Sentences with phrase «key group exhibitions»

Roy Oxlade's first major solo exhibition was in 1963, at the Vancouver Art Gallery in Canada, and key group exhibitions included the John Moores Exhibition at the Walker Art Gallery, Liverpool (1962), the Hayward Annual (1982) and EAST International at Norwich University of the Arts (1991).

Not exact matches

He has been subject to numerous solo and group exhibitions in galleries across the country as well as abroad lending to most of his works becoming key pieces in many prominent private and public collections including The Metropolitan Museum of Art, The De Young Museum, San Francisco, CA and the Hirschhorn Museum and Sculpture Garden, Smithsonian Institute, Washington, DC.

The Prada Foundation included key Hirst works in a major group show presented for their inaugural exhibition at the Ca» Corner della Regina.

This new group exhibition features painting and sculpture works by four contemporary Korean artists whose striking and intimate art serves as a record of personal experiences and key moments in life, memorializing the often - overlooked value of the everyday.

The tour group will work with the artist to construct a simple visual trail across the gallery spaces that maps their physical journey through the building and explores the key themes in the exhibition including ideas relating to time, dimensionality, trace, surface, materiality and process.

The exhibition features key works including Data Zone (2003), a group of long tables embedded with illuminated Petri dishes in which silent clusters of abstracted figures, which form and reform, evoke laboratory cultures.

Recent public and group exhibition projects include Art Basel Miami Public Sector, Miami; L'Avenir / Looking Forward, La Biennale de Montréal, Montréal; Inside, Palais de Tokyo, Paris; Imagineering, Okayama Castle, Okayama; Art Park Odrupgaard, Ordrupgaard Museum, Copenhagen; Incredibly shiny stuff that doesn't mean anything, Okayama Kyokuto Hospital, Japan; The artists have the keys, 2 Willow Road, London; The Human Factor, Hayward Gallery, London; Unlimited, Art Basel; Esperluette, Palais de Tokyo, Paris; dOCUMENTA (13), Kassel; Locked Room Scenario, commissioned by Artangel, London; ILLUMInations, 54th Venice Biennale; Intervals, Solomon R. Guggenheim Museum, New York; and The Happy Prince, Public Art Fund, New York.

With almost 100 works on display, this mammoth exhibition has been expertly curated in a manner that doesn't follow the traditional chronological route; «The works are grouped into key sequences, allowing connections and common themes to emerge and to promote a comprehensive understanding of Jones's wide - ranging artistic practice.»

The Gallery operated from September 1981 to May 1983, but continued with key temporary location group exhibitions.

Liu's work has been featured in group exhibitions at key institutions internationally, such as the Ullens Center for Contemporary Art, Beijing; K11 Art Foundation, Hong Kong; Pino Pascali Foundation Museum, Polignano; Foundation Louis Vuitton, Paris; Solomon R. Guggenheim Museum and Whitebox Art Center, New York; Dimensions Variable, Miami; Long Museum and Aurora Museum, Shanghai; OCT - Contemporary Art Terminal and He Xiangning Art Museum, Shenzhen; and Vermillion Sands, Copenhagen, among others.

Scott's work had already been included in some key group shows and solo shows had been held at the Leger Gallery, London (1942 and 1945) and the Leicester Galleries (1948 and 1951), however it was his inclusion in the Festival of Britain exhibition in 1951, organised by the Arts Council, that brought him to the public's attention.

These historical exhibitions are still highly relevant: in 2011 the Stedelijk Museum organized a retrospective of «Op Losse Schroeven» resulting in the acquisition of the group of works from that exhibition; key works both from the exhibition and within Boezems oeuvre.

Kapoor's work has also been included in many key international group exhibitions since 1974.

Mother of God (ca. 1950), part of an informal group of artworks that was included in his first solo exhibition at Betty Parsons Gallery, New York, in 1951, is a key example of the innovations Rauschenberg achieved in those years.

This groundbreaking exhibition broadly surveys a key chapter in art history in which an international group of female artists overcame gender - based restrictions to make remarkable creative strides.

Key exhibitions throughout Hayward Gallery's history have included early shows by Henri Matisse, Anthony Caro and Bridget Riley, as well as more recent monographic exhibitions featuring Martin Creed, Jeremy Deller, Tracey Emin, Antony Gormley, Anish Kapoor, and David Shrigley, as well as influential group exhibitions such as Psycho Buildings, Walking in My Mind, and Light Show.

Featuring work by Josef Albers, Anni Albers, Ruth Asawa, and Ray Johnson — all of whom were at Black Mountain College in North Carolina in the late 1940s — this exhibition will explore both the aesthetic and personal dialogue between these artists during their Black Mountain years and beyond; and will include a number of works exchanged amongst the group, in addition to a selection of key compositions influenced by their time there.

A key to unpacking «Big Wig,» her tightly structured recent exhibition in Zurich, was provided by an untitled video projection, 2006 - 2007, showing a white man attempting to find his rhythm while surrounded by a group of people (both white and black) dancing; he never succeeds.

He has also participated in group exhibitions that include, among others, 11th Triennial of Small Scale Sculpture, Fellbach, Germany (2010); BIENNALE CUVÉE 10, World Selection of Contemporary Art, OK Offenes Kulturhaus OÖ und Energie AG OÖ, Linz, Austria (2010); Making Worlds, the 53th Venice Biennale, Venice, Italy (2009); The Generational: Younger Than Jesus, New Museum, New York, USA (2009); Breaking Forecast: 8 Key Figures of China's New Generation Artists, Ullens Center for Contemporary Art (UCCA), Beijing, China (2009); China China China!

The key factor that sets this show apart from other group exhibitions, is that this show is a complete curatorial project comprised of artists who have established new directions in art and already inspired a generation of upcoming artists.

This event coincides with Streams of Warm Impermanence, a group exhibition of contemporary artworks that articulate visions of informed flesh, and historical works that point to key moments of shift in artists» engagement with the body.

Key to Endogenous II is a group exhibition by Keith Harrison, Mat Jenner, Trevor Kiernander, Tomoya Matsuzaki, and France - Lise McGurn.

Not only did he introduce Louis to key Abstract Expressionist artists and dealers, but he also arranged important exhibitions for Louis in New York, including the 1954 «Emerging Talent» exhibition at the Kootz Gallery; a 1957 group show at Leo Castelli Gallery; his first one - man show at the Martha Jackson Gallery; and key exhibitions at French & Company in 1959 and 1960 - showcasing 23 Veils.

Blum & Poe is very pleased to present a large survey exhibition of Nobuo Sekine, one of the key figures of Mono - ha, a group of Tokyo - based artists who radically changed the direction of Japanese art during the late 1960s and early 1970s by examining the interrelationships among natural and industrial materials, space, and perception.

The exhibition will display key work he did in the postmodern vein as part of Memphis, the Milan - based design collective — a group whose work was all about elaborate juxtapositions of bright colors and wild shapes.

A group exhibition brings together new paintings by a group of key Los Angeles artists — including Carson, known for wry minimalist fabric works and her gutsy paintings of tractors, and Dingle, who has, in the past, reveled in the grotesqueries of little girls.

This group exhibition brings together paintings by a group of key Los Angeles artists — including Carson, known for wry minimalist fabric works and her gutsy paintings of tractors, and Dingle, who has, in the past, reveled in the grotesqueries of little girls.

Users can browse through the three Camden Town Group exhibition catalogues and read letters in Tate's Archive by key figures of the period (for example, Walter Bayes, Robert Bevan, Jacob Epstein, Eric Gill, Harold Gilman, Augustus John, Henry Lamb, James Bolivar Manson, Lucien Pissarro and William Rothenstein).

Collected Works is a diverse group exhibition at Atlas Gallery, showcasing key photographers and landmark acquisitions from the gallery's dealings with important imagery over the years.

Currently on view at Blum & Poe, Los Angeles is a large survey exhibition of works by Nobuo Sekine, one of the key figures of Mono - ha, a group of Tokyo - based artists who radically changed the...

This guided tour will offer a chance to learn more about some of the key works and the artists behind them, and also to hear about the process of devising, selecting and staging this ambitious group exhibition.

The Museum of Modern Art has acquired a major group of works from the collection of exhibition organizer, publisher, and dealer Seth Siegelaub, a key supporter of artists working in dematerialized art practices in the late 1960s and early 1970s.

Currently on view at Blum & Poe, Los Angeles is a large survey exhibition of works by Nobuo Sekine, one of the key figures of Mono - ha, a group of Tokyo - based artists who radically changed the direction of Japanese art during the late 1960s and early 1970s by examining the interrelationships among natural and industrial materials, space, and perception.

This also is a key concern among works on display in A Poet * hical Wager, a group exhibition on view in the Mueller Family Gallery that explores the relationship between abstraction and ethics in the work of eleven international artists.

(Key Dates) >> Trivia >> Solo Exhibitions >> Selected Group Exhibitions >> Public Collections >> Gallery >> Thumbnail Gallery >> Leon Kossoff Biog.

Amazingly, «Camera Lucida» was the first institutional solo exhibition ever in Japan by Shiro Takatani, one of the key members of Dumb Type, the multimedia performance group primarily active in the late 1980s and 1990s.

In 1908, with Henri, Sloan, Glackens, and four other painters, Luks formed a group called The Eight, whose exhibition in New York that year marked a key event in the history of modern painting in the United States.

This selection help us to understand his progressive concept of «sculpture as form, sculpture as structure, sculpture as place» and, in addition the exhibition focuses on the key role of language in Andre's artistic practices via a large number of visual and concrete poetry series, textual collages and works on paper and, for the first time in 20 years, an exceptional group of works entitled Dada Forgeries, expounding his jocular relationship with Duchamp's readymades.

There had been a thin stream of Cubism merging into geometric abstraction, some of whose practitioners grouped together in «Exhibition I» in 1939, that other key year in modern Australian art.

Born in 1930, Ayres studied at Camberwell College of Art between 1945 and 1950 and worked initially in London and then to Cornwall where she currently lives.Ayres» first solo exhibition was at Gallery One in 1956, and her work has featured in many key group shows since, including the Whitechapel Art Gallery's seminal British Painting in the 60s in 1965.

At the Irish Museum of Modern Art she worked on key solo exhibitions by Alex Katz, Miroslaw Balka, Georgia O'Keefe, Nalini Malani and a group exhibition curated with Philippe Parreno.

Ramm notes, as well, that he played a key role in organizing the Ninth Street Show in 1951 — the first exhibition to present as a group the painters who were by then entering art history under the flag of Abstract Expressionism.

Radiant Energy is the first exhibition to feature paintings by Gabriele Evertz, Robert Swain, and Sanford Wurmfeld, key members of this influential group.