That the A can be heard through it all — call it Augustine's «restless heart» — does not tell
us the key of the symphony, the God that the heart seeks.
Not exact matches
If you think about your organization as a sports team or a
symphony, you realize that synchronization
of activities is
key.
Pain colors our every interaction with the world; chronic pain is constant static, a minor -
key basso continuo in the
symphony of life.
Pumpkin is really only a small PART
of what makes pumpkin spice so delicious — cinnamon, nutmeg, cloves, and vanilla are also
key players in the pumpkin spice
symphony.
That is the
key to a truly intelligent child, not the
symphonies of a long - dead Austrian composer.
The female hormone cycle is truly a
symphony of several
key hormones — and doesn't take much being out
of tune for the whole thing to sound dreadful.
Some
of the
key players in this hormonal
symphony are hepatocyte growth factor and fibroblast growth factor.
But the
key to this
symphony of twisted metal is how the film never forgets that violence is a sort
of madness.
The highlight
of this new musical program is a full four - movement
symphony that will guide fans through a musical retelling
of key chapters from The Legend
of Zelda franchise.
LOVE & MERCY (Bill Pohlad, USA, 2014; 119 minutes) Capturing the life
of Brian Wilson, the troubled genius who pushed the surf sound
of The Beach Boys into psychedelic pop
symphonies as he slid into depression, in just a few
key years is a tricky proposition.
But the
key to this
symphony of twisted metal is how the film never forgets that violence is a form
of madness.
It was a
symphony, but with a lot
of off -
key tunes.
Spreading fronds
of giant tree ferns, and thick layers
of moss, lichens and epiphytic vines converge to create a
symphony in the
key of green.
The highlight
of this new musical program is a full four - movement
symphony that will guide fans through a musical retelling
of key chapters from The Legend
of Zelda franchise.
This exhibition has been conceived as a process lasting six months, a
symphony structured in three movements and an epilogue, each deriving from the study
of a single
key work that defines the whole movement: Echo VIII, a sculpture by Louise Bourgeois (First Movement); Fuji, an abstract painting by Gerhard Richter (Second Movement); and Silent Score, a performance by Pierre Huyghe (Third Movement).
Conceived as a process that would last six months, the exhibition has been structured as a
symphony in three movements and an epilogue, each section deriving from the close study
of a single
key work.
Using as a starting point
key pieces from the collection by Louise Bourgeois, Gerhard Richter and Pierre Huyghe, A House
of Leaves is conceived as a
symphony and structured in three movements and an epilogue.
Key participants in these movements include the Romanian activist Tristan Tzara (1896 - 1963); the so - called father
of Conceptual Art Marcel Duchamp (1887 - 1968); the lonely Dadaist Kurt Schwitters (1887 - 1948) and his «Merzbau» assemblage; the avant - garde composer John Cage (1912 — 1992) who created the the 4 - 33 «silent»
symphony; Sol LeWitt (b. 1928) the High Priest
of Conceptualism and his influential essay «Paragraphs on Conceptual Art» (1967); and the Assemblage exponent and main creator
of «Happenings» Allan Kaprow (b. 1927).