Sentences with phrase «key exhibitions such»

His work has been included in key exhibitions such as Seven Stories About Modern Art in Africa at the Whitechapel Gallery in London and major publications such as Phaidon's The 20th Century Art Book.

His work has been included in key exhibitions such as Seven Stories about Modern Art in Africa at the Whitechapel Gallery in London and major publications such as Phaidon's.

Not exact matches

The five - star resort is situated just 15 minutes from Abu Dhabi International Airport and 10 minutes from key business centres such as downtown Abu Dhabi as well as the Abu Dhabi National Exhibition Company (ADNEC).

He added: «Business executives staying at the hotel can easily access the Dubai International Financial Centre, the exhibition halls of the World Trade Centre, Downtown Dubai as well as key locations in the «New Dubai» area such as Dubai Media City and Dubai Internet City.»

And Tourism Australia has expanded its exhibition space by 17 % year - on - year, as it continues to target key source markets such as the US, the UK and Asian countries.

His work has been exhibited in key historical exhibitions such as John Szarkowski's Mirrors and Windows: American Photography since 1960 at The Museum of Modern Art (1978), The Whitney Biennial at the Whitney Museum of American Art (1981) and most recently, Under the Big Black Sun: California Art 1974 - 1981 at the Museum of Contemporary Art, Los Angeles (2010).

Of particular note are the archives of such figures as Ivan Albright, Irving Penn, and Richard Ten Eyck, each of whom played a key role in recent exhibitions organized by The Art Institute of Chicago.

Presenting works by seminal Brazilian artists such as Hélio Oiticica, Sérgio Camargo, Lygia Clark, and Tunga, the exhibition also showcases works by key international artists who similarly experiment with space and perception, including Daniel Buren.

The upcoming exhibition addresses the recurring themes throughout Fouts» work, such as time, nature, and religious iconography, and includes key pieces from the past decade, alongside new works on view for the first time.

The exhibition will include Looking for the Map 8 2013 - 14, a new work shown in the UK for the first time on display alongside works made in situ by the artist such as the re-making of the key sculpture Ten Kinds of Memory and Memory Itself 1972 as well as international loans from museums and private collections.

Through audio interviews with founders and key staff, a reading room of magazines and publications, documentation, ephemera and narrative descriptions, the exhibition will tell the story of pioneering spaces — like P.S. 1, Artists Space, Fashion Moda, Taller Boricua, ABC No Rio, The Kitchen, Franklin Furnace, Exit Art, 112 Greene Street, White Columns, Creative Time, Electronic Arts Intermix, Anthology Film Archives, Storefront for Art and Architecture, Just Above Midtown, and many more — as well as document a new generation of alternative projects such as Cinders, Live With Animals, Fake Estate, Apartment Show, Pocket Utopia, Cleopatra's, English Kills Art Gallery, Triple Candie, Esopus Space, and others.

This exhibition charts Höch's career beginning with early works influenced by her time working in the fashion industry to key photomontages from her Dada period, such as Hochfinanz (High Finance)(1923), which sees notable figures collaged together with emblems of industry in a critique of the relationship between financiers and the military at the height of an economic crisis in Europe.

Curated by MOCA Director Jeffrey Deitch and Associate Curators Roger Gastman and Aaron Rose, the exhibition will trace the development of graffiti and street art from the 1970s to the global movement it has become today, concentrating on key cities such as New York, Los Angeles, San Francisco, London, and Sao Paulo, where a unique visual language or attitude has evolved.

In this video, Gianni Jetzer talks about what is so special about Art Basel's Unlimited sector, what steps it takes to realize such a huge museum - like exhibition, and what the key elements are concerning the exhibition architecture.

In the fall of 2011, the Museum invited submissions from North Carolina artists working with screen - based, new media art work, such as video art, experimental animation and time - based media, to be featured in the inaugural exhibition of the New Media Gallery, a key component of Art works PRIMED, the Museum's interim expansion project.

Through key examples of paintings, drawings, large - scale sculpture, graffiti, and products such as toys and apparel, this exhibition aims to reveal critical aspects of his formal, conceptual, and collaborative developments.

Picasso and Britain will include key Cubist works such as Head of a Man with Moustache 1912 (Musée d'Art Moderne de la Ville de Paris) which was seen in Britain before the First World War, when Cubism was first introduced to a British public through Roger Fry's two Post-Impressionist exhibitions.

Galerie Lelong is proud to have represented Nancy Spero since 2001, presenting key solo exhibitions such as The War Series, Un Coup de Dent, and From Victimage to Liberation: Works from the 1980s & 1990s.

The exhibition highlights key events, starting with the March on Washington in 1963, and considers cultural influences such as music, literature, and sports, on the artists of the time.

The exhibition brings together key works by Rembrandt which remain in British collections, including Belshazzar's Feast (c. 1635) from the National Gallery London, and Girl at a Window (1645) from Dulwich Picture Gallery, as well as star paintings now overseas, such as The Mill (1645/8) from the National Gallery in Washington, which left Britain when it was sold to a US collector for the staggering sum of # 100,000 in 1911.

The exhibition brings together more than 100 works from the 1920s and «30s along with major reconstructions of spaces, sculptures and functional objects by key Soviet artists such as El Lissitzky, Gustav Klutsis, Aleksandr Rodchenko and Varvara Stepanova.

Liu's work has been featured in group exhibitions at key institutions internationally, such as the Ullens Center for Contemporary Art, Beijing; K11 Art Foundation, Hong Kong; Pino Pascali Foundation Museum, Polignano; Foundation Louis Vuitton, Paris; Solomon R. Guggenheim Museum and Whitebox Art Center, New York; Dimensions Variable, Miami; Long Museum and Aurora Museum, Shanghai; OCT - Contemporary Art Terminal and He Xiangning Art Museum, Shenzhen; and Vermillion Sands, Copenhagen, among others.

The political body, a key concept of the exhibition Radical Women: Latin American Art, 1960 - 1985, is bound by the poetics of subjectivity, shaped by desire, and disobedient and resistant in the face of political turmoil such as oppression, violence, and dictatorship.

The magazine highlighted key moments in the development of Modern Art, such as the Carnegie International Exhibition in 1937, A.E. Gallatin's Museum of Living Art in 1938, the Museum of Modern Art's roundtable on Modern Art featuring 15 major art critics in 1958, The Downtown Gallery founded by Edith Halpert, and The Jewish Museum's Primary Structures exhibitioExhibition in 1937, A.E. Gallatin's Museum of Living Art in 1938, the Museum of Modern Art's roundtable on Modern Art featuring 15 major art critics in 1958, The Downtown Gallery founded by Edith Halpert, and The Jewish Museum's Primary Structures exhibitionexhibition in 1967.

A fully - illustrated book, published by Charta, will be produced in association with the exhibition with key texts by artists, writers, curators and poets such as Joan Didion, Lorrie Moore, Liam Gillick, Cory Doctorow, Philippe Parreno and Rachael Thomas.

The exhibition includes around one hundred artworks from the Tate Collection together with key loans by artists such as Sara Barker, Leon Golub, Jasper Johns, Julie Mehretu, Matthew Monahan, Richard Tuttle and Hannah Wilke.

The exhibition explores a range of themes dealing with anxiety — such as the anxiety of being stopped by police — our relationship to the systems of authority set in place, and art with a moral key.

Key initiatives included overseeing the creative development and co-leading the advisory committee for Jean Michel Basquiat: Now's the Time (2015) and crafting a vibrant exhibition schedule that includes pathbreaking AGO - generated projects such as Outsiders: American Photography and Film, 1950s — 1980s (2016), Theaster Gates: How to Build a House Museum (2016), and Toronto: Tributes and Tributaries (2016).

Key exhibitions throughout Hayward Gallery's history have included early shows by Henri Matisse, Anthony Caro and Bridget Riley, as well as more recent monographic exhibitions featuring Martin Creed, Jeremy Deller, Tracey Emin, Antony Gormley, Anish Kapoor, and David Shrigley, as well as influential group exhibitions such as Psycho Buildings, Walking in My Mind, and Light Show.

Often focusing on key moments of conflict or war, this major exhibition includes installations with lengthy, parable - like titles such as The worst condition is to pass under a sword which is not one's own (2009) connecting costume designs from Star Wars to uniforms designed by Saddam Hussein's son Uday (an avid George Lucas fan) for Fedayeen Saddam, an elite militia whose members dressed eerily similar to Darth Vader.

Displaying over 280 prints from the Condé Nast archive and international collections by key photographers such as Cecil Beaton, Tim Walker and Mario Testino, this exhibition will tell the remarkable story of one of the most influential fashion magazines in the world, and highlight its central role on the cultural stage.

That exhibition marked the first time Judd used colored anodized aluminum in such a large, floor - mounted format — thus comprising one of his few explorations of color on a large scale and providing a focused investigation of one of the key concerns within his practice.

Although it builds upon key resources, such as Ann Eden Gibson's Abstract Expressionism: Other Politics and Marter's 1997 Women and Abstract Expressionism exhibition at the Sidney Mishkin Gallery at Baruch College, Women of Abstract Expressionism is the first exhibition at a major museum with the singular purpose of exploring the contributions women artists made to Abstract Expressionism in America.

The exhibition will explore their collaborative process through sketches, notes and «key block» prints and will display some of their most successful works, such as The Devil's Bridge (1924) and the ambitious Bruges series, where Brangwyn was able to translate the designs of the city where he had spent his childhood into colour woodcuts produced and finished by Urushibara.

The exhibition hosts key figures from the American Feminist movement such as Judy Chicago, Carolee Schneemann, Hannah Wilke, Faith Ringgold, Nancy Spero, Martha Wilson, Dotty Attie and Joyce Kozloff, who represent a time when women were demanding the right to exhibit in both museums and galleries.

That said, you can also find artworks that speak to you and still have investment potential if you consider some key market indicators such as exhibition history, gallery representation, auction results, and recent press or publications.

A regular contributor to exhibition catalogues and art journals, including Art Monthly, Frieze and The Burlington Magazine, Clayton has recently published essays on key figures in British art such as Anthony Caro and Barbara Hepworth.

In 1951, he played a key role in the organization of the important exhibition 9th Street: Exhibition of Paintings and Sculpture at the 9th Street Gallery, New York, which showcased many artists who would become the prominent figures of Post War American art, such as Jackson Pollock, Robert Motherwell, and Leexhibition 9th Street: Exhibition of Paintings and Sculpture at the 9th Street Gallery, New York, which showcased many artists who would become the prominent figures of Post War American art, such as Jackson Pollock, Robert Motherwell, and LeExhibition of Paintings and Sculpture at the 9th Street Gallery, New York, which showcased many artists who would become the prominent figures of Post War American art, such as Jackson Pollock, Robert Motherwell, and Lee Krasner.

One of the few British artists to be featured in key European exhibitions that defined Contemporary art, such as those in Amsterdam, Bern and Krefeld, Roelof Louw is certainly an important figure on the scene.

This exhibition encompasses a wide variety of portraits, landscapes, still lifes, and genre scenes, including iconic works by Thomas Cole, Thomas Eakins, Winslow Homer, and Augustus Saint - Gaudens, as well as key pictures by specialists in the category such as Charles Deas, Alfred Jacob Miller, William T. Ranney, and Arthur Fitzwilliam Tait.

While maybe not the imperative at the time, the exhibition reveals that indeed this phenomenon has happened to a number of the key works, such as Longo's «Men in the Cities» (1979 — 82) and Sherman's «Untitled Film Stills», which are now so familiar that they have become almost invisible as art works and symbols of our visual culture.

Designated endowments guarantee a secure financial future for key priorities, such as acquisitions, conservation, exhibitions, opportunities for Duke students, Nasher Teens, The Reflections Alzheimer's Program and so much more.

Content for the publication, in conjunction with the exhibition, includes histories of major nonprofit and for - profit institutions, artist collectives, and key individuals such as artists, collectors, administrators, critics, and educators, along with documentation of moments that have contributed to the history of Dallas's contemporary art scene.

Performance and dance remained key interests for Rauschenberg and will form a central strand of the exhibition, as will his interest in pushing the limits of image - making with new materials such as printing on translucent textiles, polished steel or oxydised copper.

Alongside the major Impressionist artists including Monet, Sisley, Renoir and Pissarro, and key Modern works by artists such as Picasso, Leger, and Chagall, the gallery features solo exhibitions of both up and coming artists and established names on the contemporary art market.

Since Ed Ruscha's illustrated version of Jack Kerouac's On the Road is such a key component of the Modern's exhibition Ed Ruscha: Road Tested, I decided to read the book.

In Serota's era came exhibitions whose influence can still be felt: Gilbert and George, the post-minimalist American sculptor Eva Hesse and Bruce Nauman, not to mention key shows of 1980s painters such as Julian Schnabel, Georg Baselitz and Anselm Kiefer.

Women were notoriously marginalized in the movement, and painters such as Elizabeth Murray and Maria Lassnig were omitted from many of its key exhibitions, most notoriously the 1981 «New Spirit in Painting» exhibition in London which included 38 male painters but no female painters.

Featuring over 150 vintage prints and key works from international museums and private collections, the exhibition also demonstrates Man Ray's use of revolutionary photographic techniques and early experiments with colour, as well as surveying his published work in leading magazines such as Vogue and Vanity Fair.

The exhibition includes further key paintings by Pollock, as well as by artists who were close to him, including Lee Krasner and Robert Motherwell, as well as those who subsequently responded to his legacy, such as Andy Warhol.