Tillmans's own image rarely appears here (while the gallery permits photography, the exhibition leaflet specifies «no selfie - sticks»), but the gregariousness of the curating — which features a rare videowork, a live programme, ephemera from the artist's Berlin - based project space,
juvenilia like a foray into garment design and an inexplicable gong sculpture — reveals the artist in a surprising number of dimensions; he even codesigned the catalogue.