Sentences with phrase «key artists such»

Not exact matches

Empathy is a key tool for an artist such as Endō.

With sly wit and boyish wonder, Kean's vignettes about key events in the understanding of air include numerous entertaining detours, such as the work of «William McGonagall, probably the worst poet who ever lived,» and Le Pétomane, a flatulence artist.

It also found links between styles and noted key artists, such as Paul Cézanne, who bridged post-impressionism and cubism (arxiv.org/abs/1801.07729).

Clare is one of Britian's most influential makeup artists that is loved by many stars such as Lilly Allen and she was also the key makeup artist...

However — and I used this example for a purpose — the conservation movement has its origins in the work of artists and photographers such as Ansel Adams who were key to showing the wonders of the natural landscape.

Addressing key factors such as curriculum, partnership, and classroom management it is an opportunity for teaching artists to reflect and improve upon their practice.

Visit the upper level to see exceptional works such as the mid-19th century cedar sideboard crafted by George Dowden for the Cribb family's historic Ipswich residence «Gooloowan», Australian paintings such as Frosty morning by key Australian landscape painter Elioth Gruner, and the exquisite Australian wildflower tea service designed by renowned Australian botanical artist Ellis Rowan.

Key collaborators include Harry Corr, a talented environment artist who has worked on titles such as Grid 2 and Dirt Rally; David Housden, a BAFTA nominated composer, best known for his original scores for Thomas was Alone and Volume; and Benjamin Hill, a writer and producer whose notable projects include the critically acclaimed Ether One and IGF Nominated Duskers.

A team of senior artists at Ubisoft Montpellier Small is beautiful: a small but highly talented team, including the Audio and Art Directors of games such as Beyond Good & Evil and Peter Jackson's King Kong, and key level designers on Rayman Origins and Rayman Legends.

The software our artists use can be taught, but key fundamentals such as composition, colour theory and perspective form the basis of their talent.

Key works by Jean Michel - Basquiat, Mark Bradford, Cecily Brown, Marlene Dumas, Keith Haring, Jeff Koons, Glenn Ligon, Reinhard Mucha, Elizabeth Peyton, Richard Prince, Cindy Sherman, Rosemarie Trockel, and younger artists such as Josh Kline, Serge Alain Nitegeka, Michail Pirgelis and Lior Shvil, are exhibited along with text from the artists.

Presenting works by seminal Brazilian artists such as Hélio Oiticica, Sérgio Camargo, Lygia Clark, and Tunga, the exhibition also showcases works by key international artists who similarly experiment with space and perception, including Daniel Buren.

The exhibition will include Looking for the Map 8 2013 - 14, a new work shown in the UK for the first time on display alongside works made in situ by the artist such as the re-making of the key sculpture Ten Kinds of Memory and Memory Itself 1972 as well as international loans from museums and private collections.

Through audio interviews with founders and key staff, a reading room of magazines and publications, documentation, ephemera and narrative descriptions, the exhibition will tell the story of pioneering spaces — like P.S. 1, Artists Space, Fashion Moda, Taller Boricua, ABC No Rio, The Kitchen, Franklin Furnace, Exit Art, 112 Greene Street, White Columns, Creative Time, Electronic Arts Intermix, Anthology Film Archives, Storefront for Art and Architecture, Just Above Midtown, and many more — as well as document a new generation of alternative projects such as Cinders, Live With Animals, Fake Estate, Apartment Show, Pocket Utopia, Cleopatra's, English Kills Art Gallery, Triple Candie, Esopus Space, and others.

The Campaign for Art: Contemporary includes key figures that emerged in New York, such as Robert Gober, Jeff Koons, and Sherrie Levine; important California artists, such as Mark Bradford, Vincent Fecteau, and Charles Ray; and international figures, such as Doris Salcedo, Thomas Schütte, Luc Tuymans, and Ai Weiwei.

It includes key works by major artists such as Elisabeth Frink, Henri Gaudier - Brzeska, Barbara Hepworth, Ben Nicholson and Eric Ravilious.

It features key examples of the technique by artists from various periods and regions, from historical figures like the Czech surrealists Jindřich Štýrský and Toyen, to post — World War II artists such as Alighiero Boetti and Roy Lichtenstein, to contemporary artists of different generations, including Anna Barriball, Jennifer Bornstein, Morgan Fisher, Simryn Gill, Matt Mullican, Ruben Ochoa, Gabriel Orozco, and Jack Whitten.

While certainly all of the leading artists who were part of the abstract expressionist movement were involved with color at various points in their career, many of the important masterworks of the movement — such as those by Jackson Pollock, Franz Kline, Robert Motherwell, and key series by Willem de Kooning and Barnett Newman — are notable for their lack of strong color in favor of black and white.

Since that time, Thompson has organized such major projects as the annual Creative Time Summit, Kara Walker's A Subtlety (2014), the group show Living as Form (2011), Paul Ramirez Jonas's Key to the City (2010), Jeremy Deller's It Is What It Is (with New Museum curators Laura Hoptman and Amy Mackie; 2009), Democracy in America: The National Campaign (multiple artists, 2008), Paul Chan's acclaimed Waiting for Godot in New Orleans (2007), and Mike Nelson's A Psychic Vacuum, with curator Peter Eleey.

Simplicity is the key to presenting such a collection to the world, where the main page is an updated gallery index of all our juried artists.

Featuring key works by 150 artists, it connects four generations of street practitioners, incoporating both niche artists such as Miss Van and noteworthy names as Jean Tinguely, Keith Haring, Barbara Kruger, Jenny Holzer, Gordon Matta - Clark, Billboard Liberation Front, Guerrilla Girls, and Banksy.

The works on view will show key examples of the artists» unique approaches to sculpture and painting, tracing a dialogue that engages issues such as materiality, repetition, nature, and subjectivity, and shows how their work has created a pathway for the female artists who followed them.

In the fall of 2011, the Museum invited submissions from North Carolina artists working with screen - based, new media art work, such as video art, experimental animation and time - based media, to be featured in the inaugural exhibition of the New Media Gallery, a key component of Art works PRIMED, the Museum's interim expansion project.

As a gallerist, she was one of the first to introduce key European artists such as Gerhard Richter, Joseph Beuys and Marcel Broodthaers to American audiences and has represented some of the biggest names in the business, including Anselm Kiefer, the sculptor Richard Deacon and the video artist and Oscar - winning film director Steve McQueen.

Soon the university became a key site for some of the period's most vital artists and writers, such as Allan Kaprow, Scott Burton, Willoughby Sharp, Hans Haacke, Robert Wilson, and Mary Beth Edelson.

During this period, Connelly was recognized as a key figure among the New York - based Neo-expressionist painters — alongside artists such Julian Schnabel and Jean - Michel Basquiat — and was collected by major institutions across the United States.

Their collection, largely comprising monochromatic works by artists such as Joseph Marioni, David Simpson, and Florence Pierce, augments the Gallery's already significant holdings of abstract art by fleshing out key areas.

It includes key works by artists such as Pablo Picasso, Ljubov Popova, Salvador Dalí, Meret Oppenheim, Robert Rauschenberg, Donald Judd and Irving Penn, as well as works by contemporary artists.

The exhibition highlights key events, starting with the March on Washington in 1963, and considers cultural influences such as music, literature, and sports, on the artists of the time.

The exhibition brings together more than 100 works from the 1920s and «30s along with major reconstructions of spaces, sculptures and functional objects by key Soviet artists such as El Lissitzky, Gustav Klutsis, Aleksandr Rodchenko and Varvara Stepanova.

First opened in 1971 by gallerist Bruna Aickelin, Galleria Il Capricorno is renowned for showing key twentieth - century artists such as Lucio Fontana, Piero Manzoni, Cy Twombly and Robert Rauschenberg and, later, international contemporary artists, while attracting legendary figures such as Peggy Guggenheim to its quintessentially Venetian canalside location.

«The Infinity Mirror Rooms are key to understanding her practice, and as such we are delighted to welcome it to Dallas, joining several other major works by the artist in our community.»

Rarely seen paintings by key figures associated with the original Surrealist movement, such as Eileen Agar and Leonora Carrington, are shown alongside modern and contemporary artists including Maria Bartuszová, Louise Bourgeois, Claude Cahun, Tracey Emin, Mona Hatoum, Linder, Laurie Simmons, Gillian Wearing, and Hannah Wilke.

A key figure in the first generation of British conceptual artists, he was a professor at Goldsmith's College, where he trained many of the YBA (Young British Artists), such as Damien Hirst and Garartists, he was a professor at Goldsmith's College, where he trained many of the YBA (Young British Artists), such as Damien Hirst and GarArtists), such as Damien Hirst and Gary Hume.

A fully - illustrated book, published by Charta, will be produced in association with the exhibition with key texts by artists, writers, curators and poets such as Joan Didion, Lorrie Moore, Liam Gillick, Cory Doctorow, Philippe Parreno and Rachael Thomas.

Gathering elements such as fittings, furniture, sculpture, videos, and works on paper from all periods — and even works made by artist friends — into grand ensembles, the Kombi - Werke are without doubt key elements in West's legacy.

Guston not only effected key artists from a generation of (predominantly German) expressionist painters in the 1990s, but continues to have far reaching influence today, including younger artists in the gallery's own stable, such as Jessica Jackson Hutchins, Volker Hüller and Eddie Martinez.

The show will be organized around key themes in the artist's work, such as the «imaginary room» (a metaphor for the paranormal) and his fascination with utopian and fantastic architecture.

In works such as Modded Server Rack Display with Legitimacy Hack (2015), the artist identifies key moments in the history of hacking.

The exhibition includes around one hundred artworks from the Tate Collection together with key loans by artists such as Sara Barker, Leon Golub, Jasper Johns, Julie Mehretu, Matthew Monahan, Richard Tuttle and Hannah Wilke.

Presented over two floors of gallery space, Made in California is a selection of key pieces from the collection of the Frederick R. Weisman Art Foundation, among them works by legendary artists such as Ed Ruscha and Ed Kienholz.

Key vintage prints are brought together from pioneers like Paul Strand, László Moholy - Nagy and Man Ray, as well as lesser - known experimental works and those of contemporary artists such as Barbara Kasten and Thomas Ruff.

The show will be organized around key themes in the artist's work, such as the ``

The artist Isabel Rawsthorne, who had become a friend of Giacometti's in pre-war Paris and was a key inspiration for his haunting elongated women, brought admirers such as Eduardo Paolozzi and William Turnbull to his door and introduced him to Francis Bacon and Lucian Freud.

Much more than the research into compositional expression, symmetry or balance in art, geometric art for artists such as Kazimir Malevich or Piet Mondrian was understood as the only tool expressing new paths and key issues.

The Performance of Style will examine glam culture in New York during the period, tracing the evolution of camp and androgyny as evident in the work of artists such as Jack Smith and Peter Hujar, and considering Andy Warhol as a key figure relating to glam.

This interest in identity — particularly in relation to gender — is key to Maclean's work, and the way that she uses her body as a medium through which to explore this brings to mind the art of feminist artists such as Cindy Sherman and Lynne Hershman Leeson.

With their formal language and compositional principles, the works on view connect with earlier series of the artist such as the alcohol paintings (2013 - 2015) and the monochrome works with key hole motifs from 2009.

It includes such key figures as Tacita Dean, David Hockney, Howard Hodgkin, Anish Kapoor, Jim Lambie, Julian Opie, Bridget Riley, and Yinka Shonibare — artists represented at the Tate and in other important British collections, but rarely seen in depth in American museums.

The Malevich show came with a savvy sales pitch: It argues that the Russian Constructivist master was a key influence on such artists as Ed Ruscha and Cy Twombly.