Sentences with phrase «kaleidoscopic works»

As part of winning best in show honors in Guild Hall's 76th Artists Members Exhibition in 2014, William S. Heppenheimer has been awarded his first solo museum exhibition at Guild Hall, featuring his abstracted, kaleidoscopic works of art.

Whether you view these two pieces as allegories for our fallen times, as postmodern reconstructions of films that were never made and events that never took place, as the sustained pedantry of a lunatic, or as a comprehensive encyclopædia of human absurdity and banality, they are ingenious, kaleidoscopic works that will boggle the brain and tickle the fancy.

It was thus obvious to show a version never before exposed — Version VII — of Richter's kaleidoscopic work, 4900 Colours (2007) in this new venue of Beijing.

The spiraling wooden work that was installed at 1045 Mission St. was completely sourced from the city's own dump, turning thrown away limber into a kaleidoscopic work that spanned both the length and height of the gallery space.

Not exact matches

About eight years ago, just as he was running a white - hot chain called Dylan's Candy Bar (his co-founder was Dylan Lauren, Ralph's daughter), Rubin realized that much of his work — the kaleidoscopic displays, the lollipop lamps, the peppermint - patterned barstools — mattered not a whit to his target audience.

It is, of course, our story: the threat, real or simply paranoid; the flight in terror through the wilderness of despair; the wonder of sustenance in the desert; the darkness, the stillness, the strangely comforting loneliness of the cave in which we spend a night or a week or however long it takes for the noise and fury of our hell to subside; the perception of the gift, now, of gentle silence; the miracle, then, of the discovery anew of the «isness» of the Word, but the immediate, bitter protest against it because it will not let us stay in this place of haven from storm, this realm of the silence of gentleness, because it sends us back again, and because it rebukes the pride of our paranoia, our monumental sense of absolutely unique commitment and persecution; and finally our return, to call an Elisha on the way and to resume the work of ministry to Word of God and word of earth, renewed by the whole kaleidoscopic experience of the trip to the Cave.

Lil» Deb's tastes like an Oberlin dropout went to work with [Lalito chef] Gerardo Gonzalez for a couple years then teamed up with their Ecuadorian aunt to make vibrant, kaleidoscopic comfort food.

Brief interludes with media - friendly English «football men» like Ray Wilkins and Alan Curbishley working on the staff further reveal a kaleidoscopic approach to finding the formula.

Working Paper Series # 1: Michael A. Genovese, Art and Politics: The Political Film as a Pedagogical Tool # 2: Donald B. Morlan, Pre-World War II Propaganda: Film as Controversy # 3: Ernest D. Giglio, From Riefenstahl to the Three Stooges: Defining the Political Film # 4: John W. Williams, The Real Oliver North Loses: The Reel Bob Robert Wins # 5: Robert L. Savage, Popular Film and Popular Communication # 6: Andrew Aoki, «Chan Is Missing:» Liberalism and the Blending of a Kaleidoscopic Culture # 7: Barbara Allen, Using Film and Television in the Classroom to Explore the Nexus of Sexual and Political Violence # 8: Robert S. Robins & Jerrold M. Post, Political Paranoia as Cinematic Motif: Stone's «JFK» # 9: Richard A. Brisbin, Jr., From State and Local Censorship to Ratings: Substantitive Rationality, Political Entrepreneurship, and Sex in the Movies # 10: Stefanie L. Martin, Fiction and Independent Films: Creating Viable Communities and Coalitions by Reappropriating History # 11: Peter J. Haas, A Typology of Political Film # 12: Phillip L. Gianos, The Cold War in U.S. Films: Representing the Political Other # 13: Michael A. Genovese, The President as Icon & Straw Man: Hollywood & the Presidential Image # 14: Michael Krukones, Hollywood's Portrayal of the American President in the 1930s: A Strong and Revered Leader # 15.

A fancy and kaleidoscopic poster was released this past Friday to tease us just enough for this trailer and boy did it work.

11:30 am — TCM — Gold Diggers of 1933 The story's nothing to get excited about (and in fact, the subplot that takes over the main plot wears out its welcome fairly quickly), but the strong Depression - era songs, kaleidoscopic choreography from Busby Berkeley, and spunky supporting work from Ginger Rogers pretty much make up for it.

9:45 pm — TCM — Gold Diggers of 1933 The story's nothing to get excited about (and in fact, the subplot that takes over the main plot wears out its welcome fairly quickly), but the strong Depression - era songs, kaleidoscopic choreography from Busby Berkeley, and spunky supporting work from Ginger Rogers pretty much make up for it.

Returning to the territory he so brilliantly explored in his masterful New York Times bestseller, American Gods, the incomparable Neil Gaiman offers up a work of dazzling ingenuity, a kaleidoscopic journey deep into myth that is at once startling, terrifying, exhilarating, and fiercely funny — a true wonder of a novel that confirms Stephen King's glowing assessment of the author as «a treasure - house of story, and we are lucky to have him.»

Chris Ofili creates intricate, kaleidoscopic paintings and works on paper that deftly merge abstraction and figuration.

In a kaleidoscopic movement of acoustic universes, visual projections, props and instruments brought to life by Joan Jonas, the performance retraces the source of the work — Under the Glacier (1968), by the writer Halldór Laxness — which narrates tales of glaciers and miraculous aspects of the natural world.

Since Ritchie exhibited «The Universal Adversary» at Andrea Rosen Gallery in 2006, his work has been included in numerous exhibitions including: the Venice Architecture Biennale; the Seville Biennale; the Havana Bienal; «Matthew Ritchie, The Iron City,» St. Louis Art Museum; «Wunderkammern» Museum of Modern Art, New York; «The Guggenheim Collection,» Guggenheim Bilbao, Spain; «Not For Sale» PS1, New York; «Confines,» IVAM, Valencia, Spain; «The Shapes of Space,» Guggenheim Museum, New York; «Between Art and Life,» San Francisco Museum of Modern Art; «The Kaleidoscopic Eye,» Mori Art Museum, Tokyo; «In the Beginning: Artists Respond to Genesis,» Contemporary Jewish Museum, San Francisco; «Experimental Marathon Reykjavik, Reykjavik Art Museum; «The Last Scattering, Phase Two,» London, «To the Milky Way by Bicycle,» Staatliche Kunstsammlungen Dresden, Germany; «The Architectural Imaginary in Contemporary Art,» Museum of Contemporary Art, San Diego.

This phrase of Francis Picabia's (1879 - 1953) offers a synopsis of his «kaleidoscopic personality», says the curator Cathérine Hug of Kunsthaus Zurich, who has co-organised a survey of his work that opens this month.

With these tools, Fiore's works present both intricate kaleidoscopic effects and simplistic smoke - streaked colors and stained layers.

Caravaggio's contemporaries arrive at the National Gallery, while Yinka Shonibare unleashes kaleidoscopic new work — plus the rest of the big shows this week

Her works envelop viewers in sensual, vibrantly colored kaleidoscopic projections that fuse the natural world with the technological sublime, according to the New Museum.

Within this elegant, atmospheric setting, these artworks came to life, creating an immersive, kaleidoscopic environment in which the artist lived and worked.

For this new work, he prints a kaleidoscopic composition on the surface of an origami sculpture, installing it atop a mirrored surface that, as with his earlier installation, transforms the light in the gallery space.

Rondinone describes the show saying: «I ♥ John Giorno is a kaleidoscopic exhibition about the life and work of American poet and Tibetan Buddhist John Giorno, whose rich and stimulating life has woven many threads of American culture and spirituality.

Known for his figurative work that features text, the exhibition will highlight the kaleidoscopic color and angles that Johanson employs.

It was the city and its kaleidoscopic rectangularity — not landscape — that fueled Rothko's work from the beginning... In the 1930s, the rectangle staged the vulnerable mortal figure; in the 1950s, the rectangle became the metaphysically vulnerable figure.»

Her mesmerizing works envelop viewers in sensual, vibrantly colored kaleidoscopic projections that fuse the natural world with the technological sublime.

Works such as his 2009 oil and alkyd painting Soon use a repeating square motif to provide some sense of concrete firmament, while the X-shaped motif below, in yellow, red, blue, green, and white, shifts maniacally, destabilizing the image with kaleidoscopic movement.

The works pay homage to Busby Berkeley's dazzling kaleidoscopic musical production numbers from the 1930s.

Her mesmerizing works wrap viewers in vibrantly colored kaleidoscopic projections that fuse the natural world with technological wonder.

Yayoi Kusama: Infinity Mirrors is the first exhibition to explore the evolution of the celebrated Japanese artist's immersive, kaleidoscopic Infinity Mirror Rooms, alongside a selection of her other key works, some never before seen in the U.S..

Drawn from the collection of the National Gallery of Victoria, Melbourne, and featuring a number of recent acquisitions, The Kaleidoscopic Turn resonates with references to various artistic legacies of the 20th century from Op art to colourfield painting, offering a range of multi-sensory experiences including immersive installations, kinetic sculptures, video art, works on paper and painting in its diverse and expanded forms.

The group exhibition Abstracting the Seam surveys the ways in which needleworking strategies permeate the painting, collage, video, textile, and installation art by seven contemporary artists whose work addresses the kaleidoscopic urban experience.

Moataz Nasr's work treads on personal identities distorted by the march of time, and Theo Eshetu draws us into a captivating kaleidoscopic space in which past, present, and future converge.

I Refuse to be Invisible, Njideka Akunyili Crosby's kaleidoscopic painting, is an illustration of her pioneering practice in which she draws together a wide range of contemporary themes — including the role of traditional cultures in modern society, the proliferation of the mass media and the history of western painting — into one monumental work.

Located on the 52nd and 53rd floors of the Mori Tower in Roppongi Hills, Mori Art Museum is known for its blockbuster exhibitions, such as: «Takashi Murakami: The 500 Arhats», «The Kaleidoscopic Eye: Thyssen - Bornemisza Art Contemporary Collection'that featured works by Carsten Holler, Olafur Eliasson and Tracey Emin, and «According to What?»

The resulting works brim with squares, rectangles, and lines arranged in delightfully irregular patterns and rendered in kaleidoscopic colors and gradients, so that they seem to jump from their fiber substrate.

«Good Stock» is a poetic, musical, deeply visceral, gorgeously kaleidoscopic, affecting work of art.

All in all the work is undoubtedly rooted in its place and context and engenders a kaleidoscopic view of artists committed to making work in New Orleans today.

At Kunst Halle Sankt Gallen newly created works and appropriated material such as collectible ceramics, souvenirs and art reproductions conglomerate into a kaleidoscopic view of Prina's place of birth Galesburg, a small, peripheral American town which can by all means be compared with St. Gallen.

She takes a kaleidoscopic approach to her work, creating rich and resonant images that arise from the collision and recombination of these different languages.

Featuring the North American debut of numerous new works, visitors are invited to enter alternative, whimsical worlds as they experience six of Kusama's most iconic kaleidoscopic environments alongside the artist's large - scale paintings, sculptures and works on paper.

His The Unfinished Conversation (2012) combines found and newly shot footage to create a kaleidoscopic biopic of the cultural theorist Professor Stuart Hall's life and work — a piece that is simultaneously projected onto three screens.

Ursula Mayer works across film, sculpture, photography and installation to create «kaleidoscopic» spaces where multiple references converge and boundaries dissolve.

The wide - ranging exhibition, curated by Caroline Corbetta, provides an opportunity to showcase for a wider public a selection of works from the private collection of Ernesto Esposito, the internationally - renowned designer of haute couture shoes, exploring his curious, refined and bold taste with a single scenographic itinerary that offers a sense of the kaleidoscopic vitality of his collection, in which masters of contemporary art maintain a dialogue with emerging artists in a surprising continuity.

The Exhibition provides visitors with the opportunity to experience six of Kusama's most iconic kaleidoscopic environments, alongside large - scales, whimsical installations of over 60 key paintings, sculptures and works on paper from the early 1950s to the present.

Accompanied by sculpture, painting and other selected works by Gatson, the exhibition takes on a kaleidoscopic layering between rhythmic footage and other elements within the studio.

These ideas are restaged in Yayoi Kusama's immersive installation Narcissus Garden of 1966, whose kaleidoscopic techniques of fusion, duplication and distortion of the body chime with the work of Pipilotti Rist and, like that work, are reminiscent of surrealist engagement with Narcissus.

Perpetuating a tradition started just last year, the space will also play host to a site - specific roller disco installation (last year saw artist collective Assume Vivid Astro Focus create a similar neo-disco rink), where skaters can dance in the kaleidoscopic reflections to a soundtrack provided by DJ, singer and producer Henri, known for her original productions and work with psychedelic krautrock band Thrillionaire.

His more toned - down Aluminum and Copper Paintings will be on view alongside works like the kaleidoscopic Harran II from 1967.

His 1967 work Revolver II consists of silkscreened images mounted on five motorized Plexiglas discs, which the viewer rotates with a control box to create a kaleidoscopic effect that investigates ideas around motion, chance and temporality.