Heck, in
just the opening credits sequence alone, the film made some rather obvious references to the James Bond films, John Wick and even Flashdance!
Reason: «Listen, nothing is going to happen, this is
just the opening credits.»
I just opened this credit card and do not even plan to use it much it is only to raise my credit score.
Not exact matches
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I think my generation can take a little bit of
credit for that by
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«Nobody else can
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Open a
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At first she explained that I
opened too many
credit cards in the last two years (
just like the letter said.)
It's more than
just a TV show, argues Martin Saunders, Mad Men is having an impact on everything from fashion to office politics The
opening credits...
if you watch that match again you will notice ozil tracking back often pressuring the ball, this is not the ozil of last year, to me he was excellent today, give chelsea
credit, the have a strong back 4, if you only need a point, its pretty close to certain, terry's interview was revealing, he said they played way to
open in the 1st half,
just decided to shut it down the second half, he praised arsenal as a very good squad on the ball, was a decent result, tired of loosing to them,
Guys, if you've been stopping by the blog over the past two weeks, you already know that the Nordstrom Anniversary Sale is in full swing, but so far it's
just been
open to Nordstrom
credit and debit card holders.
Bids are made using
credits, and dates for less than $ 50,
just needs 10
credits to
open it.
And yet, when the ungrateful snot performs, even as a total nobody during the
opening credits, without having the pressure to cater towards the mainstream tastes of Kelly's fanbase, he sounds less like Jason Ringenberg of Jason and the Scorchers, or Woody Guthrie (and
just about everybody in between both sides of the alt - country spectrum), than a multi-platinum selling artist such as Garth Brooks.
The
opening credits feature a baby's fingertip reaching out to touch the title of the film,
just like the famous Sistine Chapel painting of God and Adam brushing fingertips (the image becomes even more confrontational when it's repeated, with Darwin touching the finger of an orangutan).
Movie mavens will quickly detect his limited conversance with the romantic - comedy genre of yesteryear, as Reed states his desire to bring Saul Bass to mind with the
opening credits: Bass designed the main titles for Anatomy of a Murder, Seconds, and the remake of Cape Fear, among others — not exactly the first guy you'd think of for Pillow Talk 2, in other words, and
just the earliest of Down with Love's disingenuous lapses.
This isn't meant to come off as to say it's
just a Carpenter ripoff, because it has plenty of fun, original stuff in there, but the
opening credits definitely know you could trust the tastes of the filmmakers.
Don't worry if you think that I
just spoiled some big cameos though, because both of those original actors are
credited in the
opening titles, despite the fact that their appearances are both clearly teed up as if they are giant cameo reveals.
The remainder of Fresh Horses is relatively impenetrable, with Anspaugh's usual clubfooted attempts at austerity — that his training ground was the slick and trendy TV series «Miami Vice» (hence Matt and Tipton riding a speedboat over the
opening credits, I guess) surely puts what he knows and what he envisions into conflict — prolonging the agony, though it warrants mention that Anspaugh has some wizardly knack for making dull movies that are
just idiosyncratic enough to stave off boredom.
I thought the music in the trailer was
just part of a quirky marketing campaign, but no, that Ennio Morricone-esque score is right over the
opening credits, giving the film yet another layer of fun and interest, as it suggests that Gleeson pictures himself as a spaghetti western hero, cocky but with a deeper layer of dissatisfaction and restlessness.
Without them, The Devil Wears Prada is
just a feature - length version of the
opening credits of «The Mary Tyler Moore Show», with Meryl Streep as Lou Grant and a big ol' rapturous toss of the hat the solution to those prickly body - image conundrums that surface when Miranda calls size - 6 beauty Andy «fat» — and Andy obligingly shrinks down to a size 4.
With a minute of
opening credits «music» that sounds like Marge Simpson taking a shit (I love Ennio Morricone to death, but there are times when he's
just a kid with a rattle), you can't say the makers of Exorcist II: The Heretic didn't try to warn you — and you can't say I didn't, either.
The first film Gerwig has solitarily written and directed (this is not, as many have claimed, her inaugural turn behind the camera; she shares a directorial
credit with Joe Swanberg on 2008's Nights And Weekends), Lady Bird arranges an even better entrance for its own irresistible heroine: Squabbling with her combative, witheringly disapproving mother (Laurie Metcalf, granted her best role in ages) while driving around to look at colleges, Christine «Lady Bird» McPherson (Saoirse Ronan) decides she's had
just about enough conversation,
opens her passenger - side car door, and rolls out.
While there is less street racing merely for the pleasure of putting pedestrians and property at risk of death or destruction, the film still includes a plethora of car chases, explosive crashes, bullets and bikinis — and that's
just in the
opening credits.
The fight
opens with a still image of the carnage, played over with a power ballad and a
credits sequence that doesn't take itself seriously in the slightest, and then reverses, so we see
just how that confusing image came to be.
Setting aside a few stylistic flairs — the
opening credits arrive during the auto accident, creating alarming shock cuts to darkness and silence every few seconds — Trachtenberg mostly
just trusts his capable cast and the sturdy three - hander cooked up for them.
Just listening to the
opening chords of «Saiboguee Tansaeng» playing over the
opening credits gives ideas of creeping around in dark and secluded areas, but in a cheeky and mischievous kind of way.
Bad Grandpa isn't trying to reinvent the wheel,
just rotate them on a rude and obnoxious road trip movie that I laughed my ass off from the
opening scene to the closing
credits.
Tobe Hooper's The Texas Chain Saw Massacre
opens with a gruesome sight, slows down
just a bit for some mildly creepy set - up, then dumps five clueless kids into a cannibalistic nightmare that simply doesn't let up until the final
credits.
The movie itself acts surprised, with the
opening credits consisting of nothing but stunned exclamations over what viewers
just witnessed.
Even the Sam whathisname theme song
just hangs there over the arty / erotic
opening credits, instantly forgettable.
Even the
opening credits have reverted back to Season 1's Scottish version — a nice touch that makes it clear Outlander is pleased to be back on its home territory,
just in case you hadn't guessed.
The Little Mermaid, Beauty and the Beast and then, of course, Aladdin and The Lion King are the four films most generally
credited with kick - starting the animation revolution of the end of the 20th century, and
opening audiences» minds to the possibilities of animated films being more than
just lip - service «family entertainment,» but instead robust, breathtaking and fully sketched tales full of vim and verve that capture and charm adults
just as easily as children.
It's at this point that the sorrow is undercut through a series of fourth - wall breaking
credits commenting on the unexpected depressing
opening act, but nonetheless Deadpool 2 has already proved Deadpool isn't
just a clown.
Right from the
opening credit sequence, you can't really tell when the music has stopped or when it has
just temporarily subsided.
From the minute that the tinkling tones of opera in the film's
opening credits are usurped by a hammering wail of heavy metal, he sets about systematically unmanning his audience,
just as Anna, George and their son are abused by their tormentors.
Singer ALANIS MORISSETTE has
credited parenthood with «
opening a door in her heart» and inspiring her to write more -
just two months after giving...
In all seriousness, there is a lot of talent behind Thelma & Louise, which you get to see
just in the
opening credits roll: Besides our two incredible leading ladies, the incomparable Geena Davis and Susan Sarandon, we've got baby Brad Pitt without an ounce of baby fat on him, Harvey Keitel (happy belated birthday!)
Mabius» characterless Peter is
just as fun to watch as the
opening credits in Stanley Kubrick's 2001: A Space Odyssey.»
Not long past the
opening credits we find him
just being paroled, having paid his debt to society by serving a long stretch behind bars.
Even the
opening credits are
just weird.
Just look at the
opening credits, which take place over a production number straight out of «The Great Ziegfeld» (1936).
From start to finish, «In a Valley of Violence» is
just great entertainment with real stakes, big laughs, exceptional performances, thrilling shootouts, a great
opening credits sequence and a score with the kind of quirky, bold and electric personality that suits Ti West's style.
I loved «Scott Pilgrim vs the World», and
just like Knives Chow, I did geek out over the
opening credits.
Apple may not be the only company making a good tablet any more, but it was certainly the first and it definitely takes
credit for
opening up the minds of the general public to the idea that, yes, a tablet
just might have a place in their lives.
That means those who are
just starting out on their
credit journey will get their VantageScore much faster, which in turn will
open up more opportunities that require a
credit score in the first place.
Once you
open your secured
credit card and pay the deposit, you can use this card
just like any unsecured
credit card.
You can buy everything from appliances to TVs to stereos without paying a dime in interest and usually it requires
just opening up a store
credit card.