Sentences with phrase «key artists whose»

Bonnie Clearwater, NSU Art Museum Director and Chief Curator notes, «This exhibition provides the museum the unique opportunity to present a comprehensive sweep of five centuries of Western Art and an in - depth look at key artists whose expertise influenced the development of the print medium.»

A few of the key artists whose works are well represented internationally in museums, galleries and at auction include the artist's collective Los Carpinteros, Alexandre Arrechea, Yoan Capote, Kcho, Carlos Garaicoa, Roberto Fabelo and Manuel Mendive.

Not exact matches

«The key to pulling off otherworldly makeup on your special day is to apply holographic products with a light hand and to be strategic with your application,» says Krystyn Johnson, a celebrity makeup artist whose clients include Chloe Grace Moretz and Susan Kelechi Watson.

Next up is «John Alvin Neon Tribute», a 12 - minute SD interview with Andrea Alvin, widow of the artist whose career in key art included Phantom as well as Blazing Saddles, E.T., Blade Runner, The Lion King, and more.

Key collaborators include Harry Corr, a talented environment artist who has worked on titles such as Grid 2 and Dirt Rally; David Housden, a BAFTA nominated composer, best known for his original scores for Thomas was Alone and Volume; and Benjamin Hill, a writer and producer whose notable projects include the critically acclaimed Ether One and IGF Nominated Duskers.

Featuring four artists from the exhibition and moderated by MAM director Lora Urbanelli, the panel examines the insights achieved by, and challenges inherent in, creating a history of a relatively recent era, many of whose key issues — surrounding identities, digital technologies, and globalization — remain urgent today.

In Focus, David Lewis (D35) devotes his stand to Barbara Bloom, a key «Pictures Generation» artist whose work interrogates the gendered, economic and political currents of domestic display and furniture, refusing, in the gallerist's words, «easy answers».

This new group exhibition features painting and sculpture works by four contemporary Korean artists whose striking and intimate art serves as a record of personal experiences and key moments in life, memorializing the often - overlooked value of the everyday.

C1S — Coated on one side (paper or print) C2S — Coated on two sides (paper or print) CA2M — Centro de Arte Dos de Mayo (Madrid) CAA — College Art Association CalArts — California Institute for the Arts CACT — Thessaloniki Center of Contemporary Art CAFA — China Central Academy of Fine Arts (Beijing) CAPC — Contemporary Art Museum (Bordeaux) C.G.A.C. — Centro Galego de Arte Contemporanea (Santiago de Compostela) CIFO — Cisneros Fontanals Art Foundation (Miami) CIMAN — International Committee for Museums and Collections of Modern Art CMYK — Cyan, magenta, yellow, and key (black), which are the primary printing colors CNAP — Centre National des Arts Plastiques (Paris) CoBrA — Copenhagen (Co), Brussels (Br), and Amsterdam (A), a free - spirited Marxist avant - garde movement lasting from 1948 to 1951 featuring the artists Asger Jorn, Christian Dotremont, and Constant, whose countries of origins make up the group's name CoCA — Centre of Contemporary Art Znaki Czasu (Torun) CPIF — Centre Photographique d'Ile - de-France CPLY — The name American artist William N. Copley went by as a painter CP — Cancellation proof (the proof made after an edition is finished as evidence that the artist has defaced the plate) C - Print — Chromogenic color print CR — Catalogue raisonné CTP — Computer to plate, digital printing process

This brief essay from Phaidon's Art in Time shows us some of the key artists of this significant movement, whose conceptual as well as aesthetic strategies remain important to this day.

The exhibition explores work by key artists and collectives whose «critical provocations aim to forge reality free from ideology, to establish the individual apart from the collective, and to define contemporary Chinese experience in universal terms.»

Key figures within «No Wave», a short - lived avant - garde scene in the late 70's in New York led by a collective of musicians, filmmakers and artists, Dick and Goldin met during this time and became life - long friends whose work richly influenced each other.

In the 1990s Drapell was widely exhibited in the United States and Europe, where he was recognized by American critic Kenworth Moffett and Parisian gallery owner Gérald Piltzer as a leading figure among the «new new painters,» a grouping of abstract artists in Canada and the northeastern United States whose work is characterized by high - keyed, glossy colour and built - up surfaces.

«The show brings to the fore two contemporary artists whose works apply key strategies and tenets of Surrealism to demonstrate the contemporary and continual significance of Surrealism in visual culture.»

Few artists could be said to have disrupted and influenced the art world quite like Max Ernst, whose explorations into automated painting and the unconscious made him a key figure in both Dadism and Surrealism.

As an artist whose key medium was her intellect, Mendieta's perspectives on time, place, and mind - body connection made her a pioneer among those dealing with identity politics and feminism.

The exhibition features 100 key works by artists whose radical work changed the course of art history and catapulted New York City to the centre of the international art world.

At No. 3 is Donna Haraway, the distinguished American professor emerita whose writing is central to debates on identity, feminism and ecology and other inclusions are French philosopher, sociologist and anthropologist Bruno Latour (9) and the writers Judith Butler (48) and Chris Krauss, (77) both of whom have been a key influence on the focus of so many of today's artists on issues of gender and sexuality.

Jarrett Key is a Brooklyn based artist whose work integrates movement, heightened language, and music predominantly.

Museum of Contemporary Canadian Art (MOCCA) Toronto Founded in 1999, MOCCA's brief is to exhibit, collect, and promote contemporary art by Canadian and international artists, whose artworks address the key issues of our times.

His decidedly low - key booth featured, among other works, the monochromatic paintings of British artist Rebecca Salter, who developed her career in Japan and whose layered washes of acrylic demand close looking.

One of the key modern artists, the influential Italian painter Giorgio de Chirico co-founded the school of Metaphysical Painting («la scuola metafisica») along with Carlo Carra, just after the First World War, and his haunting paintings of deserted Italianate squares had a huge impact on modern art in the 1920s, notably Surrealism - whose leading theorist Andre Breton acknowledged De Chirico's position as the movement's essential pioneer - as well as Magic Realism.

A key influence was the avant - garde American artist Mark Tobey (1890 - 1976), whose all - over calligraphic painting style anticipated that of Pollock.

These conceptual clusters entertain issues posed by artists revisiting key moments in modernism, examining the city as a laboratory, and reflecting on the Pop legacy of text in art, as well as spotlighting artists whose contributions to the contemporary art scene have been significant.

In the interview, she speaks of contemporary influences — the British artists Chris Ofili and Isaac Julien, and the American painter Lisa Yuskavage, whose own invented characters are as high - keyed in color as Yiadom - Boakye's are subdued.

Known as a key figure in the Pictures Generation, a group of artists whose photo - derived work explored how images shape our perceptions of self and of truth, Salle is also a respected writer whose recent book How To See has been widely - praised.

The essays place Manolis» Key West paintings in perspective, portraying the island, the southernmost point of the United States, as a storied artists» colony and a centuries old source of inspiration for such legendary figures as John James Audubon, who depicted the abundant tropical wildlife, and Winslow Homer, whose mesmerizing harbor scenes are considered some of the greatest watercolors ever painted.

Key participants in American conceptual art include: the avant - garde composer John Cage (1912 — 1992) who created the controversial musical composition» 4 - 33», whose three movements contain not a single sound or note of music; the sculptor Sol LeWitt (b. 1928) noted for his influential essay «Paragraphs on Conceptual Art» (1967); the artists Allan Kaprow (1927 - 2006), John Baldessari (b. 1931), Edward Kienholz (1927 - 94) and Joseph Kosuth (b. 1945).

A survey of some 35 works pairs pieces by key American minimalists (Sol LeWitt, Carl Andre, Agnes Martin) with important works from Korea's Dansaekhwa movement, whose artists (figures such as Lee Ufan and Kwon Young - woo) were renowned for creating monochrome works in imaginative and textural ways.