Sentences with phrase «just something about characters»

There's just something about characters being offed one by one by a masked, knife - wielding menace that has never connected with me as a source of fear, whether it's in Halloween (which I love), a Mario Bava or Dario Argento giallo movie (ditto), or in one of the countless Friday The 13th - alikes that came out of the 1980s.

Not exact matches

That was a very interesting read many comments caught my attention I've recently been diagnosed with Bipolar I have hallucinations and hear voices in my ear's when I hallucinate it's likes they are trying to get me thousands of them I can only describe them as dark shadows and they are trying to get me just as they are about to get me a brilliant white light surrounds me and there's three entities humanly shaped but like this brilliant white light they are also glowing this brilliant whiteness I can't understand what they are saying the only way I can explain it is emotions comfort joy love is what I feel emanating from these entities the voices I hear aren't evil telling me to do bad things to people when I get put into a mode of fear I live in a rough area of Scotland and everytime I've got into a fight something possesses me I know this for a fact as I can't control myself I'm an observer watching my family / Friends say I change they say my eyes change and I look evil I personally do think possibly through my own personal experience I» am possessed as I act out of character I've lost interest in many things I've recently I decided it's time for change I've lost my faith I've been trying to connect with God and feel his love which I used to feel the presence of the holy spirit everytime I try connect I get a feeling of abandonment I just think if I am possessed could these entities stop me connecting with «God» I can say from my heart of hearts «JESUS CHRIST HAS COME IN THE FLESH» I think it's more to do with the persons own personal fears which I have noticed my fears have changed if I had to be truthfully with myself I fear God which I know I'm not supposed to just I can't explain it I guess if you ever need a test subject I'm up for the challenge like I said I'm on journey to find myself and my travels have brought me hear I'm going to hang around for a wee while there's lots of good information to be plundered loll

During the movie, Tom Cruise's roguish persona keeps the character basically likable and worth investing in, but by the end, it's clear that Liman has something different to say about the American Dream and how many of us can be just as easily swayed by the perks of moral relativism.

Perhaps you are just a suspicious character, or a valuable witness to something you know nothing about.

He felt something after about three mins of coming on, but still played on which just goes to show you what sort of a character he is.

Statement is baffling and is in fact the very thing that guys like cap and others are fighting against the truth is Colin didn't orignaly kneel during the anthem he sat on his bench he was then approached by vets who asked why he was sitting and asked him to do something else because sitting was disprectful it was those army vets who told cap to kneel because it shows your fighting against something and not just sitting to sit they told him it would be a better look and it's funny how people turn around and say he is disrespecting the very people who told him what to do and how to do it to get his message across this is the ignorance of America and everything cap fights against you judge a man by the color of his skin and his upbringing and not the content of his character you don't know anything about cap yet you pull this entire story out your ass go sit down clown

«When we think about the word «character,» we often think of something that is not at all changeable — it's just like what you're born with,» Tough says.

From the animation to the characters, there's just something about them that makes them stick with you for a lifetime!

There is just something so adorably cute about the characters, and Hello Kitty is for sure the most beloved member of the Sanrio family.

He is surrounded not only by his quirky classmates, who have their own issues (Vern is hoping to marry his perpetually patient girl [Mya] and Chic is discovering something about his sexual inclinations), but also by a quirky coworker, Link (Stanley Tucci, whose performance — not just the character — is so tacky as to be distracting).

In a true - life sports tale like the recent «Invincible,» you buy into all the inspirational clichés because the characters have inner lives and the movie is about something bigger; here, you keep hoping for something bad to happen to somebody just for the sake of balance.

All films are a work of fiction, that much is obvious, and a lot of them are prone to exaggerations, even biographical films, but there's something just so heavy - handed about the way this film presents its story, its world and its characters that's really off - putting.

There's just something about the film and the way the characters are written that negated any hard work put in by the cast.

Both cast members were good in portraying their own characters, but when you put them together you see that something just isn't right about the pairing.

Just sticking to relatively recent television (as opposed to something like the movie version of From Hell), The Alienist arrives after The Knick and Boardwalk Empire featured a New York only slightly further in the future, Peaky Blinders and Penny Dreadful have done the same across the pond (the latter featuring an alienist character of its own), and Netflix's Mindhunter tackled the»70s codification of the kinds of criminal profiling that Kreizler fumbles about with here.

Though it's nice to see Elizabeth Shue back in front of the camera as Lawrence's protective mother, her character is perhaps the most one - dimensional of the bunch (and that's saying something), while just about every scene featuring Max Thieriot is the equivalent of watching paint dry.

Not bad at all.this film keeps you guessing in ways you never do a lot in horror films.Rob Zombie directs theses actors like I've never seen a horror director do before.this movie is truly amazing, people are calling it «terrible» I call it «good» it's the kind of horror film that actually deals with characters and not just pointless blood and guts.I felt like all these characters really did go through something, and this movie is truly just about them overcoming it.I don't consider this a horror film, I consider this a drama / horror film, cause that is what it is, and I love it.this mvie isn't just about a killer killing people, it actually deals with the people he's after anf even deals with himself at times, which I truly loved.Rob Zombie has proved to me again that he could direct.perfect seq...

Perhaps the hyper - stylized and conceptual Hooper is just a poor fit for a story as nuanced as this — for a movie about such a charged human issue and where characters spend the majority in some tearful state, shouldn't the audience actually feel something?

Just as Mildred's overalls and headscarf are a key part of her character, so her choice of typeface tells us something about her personality.

I think the character taught me a lot about relationships: Sometimes you got ta work through the hard stuff and sometimes two people grow apart, and that's the harsh reality, that's what love is sometimes... knowing when it's time to let something go, just realizing something's not working.

There is something about these characters that have just clicked with the audience and have become more popular since the films.

After creating a hyper - stylized art deco backdrop and playing with a bit of straightforward character development that makes Rogers something resembling a human being before pumping him full of mysterious chemicals that transform him into a super version thereof (The irony of using genetic experimentation to create a race of supermen to fight the Nazis is lost on just about everyone here), the movie gradually loses its design flair and human element for hastily assembled sequences of derring - do.

So it is great for my daughter, since she doesn't care about new stories and just loves seeing pictures of her favorite characters and hearing fun stories but not really super exciting for daddy, who is looking for something new and original.

It often seems to cut just when something is about to happen to a character, negating any suspense.

The film isn't particularly about the attack or, as the characters here refer to it, «the incident» — a fairly loaded word that suggests it was something that just happened, without any human participation in it.

Occasionally we learn something decent about the flick, but most of the time the show just reiterates plot and character facts that are already known to anyone who saw the movie.

Yet there's something just off about the movie, something discordant or out of balance, and the biggest evidence of this is that the funniest stuff doesn't grow naturally from the story or characters, but feels appended, thrown on as afterthought, like a condiment, to add a little flavor.

Call me a hypocrite, but there's just something undeniable about Zac Efron, Miles Teller and Michael B. Jordan's on - screen presence, even when their characters are stupid, selfish and borderline sociopaths.

But there's just something about the logistics of the Cars universe that raises a myriad of questions, and that can be frustrating, especially when Pixar goes out of their way to not answer them unless it's important to the story or characters.

Something great I love about his character is that he is not just a behind - the - scenes villain who commands people to do his dirty deeds for him.

What we're left with is something that strives for a thought - provoking character piece about isolation, family, trust and responsibility... and then quickly remembers people will want some explosions and punches and tacks on an underwhelming last - minute fight just so nobody can say it didn't have one.

I just have to find something likeable about the characters.

Writing a character who has been taken down just about every comedic avenue possible in the last decad and trying to do something fresh with him is an increasingly difficult task.

Nicknaming Stern's character «Spider» for no real reason but to, eight years after its release and just now finding its way to DVD, connect it in a disturbing way to David Cronenberg's thirteenth film by way of arrested Freudian developmental phases and fixations on body function, Bushwhacked, as it happens, is also about as funny as Spider — not a particularly shining endorsement of something that's ostensibly a comedy.

The comments come from current Teachers, Teaching Assistants, SEND co-ordinators, heads of house, inclusion managers and Form Group Tutors...: We used this in small groups in our new class every morning for a week, what a great start, everyone is still buzzing... Builds a strong sense of belonging to something special... your class... Encourages differences and similarities to recognised and valued... Hugely improves our efforts at inclusion... The students quickly came out of their shells and are blossoming... Reveals much of the nature of the students... Gets us buzzing as a group... Encourages participants to take part in their own game and go and find things out from others... brilliant ice breaker game... Helped to resolve a huge problem we had in getting students to gel... Switches the students brains on from the moment go... Helps to break down various barriers... Gives a big boost to developing important life skills... This gives a great insight and a fantastic array of examples, clues and hints as to the characters of each individual in the group... Helps participants learn some things about themselves... Helps participants learn some things about others... Helps you learn about the participants (you can be a player as well on some occasions)... Makes it easy to develop class rules of fairness and cooperation... Builds a sense of purpose... Creates a sense of community and togetherness... Brilliant, just brilliant... our school is buzzing...

I found this engrossing, wonderful language and descriptions, interesting characters and historical details, but usually a book of this quality has some obvious messages or questions raised, and I am having trouble seeing any here, beyond something obvious like «dare to be different even if you are a woman...» Am I missing something, or is this just about entertainment, suspense?

I guess there's something soothing about reading manga where the characters are just hanging out enjoying themselves.

f you're like us at Stash, you daydream about doing something boldly out - of - character, like buying a zoo, just so you can free all of the animals.

I LOVE the secrecy... the surprise in discovering that this character you know so much about is hiding something so close to his heart that it just wasn't shared with players in the past.

We're not having a reasonable debate, we're just seeing a lot of websites running articles moaning without really offering much reason and a lot of people loudly declaring that they are done with Game of Thrones, not because there's something actually worth talking about, but because it was a fan - favorite character who, because she had one badass moment last season, is now supposed to be exempt from the usual hardships Game of Thrones likes to throw around.

Sadly the side - quests, much like the main quests as well, that you can pick up along the way are about as mundane and dull as they get in RPGs, usually venturing no further into the creative wilderness than sending you to fetch items or kill something, or even just you have wandering back and forth in town for 20 - minutes talking to bland characters.

No matter how many times we've beaten it, done all the sidequests, or maybe even gotten that Platinum trophy, there's just something satisfying about a world, a character, a battle, or something you can't quite put your finger on that keeps you coming back.

Just to mention something about the retail titles, the box art for the Japanese version features Kazuhira Miller, a core character from Peace Walker, alongside Snake, but the western cover only has Snake, due to the low sales of Peace Walker outside of Japan.

Something about the characters just did not wash with me.

That might be enough to throw just about anybody off the scent, but there's still something so charming about its design and characters that it begs to be given a chance.

A game about tattoos is something I've not seen in handheld games before, and all of the art and characters just have that cute, anime look that's made me want the game for quite some time now.

They can take just about any genre, put a new twist on it, fill it with color and a bunch of weird characters and viola, something special is born.

why are people complaining about the homing attack it's just like the old ones they add something new to each one like sonic 2 gave the spin dash sonic 3 several characters new shields bigger game and more and now this with so far new graphics and homing attack.

I love how dense the world is and how pretty much every location has something worthwhile to find, and just about every named character has a quest for you at some point.

I wouldn't care that much about this issue if the game didn't force you to pay attention to the plot with so many dialogue sessions and bizarre in - game «cutscenes» in which my character freezes for 15 seconds just to take a look at something right in front of her.