Sentences with phrase «key historical work»

Art Sheffield took this key historical work as the provocation for the festival theme, Zero Hours and the exhibition and public programme was built around it.

Art Sheffield took this key historical work as the provocation for the festival theme, Zero Hours.

Olivier Malingue was founded on London's New Bond Street in September 2016 to bring key historical works into contemporary curatorial frameworks.

Not exact matches

The tour takes in the exteriors of the main buildings and focuses on key historical information, leaving pupils with a clear overview of the work at Bletchley Park.

The team is working on the development of Historiana modules that focus on key moments or historical developments that are taught in Europe and beyond.

The resources contain: A summary of the play Historical and political context A timeline of Brecht &'s life and key information on Brechtian Theatre Interviews with the creative team & images of the cast A Drama scheme of work with five detailed sessions: 1.

Lady Grey has a romantic quaintness that is difficult to resist — from its sandstone church to its wide, sandy roads, low - key historical Victorian buildings with wrought iron gates, stoeps and verandas, and one of the most beautiful settings of any town in the Eastern Cape.

Key works by artists from the past, including Hewitt, McVey, and Wagner, provide a historical framework while gaining new meaning through re-examination.

His work has been exhibited in key historical exhibitions such as John Szarkowski's Mirrors and Windows: American Photography since 1960 at The Museum of Modern Art (1978), The Whitney Biennial at the Whitney Museum of American Art (1981) and most recently, Under the Big Black Sun: California Art 1974 - 1981 at the Museum of Contemporary Art, Los Angeles (2010).

According to MoMA, «Among the first tasks he will undertake is an analysis of the Museum's collection of works in this area, as well as the publication of a critical reader bringing together key texts documenting black artists» work and its historical reception.»

This exhibition features works by caricaturist and cartoonist Thomas Nast for historical context along with works by award - winning editorial cartoonists Matt Davies, Walt Handelsman, Mike Keefe, Steve Kelley, and Signe Wilkinson that offer commentary on our current national election process, candidates, and key issues.

«It is especially fitting for the Greenwich Historical Society to organize and mount this anniversary exhibition as it is a key repository for archival material from the Armory Show as well as a major holder of works by MacRae,» Dr. Larkin said.

His work presents these figures in confusing and illogical acts, a critique that addresses America's habit of manipulating key moments from historical events.

In her evocative introductory essay for Vitamin 3 - D, Anne Ellegood uses Rosalind Krauss's landmark 1978 essay «Sculpture in the Expanded Field» as the basis to explore the wildly inclusive breadth and depth of work that the term «sculpture» can now be applied to within contemporary practice — and the key historical moments that serve as the precedents for what we now understand as both sculpture and installation.

The exhibition is accompanied by an in - depth catalogue featuring full - page color reproductions of all works in the exhibition as well as a detailed chronology, historical photos, reprints of key texts by Jean Dubuffet and Franz Schulze, and new essays by the exhibition curators and Dennis Adrian, Jon Bird, Thomas Dyja, Mark Pascale, and Arlene Shechet.

One of the key influences in her working practice is an ongoing fascination with historical and anthropological artifacts.

These historical exhibitions are still highly relevant: in 2011 the Stedelijk Museum organized a retrospective of «Op Losse Schroeven» resulting in the acquisition of the group of works from that exhibition; key works both from the exhibition and within Boezems oeuvre.

«We have an on - going commitment to mounting key historical exhibitions,» says Per Skarstedt, «and I'm delighted to open this new gallery space in Chelsea with an exhibition of incredible works by these quintessential modern masters.»

Working across disciplines and historical precedents, the organization is a hub that provides access to the people, ideas, and practices that are key to current developments in the field, inspiring fresh ways of seeing and contextualizing contemporary art.

Thanks to our new expanded home, the show also marks the first time in our history that ICA Miami will have the space to bring together historical and recent works to address key forces in contemporary artistic practice, and contemporary life and society,» said Alex Gartenfeld, Deputy Director and Chief Curator.

Alongside newly commissioned essays by leading international scholars and works by contemporary visual artists, key historical texts trace a trajectory of writings across religions, cultures, genders and ages to reflect the breadth of conflicting and constantly shifting attitudes towards the veil.

Featuring key works by Victor Vasarely, Bridget Riley, François Morellet, Julio Le Parc and Gianni Colombo, among others, it offers a comprehensive outline of a complex art movement, with scholarly essays, historical precedents, a substantial plate section, biographies for each featured artist, selected bibliography and a detailed checklist.

Edited and designed by Walead Beshty, the accompanying publication serves as an extensive anthology of important historical and theoretical texts, including reproductions of key art works and spreads from historically significant publications.

Auto - Interview is interesting on many levels, as a means of asking who is doing what in the business of encountering and interpreting an artwork, but also from an historical point of view - the interview provides an ideal opportunity to look back into the beginnings of key practices, such as video art, new media, work on television, etc..

This event coincides with Streams of Warm Impermanence, a group exhibition of contemporary artworks that articulate visions of informed flesh, and historical works that point to key moments of shift in artists» engagement with the body.

New works, as well as key works by the most important artists, will highlight the historical context and developments in German art from 1945 to the present day, but also focus on current artistic topics and contents.

Practices by international contemporary artists are accompanied by historical works that point to key moments of shift in artists» engagement with the flesh and the body: liberated with Carolee Schneemann, feminist with Renate Bertlmann, contaminated with David Wojnarowicz and the multi-cultural with Martin Wong.

In conjunction with the exhibition Martha Wilson, Performing, Re-enacting and Reacting will explore key complex issues surrounding the current tendency to re-perform historical works.

Rather than taking the form of a traditional retrospective, the exhibition offers a historical overview of her work from a contemporary vantage point, interspersing more recent video pieces among key artworks from all periods of her career.

Thus From Minimalism into Algorithm, while adumbrating a compelling expansion of Minimalism as a historical launch point for much contemporary work, falters with its second key term, at times illuminating and at other times mystifying the relevance of the algorithm to contemporary artistic practice and discourse.

The exhibition features a selection of historical printed works by key Russian avant - garde artists of the early 20th century in dialogue with Anton Ginzburg and Yevgeniy Fiks.

Harkness» show - her fourth solo exhibition — builds upon themes and the key symbols in her previous work, but adds, for the first time, the actual lived experience of historical actors.

Vertigo Sea — the new three - screen film installation — by John Akomfrah (Ghana) is one of the strongest works, meditating on our relationship with environment, depicting tragic historical moments (slavery, transatlantic trade) and giving keys to «understand the trauma and sense of alienation of displaced subjects».

The exhibition presents contemporary art work alongside a selection of key historical fairy tale books that provide re-interpretations of the classic fairy tales for a 21st - century context, including Little Red Riding Hood, Hansel and Gretel and The Little Mermaid.

The exhibition features a historical overview of the artist's work, showing more recent video work among the key pieces from different period of the artist's career.

DRAF (David Roberts Art Foundation) is responsible for the David Roberts Collection, which focuses on contemporary works but also includes key historical pieces which are relevant for current discours...

Other contributions to the volume are a previously unpublished interview with Smithson by Moira Roth; a substantive historical and critical essay by Thomas Crow; an essay by MOCA curator Cornelia Butler discussing Smithson's lineage and his influence on contemporary artists; and a series of texts focusing on key works from Smithson's oeuvre, including Incidents of Mirror Travel in the Yucatan by Suzaan Boettger, Enantiomorphic Chambers by Ann Reynolds, Airport Terminal Project by Mark Linder, Spiral Jetty by Jennifer Roberts, Heap of Language by Richard Sieburth, Proposal for Monument at Antartica [sic] by Robert Sobieszek.

His use of low - key lighting and sculptural smoke further complicate historical periodization, infusing the work with a 1940s film noir feel.

In the first major presentation in an American museum of Jitish Kallat's work, the contemporary Indian artist has designed a site - specific installation that connects two key historical moments — the First World Parliament of Religions held on September 11, 1893, and the terrorist attacks at the World Trade Center and the Pentagon on that very date, 108 years later.

As usual and in the case of all three exhibitions I will leave it to museum wall text, Wikipedia, and other reviewers to go into the historical background of the artist, and will focus on my experience in front of some of the key works in the exhibitions, beginning with the shows at the Whitney.

One of the key findings of this work is that, contrary to the conventional expectation that the imposition of subsurface data constraints will draw the AMOC in reanalysis products into agreement, the historical AMOC variability is less consistent among the reanalysis products than in corresponding simulations without subsurface data constraints.

As part of the Early Weather Data research stream, scientists worked to digitise and extend some of southeastern Australia's key meteorological records held by the Bureau of Meteorology, National and State Archives and a range of pre-Federation observatories and historical societies.

Key Highlights: • Intricately worked on restoration of historical property.

The key to making ranch homes work for today's buyer is highlighting the historical significance of these properties and showing how they can fit modern - day needs.