The Exhibition provides visitors with the opportunity to experience six of Kusama's most iconic
kaleidoscopic environments, alongside large - scales, whimsical installations of over 60 key paintings, sculptures and works on paper from the early 1950s to the present.
Immerse yourself in six of
these kaleidoscopic environments where you will be endlessly reflected within fantastic landscapes.
Featuring the North American debut of numerous new works, visitors are invited to enter alternative, whimsical worlds as they experience six of Kusama's most iconic
kaleidoscopic environments alongside the artist's large - scale paintings, sculptures and works on paper.
Each of
these these kaleidoscopic environments are completely immersive sensory journeys.
Another mirrored infinity room, Love Is Calling, stands as one of Kusama's most immersive,
kaleidoscopic environments to date.
Organized by the Hirshhorn Museum and Sculpture Garden, this show will take visitors on an expansive journey across six decades of Kusama's creative output and will explore the development of the artist's Infinity Mirror Rooms, her iconic,
kaleidoscopic environments.
Within this elegant, atmospheric setting, these artworks came to life, creating an immersive,
kaleidoscopic environment in which the artist lived and worked.
Yayoi Kusama: Infinity Mirrors provides visitors with the unique opportunity to experience six of the artist's Infinity Mirror Rooms — her iconic
kaleidoscopic environment — as well as additional large - scale installations, sculptures, paintings, works on paper and archival photographs and films from the early 1950s through the present.
Not exact matches
With its debut at the PlayStation Experience in December 2014, Tinertia stars the inauspicious robot Weldon who is equipped with a powerful rocket launcher that allows him to propel himself through a
kaleidoscopic series of challenging industrial
environments.
Through buildings Monet bore witness to his location, revelling in
kaleidoscopic atmospherics and recording the play of sunshine, fogs, and reflections, using the characteristics of the built
environment as his theatre of light.
Kusama has said she's interested in the concept of «self - obliteration,» seeing her
kaleidoscopic installations as connecting her viewers so completely to their surrounding
environment that their sense of self is lost.