Here we have the latest, albeit low -
key image from the film starring Idris Elba, Charlie Hunnam, Rinko Kikuchi, Charlie Day, Robert Kazinsky, Max Martini, Clifton Collins, Jr., Burn Gorman, Larry Joe Campbell and del Toro frequenter, Ron Perlman.
Not exact matches
As the
film progresses and the ball starts moving away
from its center position of the
image because of poor camera work, the algorithm can essentially rotate each
key frame so that the ball magically appears in the same spot in every frame.
Told thru fresh, candid interviews with its
key staff, and illustrated with hundreds of outrageous
images from the mag itself (along with never - seen interview footage
from the magazine's prime), the
film gives fans of the Lampoon a unique inside look at what made the magazine tick, who were its
key players, and why it was so outrageously successful: a magazine that dared to think what no one was thinking, but wished they had.
Other works featured in LIVESupport include «Church State,» a two - part sculpture comprised of ink - covered church pews mounted on wheels; «Ambulascope,» a downward facing telescope supported by a seven - foot tower of walking canes, which are marked with ink and adorned with Magnetic Resonance
Images (MRIs) of the spinal column; «Riot Gates,» a series of large - scale X-Ray images of the human skull mounted on security gates and surrounded by a border of ink - covered shoe tips, objects often used by the artist as tenuous representation of the body; «Role Play Drawings» a series of found black and white cards from the 1960s used for teaching young children, which Ward has altered using ink to mark out the key elements and reshape the narrative, which leaves the viewer to interpret the remaining psychological tension; and «Father and Sons,» a video filmed at Reverend Al Sharpton's National Action Network House of Justice, which comments on the anxiety and complex dialogue that African - American police officers are often faced with when dealing with young African - American teen
Images (MRIs) of the spinal column; «Riot Gates,» a series of large - scale X-Ray
images of the human skull mounted on security gates and surrounded by a border of ink - covered shoe tips, objects often used by the artist as tenuous representation of the body; «Role Play Drawings» a series of found black and white cards from the 1960s used for teaching young children, which Ward has altered using ink to mark out the key elements and reshape the narrative, which leaves the viewer to interpret the remaining psychological tension; and «Father and Sons,» a video filmed at Reverend Al Sharpton's National Action Network House of Justice, which comments on the anxiety and complex dialogue that African - American police officers are often faced with when dealing with young African - American teen
images of the human skull mounted on security gates and surrounded by a border of ink - covered shoe tips, objects often used by the artist as tenuous representation of the body; «Role Play Drawings» a series of found black and white cards
from the 1960s used for teaching young children, which Ward has altered using ink to mark out the
key elements and reshape the narrative, which leaves the viewer to interpret the remaining psychological tension; and «Father and Sons,» a video
filmed at Reverend Al Sharpton's National Action Network House of Justice, which comments on the anxiety and complex dialogue that African - American police officers are often faced with when dealing with young African - American teenagers.
But if you're looking for a throwback or something more low -
key, hear
from old school graffiti writers at Eric Firestone Gallery, or treat yourself to new and exciting
film at the Museum of the Moving
Image.
A documentary, work of fiction and essay
film, Facs of Life maps several trajectories of life and thought, beginning
from a series of encounters: with video footage of Gilles Deleuze's courses at Vincennes (1975 - 76), with a number of students who attended the seminar and who appear in these
images, with the woods where the university buildings once stood, and with students of the new university at St Denis; The eight plateaus that compose the
film each fall under a
key concept - word that defines the territory of each student's relationship to Deleuze's thought and the nature of the filmmakers» encounter with them.
As a
key «Pictures Generation» artist, Bloom has continuously mined the worlds of
film, literature, and pop culture to poetic and humorous effect, though her interest in sculpture as an extension of an
image - based practice sets her apart
from many of her peers.