie — and I wouldn't even say it's just a horror movie because it's a horror, comedy, rom - com drama — into a Back to the Future type of genre film where the sequel joins us right from where we left off, it explains a lot of things in the first one that didn't get explained, and it elevates everything.

Second - weekend takings of # 1.91 m push the tally after 11 days to # 6.35 m. Just over a year ago, breakout genre hit Get Out had reached # 4.86 m after two weekends of play, on its way to a robust # 10.3 m. Look for John Krasinski's high - concept horror to exceed that total.

What's so satisfying to horror fans is that it's not just the movies that come to you that end up being good; this is one genre where if you scratch the surface, there are countless rewards waiting for you.

Turkish horror Baskin, which Ryland calls a midnight movie «through and through» in his review, is accompanied by I Am Not a Serial Killer (Peter's review here), The Love Witch (above); an ultra vibrant trip into sexy exploitation cinema, Train to Busan, the Cannes hit that's just opened to record seats in South Korea, and a film Pierce called in his review «a tense and inventive mix of genre thrills and social anxiety.»

The inventor almost by himself of two distinct genres of film in Italy (and just the concept of the arthouse slasher in the world), a co-writer of Sergio Leone's Once Upon a Time in the West, and a revolutionizer of horror - movie music became this guy who stopped aping Hitchcock and started aping... Jeunet?

If you consider the diverse range in tone and distinction of recent revisionist Westerns like Alejandro Iñárritu's The Revenant (2015), Quentin Tarantino's dyad The Hateful Eight (2015), and Django Unchained (2012), the artful horror hybrid of S. Craig Zahler's Bone Tomahawk (2015) and Kelly Reichardt's first - rate feminist horse opera Meek's Cutoff (2010), just to name a few contemporary standouts, it would seem that this most traditional of American genres is enjoying something of a resurgence.

Self - reflexive and dosed with macabre humor, this offbeat exercise in just - around - the - corner horror grounds the largely exhausted found - footage approach in classical storytelling and visual values, resulting in a refreshing (and memorably strange) genre piece, premised almost entirely on a child's willingness to accept grown - up weirdness as long as it ensures stability.

Moviegoers will find out next year if A Quiet Place puts an interesting and scary spin on survival horror, or turns out to be just another standard genre exercise.

It just puts monsters on display like zoo animals, then mostly looks away when it's time to turn them loose in either a sad (and failed) attempt to win a PG - 13 rating or more likely an attempt to pander to every audience except the horror audience that would see right through it, and instantly, as another slam on genre films by a larded gentry too delicate to see them first.

Captivity, on the other hand, is considerably less ambitious and considerably more exploitive, and as such, actress Elisha Cuthbert's participation can be dismissed as just another former TV star paying her dues in the horror genre.

Fantastic Fest is the largest genre film festival in the U.S., specializing in horror, fantasy, sci - fi, action and just plain fantastic movies from all around the world.

Language: Korean Genre: Horror MPAA rating: NR Director: Sang - hoon Ahn Actors: So - yeong Choo, Won - jung Jeong, Ok - bin Kim Plot: So - Young has just returned from suspension to her work as a detective in the violent crimes unit, and the first thing that happens is she gets teamed up with a rookie out of the forensic department.

It's near - impossible to pick the «best» because there are just so many genre - bending classics that come from this decade - the 1980s were something of a Golden Age of Horror, one that gave us the icons we know and love today.

It stands just behind 28 Days Later as the second best horror film in a year that has turned out pretty darned well for the genre.

As simple retro - horror, Planet Terror attains the same delicious depravity as the director's Mariachi films — respecting the tenets of the genre while placing its tongue just enough in its cheek to let us laugh at the absurdity.

Just one year before she'd arrive to TV with Friends, Jennifer Aniston headlined this broad, goofy horror comedy that'd probably work better if it'd chosen one genre or the other.

Despite «Disorder» can not be classified as a horror movie, the mansion where Jessie lives becomes a character of its own, just as in many films pertaining to that genre.

With many horror scores just turning to plain old dissonance, how important has it been to keep a sense of melody for your genre efforts?

Though it bears some resemblance to Danny Boyle's «28 Days Later» and the survival horror game «The Last of Us,» «The Girl with All the Gifts» does just enough — from its dynamic relationships to the intriguing moral questions that it poses — to distinguish itself as a unique and solid addition to the genre.

John Carpenter's original is a genuine classic, showing just how much less can be more when it comes to the horror genre.

Michael Haneke's Caché, for those who have not seen it — and I don't want to spoil too much, as it has only just opened in major American cities — is a revenge - of - the - repressed movie with roots in the horror genre.

As horror and scifi fans well know, John Carpenter isn't just the director of genre classics like Halloween and Escape from New York — he's also a killer musician who has created some of the most memorable movie scores ever.