Sentences with phrase «key modern art movements»

Francis Picabia was a French avant - garde painter, poet and typographist who was a vital part of most key modern art movements of the 20th century.

Not exact matches

The acquisition of three works by Lee Ufan and five by Kishio Suga — both key members of the Japanese Mono - ha movement that emerged in the 1960s — will add a significant new dimension to the foundation's collection of modern and contemporary art.

Sanín became a pioneer of the geometric abstraction movement and a key figure in modern Latin American art.

C1S — Coated on one side (paper or print) C2S — Coated on two sides (paper or print) CA2M — Centro de Arte Dos de Mayo (Madrid) CAA — College Art Association CalArts — California Institute for the Arts CACT — Thessaloniki Center of Contemporary Art CAFA — China Central Academy of Fine Arts (Beijing) CAPC — Contemporary Art Museum (Bordeaux) C.G.A.C. — Centro Galego de Arte Contemporanea (Santiago de Compostela) CIFO — Cisneros Fontanals Art Foundation (Miami) CIMAN — International Committee for Museums and Collections of Modern Art CMYK — Cyan, magenta, yellow, and key (black), which are the primary printing colors CNAP — Centre National des Arts Plastiques (Paris) CoBrA — Copenhagen (Co), Brussels (Br), and Amsterdam (A), a free - spirited Marxist avant - garde movement lasting from 1948 to 1951 featuring the artists Asger Jorn, Christian Dotremont, and Constant, whose countries of origins make up the group's name CoCA — Centre of Contemporary Art Znaki Czasu (Torun) CPIF — Centre Photographique d'Ile - de-France CPLY — The name American artist William N. Copley went by as a painter CP — Cancellation proof (the proof made after an edition is finished as evidence that the artist has defaced the plate) C - Print — Chromogenic color print CR — Catalogue raisonné CTP — Computer to plate, digital printing process

Modern Summer: AbEx + brings together work by these key players in a post-WW II movement that had lasting effects on art as we know and appreciate it today.

Opening with the seminal «Salon des Refusés» (Paris, 1863), an empowering exhibition both for artists and modern art, Volume 1 spans all key art movements of the first half of the 20th century, from Fauvism («Salon d'Automne,» 1905) to Cubism («Salon de la Section d'Or,» 1912), Surrealism («Art of This Century,» 1942; «First Papers of Surrealism,» 1942) and Abstract Expressionism («Ninth Street Show,» 1951; «New American Painting,» 1958) and moart, Volume 1 spans all key art movements of the first half of the 20th century, from Fauvism («Salon d'Automne,» 1905) to Cubism («Salon de la Section d'Or,» 1912), Surrealism («Art of This Century,» 1942; «First Papers of Surrealism,» 1942) and Abstract Expressionism («Ninth Street Show,» 1951; «New American Painting,» 1958) and moart movements of the first half of the 20th century, from Fauvism («Salon d'Automne,» 1905) to Cubism («Salon de la Section d'Or,» 1912), Surrealism («Art of This Century,» 1942; «First Papers of Surrealism,» 1942) and Abstract Expressionism («Ninth Street Show,» 1951; «New American Painting,» 1958) and moArt of This Century,» 1942; «First Papers of Surrealism,» 1942) and Abstract Expressionism («Ninth Street Show,» 1951; «New American Painting,» 1958) and more.

14 Feb 2011 20 Mar 2011 The Moderns: The 1960s and 1970s The Moderns: The 1960s and 1970s explore many of the key artistic movements of the period, including the impact of the ground - breaking ROSC exhibitions in the 1960s and»70s, and of Minimal and Conceptual Art, in the works of Brian O'Doherty, Barry Flanagan and Michael Craig - Martin, will also be examined.

One of the key modern artists, the influential Italian painter Giorgio de Chirico co-founded the school of Metaphysical Painting («la scuola metafisica») along with Carlo Carra, just after the First World War, and his haunting paintings of deserted Italianate squares had a huge impact on modern art in the 1920s, notably Surrealism - whose leading theorist Andre Breton acknowledged De Chirico's position as the movement's essential pioneer - as well as Magic Realism.

Emerging from her studies about the time of the Op Art movement and that seminal exhibition, The Responsive Eye, presented at the Museum of Modern Art in New York in 1965 and organized by William C. Seitz, Rector could not help but be influenced by the hard - edge structures, dizzying lines, geometric forms and high key and high contrast colors that created optical and illusory effects challenging visual perception.

The works in the exhibition display Peggy Guggenheim's love of art, and in particular her strong affinity for two key artistic movements of 20th Century modern art: Surrealism and abstraction.

Key works of Modern Art, from Giorgio Morandi to Frank Stella, and twentieth century art movements like minimal art, pop art and CoBrA have been brought together in a so - called «White Cube&raquArt, from Giorgio Morandi to Frank Stella, and twentieth century art movements like minimal art, pop art and CoBrA have been brought together in a so - called «White Cube&raquart movements like minimal art, pop art and CoBrA have been brought together in a so - called «White Cube&raquart, pop art and CoBrA have been brought together in a so - called «White Cube&raquart and CoBrA have been brought together in a so - called «White Cube».