Sentences with phrase «kaleidoscopic surfaces»

Known for collages with kaleidoscopic surfaces of fractured forms and space, Romare Bearden captured in his layered narratives the essence of African American life.

Cutting and pasting photographs, paper, fabric, newspaper, and magazines, Bearden often added gouache, ink, pencil, and oil to his kaleidoscopic surfaces, creating dazzling compositions that focused on themes as expansive as his own talent.

Bearden added gouache, ink, pencil, oil, and spray paint to his kaleidoscopic surfaces, creating dazzling compositions that focused on themes as expansive as his talent.

Executed in 1995, the same year that Hirst was awarded the Turner Prize, it is one of the only spin paintings to rotate mechanically on the wall, causing its kaleidoscopic surface patterns to shatter across its vast circular form.

Not exact matches

Design The Surface 3 will look familiar to anyone who has seen another Surface tablet, whether it's in person, or in Microsoft's kaleidoscopic new TV spots.

Leaving no surface untouched, Hancock will invite visitors to step inside giant Mound sculptures, whose interiors will be kaleidoscopic installations: part toy fair, part museum, and part theme park, all run to wild proliferation.

Just the current show of Florine Stettheimer's extraordinarily gorgeous, inventive, kaleidoscopic paintings at the Jewish Museum suggests that there are a thousand aesthetic aromas, ideas of color, composition, surface, subject matter, metaphysical attitudes, body postures, and optical domains that have been cut out of the canon (probably because certain «qualities» have forever been considered too female, or «girly»).

For this new work, he prints a kaleidoscopic composition on the surface of an origami sculpture, installing it atop a mirrored surface that, as with his earlier installation, transforms the light in the gallery space.

Anderson was initially interested in the kaleidoscopic effect of the mirrored walls, the sense of stillness in the midst of movement they created, and the surface decoration of the photographs stuck to them — photographs of black politicians and sportsmen, as well as hairstyles.

Exhibited alongside Auad, Brătescu and Hicks, Lucas Samaras employs techniques such as splicing, stitching, interweaving, doubling and repetition, combined with numerous fabrics which create a single continuous surface of kaleidoscopic patterns and colour.

A mark, thus, that excavates, little by little, the surface of the silver faced foam panel, revealing the density of an aggressive and intense force — in a rainbow of different dark shades, as the final aesthetic outcome; a mark also clearly crystallized in kaleidoscopic patterns inspired by the Arizona Petrified Forest; a mark condensed, finally, in a system that re-draws all the complexity of a structure that is expressed by abstraction.

These figures, partially subsumed within the kaleidoscopic patterns, produce a deft play of textures between their matte surface and the rich impasto of the rest of the canvas.

Part of each sculpture is mirrored to reflect the underwater seascape and create a kaleidoscopic observatory for the viewer, while other surfaces are rough and rock - like.