Preston asked readers, in the most public way possible, to support Hachette — a company that wants to raise ebook prices while
keeping author royalties low, and to express their displeasure directly at Amazon, a company that wants to keep ebook prices low while giving authors higher royalties.
Not exact matches
Independent
authors enjoy more creative control and far better
royalties: They
keep 50 % to 70 % of book sales, vs. 15 % to 25 %
royalties for traditionally published books.
Instead of accepting the 25 percent
royalty that most
authors take for ebook sales, she now
keeps ALL the
royalties for Harry Potter ebooks and audiobooks.
Please note:
Authors keep less than 80 %, contrary to ad.VAT + TES + Discount is deducted, then they calculate
royalty amount.
They have no right to
keep the
royalties of
authors they «represent»!)
Where a traditional publisher may offer a
royalty rate of 25 % of net sales,
authors who handle every aspect of publishing their book
keep all the profits if they can cover their costs.
But my
royalty income isn't quite enough for me to live on, so I'm
keeping my day job — please don't get the wrong idea I'm an
author.»
Authors, writers, publishers of eBooks, audiobooks and short texts can... A) sell their eBook through their
author page on XinXii - without
author contract - in real - time, without technical skills - with an own authorpage and online shop - enter all information such as description, tags, cover, price... - upload an eBook in one or multiple formats: PDF, ePub, mobi, doc, xls... - high
royalties per download - consolidated real - time sales reports -
keeping full editorial and copyright control or B) sell their eBook through their
author page on XinXii and additionally on major eBook retailers - we convert eBooks to the ePub and mobi format for free - we distribute to the leading eBook - shops all over the world for free - we provide consolidated sales reports Readers have... - the opportunity to discover new titles in all categories and genres - an easy access to a huge variety of content - can instantly download after purchase - have the opportunity to rate and comment on eBooks
Beyond that,
authors tell me they prefer self - publishing because they
keep all of their
royalties (with Hillcrest anyway.)
Authors maintain complete freedom to add or remove their books to D2D at will,
keeping all their rights, and any
royalties due from sales.
The PubSoft system can integrate data from Amazon and other channels to help you calculate
royalties and
keep track of digital
royalties owed to each
author.
Recently, breakout
author Hugh Howey got a print publishing deal and was able to
keep his digital rights, which means he will continue to collect larger
royalties on his e-books (up to 70 % for Kindle sales) than most traditionally published
authors receive.
Outskirts Press allows
authors to
keep 100 % of the
royalties from the sale of their books.
Authors keep any profits from the sale of books they purchased, but they do not count as sales, nor do the authors receive royalties from those pur
Authors keep any profits from the sale of books they purchased, but they do not count as sales, nor do the
authors receive royalties from those pur
authors receive
royalties from those purchases.
The expense of printing, distribution, and storage is non-existent for e-books, so it makes sense for
authors to
keep a larger share of the
royalties.
Meaning, the
author keeps all her
royalties.
Their cade of
Authors were
kept happy with some of the highest
royalty rates in the industry, around 30 % of each book sold.
One of the things that has
kept subscription ebook reading from already securing its place on consumers» devices has been reluctance on the part of publishers,
authors, and rights holders to adopt a model that didn't offer very clear explanations of how
royalties will be determined.
The same names
keep being bandied about — the Bella Andres, the Hugh Howeys, the Barbara Freethys — but there are an ever - increasing number of
authors who are not only pleased with their self - publishing decisions, but they're being hailed as savvy businesspeople for not being tricked into turning over their entire livelihoods to the traditional model and its sad
royalty share.
What the industry hopefully will recognize is that change doesn't have to happen as long as
authors are
kept ignorant of the possibilities for better
royalties and equal sales, a fact that AE reports are trying to remedy.
Essentially, BookBaby, has found that charging legitimate
authors an upfront fee to process and distribute their ebooks may cause some to ultimately opt for one of the sites that makes its profit out of
royalties rather than pay an initial investment; however, this same business model means that spam and piracy can be
kept to a minimum as get - rich - quick scammers are loathe to shell out the upfront cost.
Best of all, the
author keeps all the profits, even while also distributing the book to the third - party, app - specific, device - dependent,
royalty - capturing stores.
Keep that in mind as you look as this side by side comparison of
author royalty earnings in dollars and cents.
If the
author chooses a combination of self - published hard copies to go along with the digital download, which self - publishing imprint will he select, one that charges up front but awards almost all of the
royalties to the writer, or one that does not charge an initial fee but
keeps a slightly larger percentage of every sale?
This will allow
authors to
keep 100 % of the
royalties and be able to tap into the support network Bookbaby has established and they also give discounts on cover art.
Referrers can earn 10 % of D2D's cut of
royalties on individual books sold through their distribution channels, while the referred
author keeps all of the
royalties they would normally have earned.
We
keep it convenient & eco-friendly by sending your
royalty payments directly to your PayPal account (direct deposit is also available to US - based
authors with 10 or more titles).
Which it then
keeps 75 % of, and passes on only 25 % in
author royalties.
Chris Bass, Director of Marketing for Booktango, joins Bookgoodies host Deborah Carney for a discussion about self pulblishing and how Booktango helps
authors, plus allows them to
keep more of their
royalties.
Yes, Anonymous, someone on Twitter suggested they should earn out the «advance»
authors give them before they
keep any of the
royalties.
But what happens if traditional publishers do change some and
keep books electronically in print and paying
royalties to the
author?
Publishing Scam Artists: Spotting the Sharks Rather than carefully selecting and investing in books in exchange for a percentage of profits as do traditional publishers, or offering self - publishing services such as editing or design for a fee and letting
authors keep their
royalties, vanity presses take a cut from both pieces of the pie.
The
authors keep a high percentage of their
royalties, so they absorb the financial risk of their publishing endeavor.
retailers will find it hard to
keep 30 % of the consumer's dollar, publishers will find it nearly impossible to
keep 75 % of what the retailers pay, and that any
author who wants to compete seriously will have a cost structure that will often make a
royalty rate taking even as much as half of it away worth considering.
Maybe a lower price might get someone to try a series with a slightly increased price for other books in that series, but with the higher
royalty percentage on each unit and less cuts into margin, an
author can afford to
keep the cost down.
We think that respecting your VAT - exclusive list prices and
keeping books in their chosen
royalty plans offers the best experience for
authors.
Enrolled books will anyway remain available in the Kindle store for sale to anyone and the
author will
keep earning his regular
royalties through these sales.»
Besides annoying any reader who purchases from Amazon only to discover he / she could have got it much cheaper elsewhere, Amazon doesn't even give
authors a cut of the extra, from what I can tell — they
keep it all and you get the same
royalty amount as if the book had been purchased at the lower price you set.
As large publishers continue to decrease the amount of advances paid, hold the line on e-book
royalties, overprice their e-books, block features, and reduce marketing services, my question to best - selling
authors in 2011 is: why give 90 % + of the profits to a large publisher, when you can hire someone to do your covers and formatting for you, and
keep 70 % for yourself?
Now that the $ 299 rate is in place, indie
authors keep 100 % of the
royalties.
Secondly, your price point comment seems to miss one point: given the
royalty rate (as long as it
keeps fixed the way it is (I admit that it may change)-RRB-, the
author gets as much (2 $) with a 3 $ self - published book as with a 15 $ classically published (as Victoria recognizes).
Most of all, I applaud Toni for not only inking this deal but for increasing
author royalties for e-book sales, something she couldn't have done had she
kept their digital sales limited to just the Baen e-books site.
This ongoing series of essays on the craft of writing will include all topics related to writing fiction, including: The Basics Plot & Structure Voice Theme POV Characterization Dialogue Narrative Creating a bond with your reader Pacing Advanced writing and plotting techniques Writer's block Marketing Branding Publishing Self - publishing Healthy habits Bad habits The Writer's Life eBook formatting Paperback formatting Amazon keywords Writing blurbs and descriptions Cover design & layout Productivity The Classics Short stories Poetry The Writing Process Show don't Tell Self - editing Proofreading Building a solid career Targeting a specific genre Genre Fiction Literary Fiction Sharpening your writing skills Making every word count Deadlines Putting together an Anthology Working with other artists Collaborating Grammar Punctuation Writing for a career Treating it as a business Running a small press Financing your career
Keeping track of your
royalties Staying motivated Writing movies Writing comics Writing games Building a fan - base Online presence Newsletters Podcasting
Author interviews Media appearances Websites Blogging And so much more... Are you ready to be called an a
Author interviews Media appearances Websites Blogging And so much more... Are you ready to be called an
authorauthor?
I
keep thinking that after the initial conversation you have lined out, I would have a lot of questions about where an agent saw my book going and how they might help me navigate the question of whether I want to be a full - on traditionally published
author or a hybrid, both because I don't want to get stuck with low
royalties at a publisher that isn't promoting my work and because I work very quickly and I'm not sure if one publisher could
keep up with me.
As the
author or publisher, you
keep 80 % of all
royalties Voices receives, which vary by partner, channel, and business model.
Textbook
authors will have the opportunity to
keep up to 70 % of book
royalties, according to Amazon, all while
keeping control of the content they're shelling out.
In a world of dwindling
royalties, how much is amazon go g to
keep from the
authors heavily discounted second purchase?
Girl Friday's program supports self - publishers who want an integrated team that replicates a traditional publishing experience, with one important exception: the
author is in charge and
keeps 100 % of their
royalties.
If a publisher sees a low
royalty is going to be reported to an
author, the publisher can make a business decision about whether it's worth $ 2,000 to
keep the rights going and simply increase the
royalty paid by $ 2,000.
In a sample clause I included in a subsequent essay, I included a warning provision — If a
royalty statement pays less than $ X.XX, the
author can give notice and the publisher can pay the difference between the trigger amount and the
royalties paid and
keep the rights.