Sentences with phrase «key early exhibitions»

His work was included in a number of key early exhibitions of Minimal art in the 1960s, among them Black, White, and Gray (Wadsworth Athenaeum Museum of Art, Hartford, Connecticut, 1964); Primary Structures (The Jewish Museum, New York, 1966); and Minimal Art (Gemeentemuseum, The Hague, 1968).

Not exact matches

This exhibition is a first, not only in Austria, with its overview of Oehlen's work from the early 1980s to the present, and key works from different stages in the painter's career.

The exhibition will look back at Hockney's most iconic works and key moments in his career from the 1960s to the present, including his early experiments with modernist abstraction, his mid-career experiments with illusion and realism, and his current jewel - toned landscapes.

The exhibition looks back at Hockney's most iconic works and key moments in his career from the 1960s to the present, including his early experiments with modernist abstraction, his mid-career experiments with illusion and realism, and his current jewel - toned landscapes.

The exhibition consists important bodies of new «Strip», «Flow» and «Doppelgrau» paintings, the show will also include a large glass sculpture and a selection of key earlier pieces that help the viewer to understand his course in the art world.

This exhibition charts Höch's career beginning with early works influenced by her time working in the fashion industry to key photomontages from her Dada period, such as Hochfinanz (High Finance)(1923), which sees notable figures collaged together with emblems of industry in a critique of the relationship between financiers and the military at the height of an economic crisis in Europe.

This major exhibition at the Hayward Gallery will present a wide range of Höller's works from newly - made pieces that have been especially commissioned, to key early artworks like The Pinocchio Effect (1994) and Upside Down Goggles (1994 - ongoing).

The exhibition combines a chronological display with a thematic approach, structured in a series of major chapters in the artist's career, with emphasis on two key moments: the period from 1923 to 1933, when Torres - García participated in various European early modern avant - garde movements while establishing his own signature pictographic / Constructivist style; and 1935 to 1943, when, having returned to Uruguay, he produced one of the most striking repertoires of synthetic abstraction.

This exhibition will feature key works from the Museum's collection, including sculptures in stone, a selection documenting Noguchi's experimentation with stainless steel and aluminum sculptures from the 1950s, as well as rarely shown pieces from the early 1940s incorporating string and wood elements.

This exhibition celebrates the two - hundredth anniversary of Brontë's birth in 1816, and marks an historic collaboration between the Morgan, which holds one of the world's most important collections of Brontë manuscripts and letters, and the Brontë Parsonage Museum, in Haworth, England, which has loaned a variety of key items including the author's earliest surviving miniature manuscript, her portable writing desk and paintbox, and a blue floral dress she wore in the 1850s.

The exhibition is a rare opportunity to view key early «dithyrambic» works by this important artist.

At Birmingham's Ikon Gallery from 10th October 2015 to 17th January 2016, Scroll Down And Keep Scrolling, is the most comprehensive exhibition of Fiona Banner's work to date, re-presenting key early projects alongside recent and unseen works that span a period of 25 years.This exhibition is accompanied by a major new artist's book of the same title.

A colossal steel figure outside the museum entrance, Vater Staat (2010), observes visitors as they arrive, while the key work in the exhibition — the monumental bronze sculptures United Enemies (2011)-- originate in his small, sketchy figures with heads of modelling clay made nearly twenty years earlier.

Featuring key works from the late 1950s to the early 1970s, the exhibition will highlight an important period in Calderara's practice, namely his shift from figuration to abstraction.

Sean Kelly is pleased to present CONSTRUCT, a major one - person exhibition of new and key early works by world - renowned artist Antony Gormley.

In addition to providing a comprehensive account of Bradford's career to date, with an emphasis on his work as a painter, this exhibition will foreground new works, including an environmental installation with sound entitled Pinocchio Is on Fire, which examines key moments in the history of the black community in Los Angeles from the early 1980s to the present.

Sarah Dobai's first major solo exhibition in the UK took place in 2006 at Kettles» Yard, Cambridge, coinciding with the end of her two - year residency at London's Delfina Studio Trust and featured photographic and film works made during that time, including a new, specially commissioned, two - screen film installation, as well as key earlier works.

De Miguel completed it immediately after touring MoMA's Sigmar Polke exhibition, keyed in to the early, commercially - inflected paintings of socks and sausages.

Giorgione, the key figure in our exhibition exploring the early Venetian Renaissance, remains an enigma.

The exhibition (21 October 2017 — 1 January 2018) will provide visitors with the opportunity to experience six of Kusama's infinity rooms alongside large - scale installations and key paintings, sculptures and works on paper from the early 1950s to the present.

The exhibition takes in key motifs in her art as they have developed since the early 1950s, her engagement with the body and her expansive conception of space.

A survey of works from the 1960s, 70s and 80s, the exhibition includes a selection of Flanagan's key early explorations in material and form instrumental in shaping his later career, some having not been exhibited for over 30 years.

This is the complete, authorized collection of Donald Judd's early art criticism and polemical writings; it includes his landmark essay «Specific Objects» plus more than 500 contemporary art reviews he wrote on key artists and exhibitions of the 1960s.

In London, the Whitechapel Gallery revisits key chapters of Exhibition Histories with a conversation between artist Lubaina Himid and curator and researcher Paul Goodwin (March 3) around three seminal exhibitions Himid curated in early 1980s London: «Five Black Women», Africa Centre (1983), «Black Women Time Now», Battersea Arts Centre (1983 - 4) and «The Thin Black Line», Institute of Contemporary Arts (1985).

Key exhibitions throughout Hayward Gallery's history have included early shows by Henri Matisse, Anthony Caro and Bridget Riley, as well as more recent monographic exhibitions featuring Martin Creed, Jeremy Deller, Tracey Emin, Antony Gormley, Anish Kapoor, and David Shrigley, as well as influential group exhibitions such as Psycho Buildings, Walking in My Mind, and Light Show.

This solo exhibition showcases a new Garry Fabian Miller tapestry created in collaboration with Dovecot Tapestry Studio, placing it within Garry Fabian Miller's recent body of work as well as tracing back long term influences through key early pieces from the artist's career.

Some of Broodthaers's earliest pieces, which were on display in the exhibition's second gallery, take national identity as their key subject, while simultaneously portraying the artist as subject to his national identity.

The painting titled I wouldn't have worn mascara if I knew I was going to be taking a trip down memory lane, 2008, from the collection of the Dallas Museum of Art, bookends The Contemporary Austin exhibition as the earliest work on view, and is the key to a significant transformation in the artist's work.

Invented in secret in the privacy of Oiticica's New York loft in the early 1970s, they were not shown as works of art until 1992, twelve years after Oiticica's death, when the first and third in the series — CC1 Trashiscapes and CC3 Maileryn — were exhibited as part of the first traveling retrospective of the artist's work.3 Prior to that exhibition, Oiticica's New York sojourn was little analyzed due to the perceived paucity of his artistic production between the years 1970 and 1978.4 The 1992 presentation of the Cosmococas was revelatory in this regard: not only did these quasi-cinemas demonstrate the continuity and conceptual elaboration of key aesthetic concerns within Oiticica's work (the vertiginous passage from painterly to narcotic «pigment» in service of the sensorial is surely the most striking of these animating threads), they indicated the artist's pointed engagement with the avant - garde artistic culture of New York.

The exhibition includes a number of early works from the artist's private collection, as well as key paintings from private and public collections in Europe and the North America.

TO THE LIGHT, Yoko Ono's first exhibition in a London public institution for more than a decade, included new and existing installations, films and performances, as well as archive material relating to several key early works.

Babette Mangolte, well known as a filmmaker and as the cinematographer on a number of key films by Yvonne Rainer and Chantal Akerman (including Akerman's Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles), was included in the Whitney exhibition The American Century; her Biennial contribution is a mixed media installation involving photography and a video that recreates an earlier installation from 1978.

Scroll Down And Keep Scrolling is the most comprehensive exhibition of Fiona Banner's work to date, re-presenting key early projects alongside recent and unseen works that span a period of 25 years.

The Exhibition provides visitors with the opportunity to experience six of Kusama's most iconic kaleidoscopic environments, alongside large - scales, whimsical installations of over 60 key paintings, sculptures and works on paper from the early 1950s to the present.

This exhibition examines the life of a key art dealer: Galka Scheyer, who embraced Modern work early in the 20th century and was partly responsible for bringing the artists known as the «Blue Four» to prominence in the United States.

The exhibition features key works from all periods of the artist's career, including seldom - seen early works and more recent large - scale installations as well as a new series of outdoor sculptures created especially for the Hayward.

At Modern Art Oxford, in 1991, Jac Leirner spent time on residency creating one of her key early shows, later to be followed by solo exhibitions of Regina José Galindo (2009), Abraham Cruzvillegas (2011) and London - resident Argentine artist Amalia Pica (2012).

Blum & Poe is very pleased to present a large survey exhibition of Nobuo Sekine, one of the key figures of Mono - ha, a group of Tokyo - based artists who radically changed the direction of Japanese art during the late 1960s and early 1970s by examining the interrelationships among natural and industrial materials, space, and perception.

The exhibition is organized in four chronological sub-sections that represent key periods in the history of mashup culture: the early - twentieth century, the post-war, the late twentieth century, and the twenty - first century.

The exhibition will include key works from 1963 to the early 1970s, encompassing a period of radical experimentation for the artist and presenting the range of variation he was able to achieve in his constructions.

This survey of works from the 1960s, 70s and 80s, the exhibition includes a selection of Flanagan's key early explorations -LSB-...]

The exhibition features a selection of historical printed works by key Russian avant - garde artists of the early 20th century in dialogue with Anton Ginzburg and Yevgeniy Fiks.

This traveling exhibition features six of Ms. Kusama's immersive «Infinity Mirror Rooms,» as well as many other key paintings, collages and works on paper from the early 1950s to the present, and several recent large - scale paintings that have never been shown in the United States.

CORNUCOPIA is the title of the exhibition, which spans the last 15 years of the artist's career and comprises over 60 key works, including early paintings and sculptures.

Featuring over 150 vintage prints and key works from international museums and private collections, the exhibition also demonstrates Man Ray's use of revolutionary photographic techniques and early experiments with colour, as well as surveying his published work in leading magazines such as Vogue and Vanity Fair.

The Museum of Modern Art has acquired a major group of works from the collection of exhibition organizer, publisher, and dealer Seth Siegelaub, a key supporter of artists working in dematerialized art practices in the late 1960s and early 1970s.

Currently on view at Blum & Poe, Los Angeles is a large survey exhibition of works by Nobuo Sekine, one of the key figures of Mono - ha, a group of Tokyo - based artists who radically changed the direction of Japanese art during the late 1960s and early 1970s by examining the interrelationships among natural and industrial materials, space, and perception.

In Fine Style: The Dancehall Art of Wilfred Limonious, is the first solo exhibition of work by prolific Jamaican illustrator Wilfred Limonious (1949 — 99) in Germany, and includes reproductions of work from the early 1970s through the mid-1990s, spanning three key phases in his career: his comic strips for the Jamaican newspapers, his illustrations for the publications of JAMAL (the Jamaican Movement for the Advancement of Literacy).

The catalogue also includes reproductions of all paintings and sculpture presented in the exhibition plus a small sampling of key Warhol drawings, prints, and photographs, as well as source photographs for iconic early works and portraits of the artist.

A major exhibition of new and key early works.