Sentences with phrase «just part of the film»

I know that's just part of the film, but you get the picture.

Not exact matches

While this part of the film may seem small and unimportant in the grand scheme of the Marvel Cinematic Universe, getting to know characters better who may be around for multiple films seems just as important as plot advancement.

Considering the video was part of a VHS feature film (also called R.I.O.T.), it's a little unfair to judge it on its stand - alone merit, but even with a deeper context, dance - offs are always unintentionally funny, just ask Kevin Bacon..

In the film, Kate's part was just a brief glimpse of a 2013 newspaper article about a mother being fired from her job for breastfeeding.

Part of musical performance involves narcissism, just as some part of writing or acting or painting or sculpting or making film is deeply self - absorbed, but we don't condemn musicians or artists for daring to put their creations out in public for people to Part of musical performance involves narcissism, just as some part of writing or acting or painting or sculpting or making film is deeply self - absorbed, but we don't condemn musicians or artists for daring to put their creations out in public for people to part of writing or acting or painting or sculpting or making film is deeply self - absorbed, but we don't condemn musicians or artists for daring to put their creations out in public for people to see.

So Shostak — who has advised Hollywood on a number of feature films, including 1997's «Contact» — thinks this year's surge may just be part of Hollywood's regular cycle, which tends to feature waves of alien movies from time to time.

If you get the thickness of a metal layer right, you can make a beam splitter that divides an incident beam of light into two equal parts, with just a little bit of the light lost to the metal film itself.

When taking a shower, I recommend not using soap (except on sweaty parts) and just scrubbing with your hands, so that the film of oil stays on the skin and continues to diffuse into the body.

It kind of has a POV thing going, not like «found footage», it just felt like I was a part of the film actually witnessing these events take place.

With that pallid skin tone and permanently pestered expression (the kind of face you hate to love), Buscemi has appeared in virtually every major independent film of the last 10 years (Parting Glances, Mystery Train, Reservoir Dogs, Living in Oblivion, and Fargo are just a few titles).

The attempts at humour make me cringe and the whole vacation part of the film just seems like an excuse for the actors and crew to go on vacation.

The flashbacks are the best parts of the film, I just think they reveal a very dark past for both Waterhouse and Proctor.

While the previous films in the series have been just that — parts of a sequence designed to get us here, each with their own beginning and end — the first and second parts of Deathly Hallows are two halves of the same film, and to approach them as separate entities means missing just what director David Yates, writer Steve Kloves, and a host of storytellers and performers have done: They've made a five - hour fantasy epic that balances effects - driven battles with some very real character moments, and one that isn't afraid to have its heroes pay a high price for their convictions.

Though it's among the best - reviewed movies of the year and is just about guaranteed to be 2011's # 1 film by earnings, don't expect Deathly Hallows Part 2 to score a Best Picture Academy Award win like Lord of the Rings: Return of the King did.

It's clear almost immediately that filmmaker Shawn Levy just doesn't have the right sensibility for this material, as the director, known for his fluffy, decidedly comedic offerings, has infused This Is Where I Leave You with a terminally lightweight feel that grows more and more problematic as time progresses - as the absence of authentically heartfelt moments ultimately proves disastrous (ie the film possesses the feel of a glorified sitcom, for the most part).

Sure, there are some entertaining and amusing parts and, of course, a few sex scenes that show a lot of Johnson, but once the whips are whipped out things get really repetitive until there suddenly isn't much of an ending and the film just stops.

For the most part, the film just motors along without any real high points, while Wilde's derogatory views on women seems even more dated and out - of - place, rather than being particularly funny.

such a joyous and entertaining film that might become a tad too cheesy and silly at times, but that's just part of its charm.

For the most part, «My Life Without Me» ably transcends TV - movie, disease - of - the - week waters (thanks to Sarah Polley's gritty performance), but even she can't save the scene in which a neighbor (whom we just met) gives an incredibly maudlin monologue that grinds the whole film to a halt.

They were also better than those of any other major studio, leaving Disney the only one of the seven majors to receive a grade higher than a C. Interestingly, Disney's three Marvel - related films (including Big Hero 6, which is not part of the Marvel Cinematic Universe) were not just the studio's highest - grossing releases, but were also the highest - scoring Disney films with critics.

That was the only part of the film that actually had a semblance of a narrative and they just refused to pay it off.

The acting part of the film was just okay.

What's most telling about this film is that a good two thirds of the most interesting, compelling parts of the story (the subsequent revelations after the trial) are told in brief text flashed up on screen just before the credits.

Granted, the situation here just so happens to be the apocalypse but like that film it's all about choices, and how much of a part our basest instincts play in the decision making.

While viewers searching for something more modern and exciting might find the more esoteric parts of the film to be plodding, most will leave Lincoln satisfied by the film, and inspired by its lessons: that one man's determination can change the course of history, that politics is not just a space for the power hungry, and that this country may have its problems, but it is men like Lincoln that established America as a home for freedom and change.

Some parts are funny, but most of the time, the gags falls flat, and halfway through the film, everything just falls apart.

If you're wondering why there are shouts of jubilation from film buffs and aficionados of pre-swing-era music it's because the Criterion Collection has released a beautiful Blu - ray and DVD of King of Jazz (1930), The movie features Bing Crosby's first appearance onscreen, as part of the Rhythm Boys trio, jazz giants Joe Venuti and Eddie Lang, and a spectacular rendition of George Gershwin's «Rhapsody in Blue» by Paul Whiteman, the orchestra leader who commissioned the piece just six years earlier.

Rami Malek — who, in an amazing bit of timing, signed on to the film just before the debut of Mr. Robot — stars in a dual role as Jonah, a modest family man who works overnights at a hotel and dreams of buying a plot of land in the mountains, and as Buster, an anarchist vagrant who survives by breaking in to the empty vacation homes of wealthy part - time Montana residents.

Warner Bros Pictures just released this brand new TV spot for the upcoming film «Red Riding Hood» by director Catherine Hardwicke (Lords of Dogtown, Twilight, The Nativity Story) and starring Lukas Haas (Inception, Crazy Eyes), Amanda Seyfried (Big Love, Dear John), Gary Oldman (Harry Potter and the Deathly Hallows: Part II), Virginia Madsen (The Haunting in Connecticut) and Michael Shanks (Smallville).

Then he broke into film, through television with Alan Clarke's The Firm, and Mike Leigh's Meantime, and with Alex Cox's Sid and Nancy, Stephen Frears's Prick Up Your Ears, and Nick Roeg's Track 29 - five widely differing parts that proved him much more than just a colourful character actor able to do a lot of accents.

was surprised just how good this film is.The humour and pathos of this film is quite moving.There is no - one remotely attractive in the cast, it is full of strange looking redneck Americans living in semi wilderness.Everyone is poverty stricken.The sadness of old age is there, as is the regrets of past memories, and the desperation of the son to heal the wounds of his father's past life.The acting is brilliant even with the bit part actors with the sunburnt aged faces.The fathers grumpy reticence is counters by his truculent wife, who never has a good word for anybody with her vicious put downs, which is at times laugh out loud funny.A funny sad and moving film about the sheer desperate meanderings of life and old age.

¬ † Sundance, though, seems like an awful lot of trouble just to find out the buzz on a few films — my impression of it is just that it's a scene full of scenesters and part of me would rather chew glass than ever attend.

Warner Bros Pictures just released these new movie trailers for the upcoming film «Red Riding Hood» by director Catherine Hardwicke (Lords of Dogtown, Twilight, The Nativity Story) and starring Lukas Haas (Inception, Crazy Eyes), Amanda Seyfried (Big Love, Dear John), Gary Oldman (Harry Potter and the Deathly Hallows: Part II), Virginia Madsen (The Haunting in Connecticut) and Michael Shanks (Smallville).

Also, unlike the first film, this one relies very heavily on US gags / jokes / references, which just don't translate to the UK as we don't know what's being referenced - there was stony silence through some parts of this movie - then again, there were only 8 of us in a large central London cinema.

We'll just have to wait and see how the general public takes to the movie, of course, since that may truly determine if this film ends up being included as part of Universal's new monsters movie universe - or, if it gets left out and Alex Kurtzman's The Mummy reboot winds up being the first official brick in that wall.

Although it's hard to pick just one highlight from the treasure trove of special features, the 12 - part «Spider - Man 2» documentary «Making the Amazing» is an incredibly in - depth look at the amount of work that went into making the film.

So far, the main story that every film (not just the Avengers films) has been a part of, is a lager story that will conclude in «Infinity War - Part 1 & 2», which «then», the «Infinity / Thanos» story will end, and then, the next big storyline and phase «4» begpart of, is a lager story that will conclude in «Infinity War - Part 1 & 2», which «then», the «Infinity / Thanos» story will end, and then, the next big storyline and phase «4» begPart 1 & 2», which «then», the «Infinity / Thanos» story will end, and then, the next big storyline and phase «4» begins.

According to a report in the Hindustan Times, the India location shooting took place inside the Mehrangarh Fort on May 6 and 7, but these are just part of a much larger sequence and it's quite possible the location won't actually be India in the finished film.

Obviously, it's not as if Kaufman did a complete overhaul, so don't expect Po to be kung fu fighting villains within his memories, only to realize that those memories are just part of an elaborate play being directed by Philip Seymour Hoffman (or maybe in this case Dustin Hoffman, since he voices a character in these films) which features himself directing a sequel to Kung Fu Panda.

Part of what makes German director Christian Petzold's pulp psychological thriller so special is the way it wrings complex shades of suspense and disquiet out of very basic techniques, and its finale — the most sublime gasp moment of the year in film — is a master class in simplicity of form, cut almost entirely from just two angles and carried by stars Nina Hoss and Ronald Zehrfeld, whose performances have been building to this one exchange of subtleties.

In this series of interviews, the actors - alongside director Rian Johnson - open up about their roles in this fantastic franchise, the extraordinary sets and scenaries they were placed in during filming, and just what it's like to be part of such a well - loved world.

Provocative, perceptive writing may be a sizeable part of The Death of Stalin's charm, but the film's cast do just as much heavy lifting.

ATLAS SHRUGGED PART I Rather than take the time to come up with something witty to write about this heavy - handed screed that boasts all the production values of a bad made - for - TV movie from the early 1980s, I'll just substitute the word «novels» with «films» in this popular quote and be done with it: «There are two films that can change a 14 - year - old's life: The Lord of the Rings and Atlas Shrugged.

The end result is, like In Bruges, an entertainingly erratic effort that receives plenty of mileage out of the actors» stellar efforts and McDonagh's crisp dialogue, and it does seem like it's just a matter of time before McDonagh crafts a film that's more than just the sum of its parts.

It is in fact a prequel set just before the events with kurt russell, now having seen the 1982 version about 10x i kinda know whats gona happen for the most part in this film, now that does nt mean there wasnt alot to enjoy, seeing cool new versions of the thing (which are very well done), and still being in suspense on who is infected and who isn't.

Welcome to the fourth part of my series on female - directed movies, wherein I share with you... well, whatever I want to share with you, whether it's a film that doesn't quite fit into one of the previous categories or one that I just didn't have space for.

At the film's press day, appropriately held at the Hollywood Forever Cemetery, actress Olivia Cooke spoke to Collider for this exclusive interview about why she wanted to be a part of this project, how she related to her character, just how much the story changed and evolved, re-shooting 50 % of the film, who she'd want to contact with a Ouija board, the most challenging aspect of the shoot, having so much fun with this cast, and why she doesn't think she'd return for a sequel.

It complains about Hollywood as much as it adores it (a line from Ryan Gosling that L.A. «worships everything and values nothing» is especially on point) and that paradox is only part of why it's just a great film.

Maybe they can play this film on Good Friday as part of a double feature with Fireproof just to make me laugh more.

Unfortunately, Scarlett's role in the film is very small (she has just two scenes), so if you're thinking of watching it solely for her, you'll probably be a little underwhelmed by the size of her part.