Sentences with phrase «just twist the stories»

Not exact matches

For Mohu, which has 70 employees based in Raleigh, North Carolina, the recent uptick is just the latest twist in an unlikely story in which a nearly century - old technology — the humble TV antenna — is suddenly a hot seller.
Just to throw another twist into the story, this Neanderthal's mitochondria didn't come from the same group as those belonging to other previously analysed Neanderthal bones.
You just keep twisting the stories.
I imply agree with their thought process which is straight forward, no twists, no saying this but meant that, no distortion, no fabricated stories, just straight at you information so you can make a clear decision.
The frustrations are not just bad and annoying things that happen, but are actually twists and turns in the plot of my life story which build the conflict and will eventually lead to the climax of wherever this story is headed.
So (until any twist in the story occurs), if some of fans are still recommending Wenger to get Benzema, I will assume that they are just being childish and impatient.
However, a total of six hours of original story is crammed into just two hours and the twists make you dizzy.
The Forensic Science Service is the Web site to go to next, whether you are seriously considering a career in forensic science or just like to read crime stories with a real - life twist.
Each episode brings new plot twists and turns that I never could have EVER imagined would happen within the story line and every time I watch, the episode ends and I just want more more more!
Not necessarily epic stories complete with plot twists and gasp worthy moments, but just a narrative that helps drive the action forward.
That's because most of the story dances around a «plot twist» or discovery or whatever it is that is hardly exciting, and all too predictable (Lime is alive, duh) and our main lead is a doofus, and not exactly the charming type, just a helpless goon going around from one point to another.
So it turns out that it doesn't matter that all the promo material on the film — TV ads, trailers, everything — reveals the story's twist — Lincoln and Jordan and all their fellow citizens aren't survivors of a global disaster but rich people's insurance policies — because all that happens after the secret is revealed is that Bay can finally get down to doing what he loves to do: Stomp and crash and burn and destroy as Lincoln and Jordan escape into the real world — just 20 minutes into our future — and must be recaptured.
The story sometimes slips into soapy territory, but when you think the schmaltz is going to ruin it, Yamada gives it just enough of a twist to make you realize this is not your regular romantic film.
If you leave the twist — which isn't even a twist, just a justification for conspiracy — ending off Soylent Green, it's a detective story.
And, aside from a conclusion I won't spoil except to say that it plays exactly like the meta - film twist at the end of Altman's THE PLAYER, Spielberg can't resist to inject a Gumpian «brush with history» as then Assistant Attorney General Rehnquist, a future Justice of the Supreme Court, calls to advise Bradlee the publication of the papers is prohibited by the Espionage Act of 1917 — just a beat too late to stop the story going to print.
Just couldn't get enthusiastic about the twists and turns in this story of an investigative reporter on the trail of political bad guys.
What's key to the film being more than just some exploitative thriller is how Fargeat acknowledges and twists the story's elements of exploitation.
There is an attempt at some sort of twist ending, a la M. Night Shyamalan, but even this adds so very little to the story as a whole, and comes off like a gimmick just to give the film a «big reveal» even if it doesn't really merit one.
Final Verdict: This film might entertain some, but for me, it was just too grey and slow, with a twisting story replacing character depth.
An incredible story, with such expertly executed plot reveals, twists and turns that, like the very best of page turning novels, kept me sat in front of my TV for its final few hours as I just had to know what happened next.
Based upon the comic book by Mark Millar and Dave Gibbons and directed by Matthew Vaughn (Kick Ass, X-Men First Class), it tells the story of The Kingsman, a super-secret spy organisation that recruits a promising teen (Taron Egerton) into their ultra-competitive training program, just as a global threat emerges from a twisted tech genius.
The game tries to play with having story twists but everything is predictable enough that it just seems boring.
Slick but not sleazy, hip but not just for hipsters, I Love You Phillip Morris is a traditional love story with a definite modern twist, in a must - see feature devoid of genericism but full of heart.
Bang: The Bert Berns Story: Documentary about the prolific 1960s songwriter («Piece of My Heart,» «Hang on Sloopy,» «Twist and Shout,» to name just a few of his big hits).
There's no big twist, just a story told well by skilled writers, directors and performers.
Also starring Michael Caine, Taron Egerton, Mark Hamill (yes, that Mark Hamill), Mark Strong, Jack Davenport and Samuel L. Jackson, the film «tells the story of a super-secret spy organization that recruits an unrefined but promising street kid into the agency's ultra-competitive training program just as a global threat emerges from a twisted tech genius».
This is just one of many lazy story developments in the film, as Stenders (working from a script by James McFarland) is quick to throw all logic out the door in favor of more twists and betrayals.
It's a nice twist to the overall stories of Mario Party games, to which the story is more focused and leaves the player doing more than just Party - ing around.
But this proves to be more than just a ghost story, as the twists turn it into a full - blown mystery that stirs up memories of Alfred Hitchcock's Rebecca.
There's even a nefarious, God - like narrator who provides story prompts between missions, just like a twisted, meddlesome version of the one in Bastion, albeit voiced by the same chap as in Battleblock Theater — still with me?
Whether you're up for a great murder mystery, some awe - inspiring visuals, or just an engrossing story with good twists and turns, «Murder on the Orient Express» is an all - around must see.
It starts as an intriguing enough mystery, evolves into a suitable second - act quest; however, some third - act «twists» just derail whatever narrative momentum the story manages to build, and muddles both the mythology and character relationships developed up to that point, leaving us with an awkward ending that doesn't feel much like an ending so much as a chapter break.
However, just as you think you know where the story is heading, a plot twist trips you up, and forces your full attention until the very end.
But there's a moment — just a flash, and a twisted one — where you catch a glimpse of light for the story's most reprehensible character, who is not the serial killer but the racist, narcissistic grandmother.
The result is just the kind of twisted love story that Anderson excels at, and as near a distillation of the filmmaker's obsessions as one can imagine: Phantom Thread explores power, unorthodox love, and how the weaving together of ego, psychology, and physicality can make us act, at times, against our own self - interest.
More interesting to me was how the story and characters are posed so that a viewer might interpret meaning in just about any manner one cares to twist.
I was expecting a twist in the story just like Jon Favreau's «The Jungle Book».
Based upon the acclaimed comic book and directed by Matthew Vaughn (Kick Ass, X-Men First Class), Kingsman: The Secret Service tells the story of a super-secret spy organization that recruits an unrefined but promising street kid into the agency's ultra-competitive training program just as a global threat emerges from a twisted tech genius.
No more details need be provided, just know that the story and the people are twisted and demented, and the violence and sexuality are the type that make a film tough to watch at times.
Official Premise: Based upon the acclaimed comic book and directed by Matthew Vaughn («Kick Ass ``, «X-Men First Class»), Kingsman: The Secret Service tells the story of a super-secret spy organization that recruits an unrefined but promising street kid into the agency's ultra-competitive training program just as a global threat emerges from a twisted tech genius.
The second twist if you will, just seems like a pile - on effect and the story didn't require it.
Synopsis: Based upon the acclaimed comic book and directed by Matthew Vaughn (Kick Ass, X-Men First Class), Kingsman: The Secret Service tells the story of a super-secret spy organization that recruits an unrefined but promising street kid into the agency's ultra-competitive training program just as a global threat emerges from a twisted tech genius.
There is just something about the world that keeps you busy and clamoring for more of the story, even if you can figure out the twist coming from a mile away.
A lot of people like the BBC's Sherlock, with its clever twists on old stories, creative imagery, and fun chemistry between Benedict Cumberbatch's Holmes and Martin Freeman's Dr. Watson, but some people don't just like it, they really like it.
The story from screenwriter David Koepp is very straight - forward and contains just the right amounts of twists and turns.
So while the film might look like a green - skewed message movie, it ends up just being an interesting story with a good cast and some nice twists.
But, just as one is being lulled into thinking that immigrant assimilation and angst with a topping of young love is to be the order of the day, the story takes a subtle twist that causes the reader to sit up and take note.
Just when you thought the romance couldn't get any more twisted in this Urban Love Story... It... [Continue reading]
Just when you thought the romance couldn't get any more twisted in this Urban Love Story... It Does!
Just when you think you have this mystery all figured out — you realize you don't: It's relatively rare for a story will have multiple twists which are all surprising to me, but that was the case here (Rebecca K).
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