Sentences with phrase «key of the symphony»

That the A can be heard through it all — call it Augustine's «restless heart» — does not tell us the key of the symphony, the God that the heart seeks.

Not exact matches

If you think about your organization as a sports team or a symphony, you realize that synchronization of activities is key.
Pain colors our every interaction with the world; chronic pain is constant static, a minor - key basso continuo in the symphony of life.
Pumpkin is really only a small PART of what makes pumpkin spice so delicious — cinnamon, nutmeg, cloves, and vanilla are also key players in the pumpkin spice symphony.
That is the key to a truly intelligent child, not the symphonies of a long - dead Austrian composer.
The female hormone cycle is truly a symphony of several key hormones — and doesn't take much being out of tune for the whole thing to sound dreadful.
Some of the key players in this hormonal symphony are hepatocyte growth factor and fibroblast growth factor.
But the key to this symphony of twisted metal is how the film never forgets that violence is a sort of madness.
The highlight of this new musical program is a full four - movement symphony that will guide fans through a musical retelling of key chapters from The Legend of Zelda franchise.
LOVE & MERCY (Bill Pohlad, USA, 2014; 119 minutes) Capturing the life of Brian Wilson, the troubled genius who pushed the surf sound of The Beach Boys into psychedelic pop symphonies as he slid into depression, in just a few key years is a tricky proposition.
But the key to this symphony of twisted metal is how the film never forgets that violence is a form of madness.
It was a symphony, but with a lot of off - key tunes.
Spreading fronds of giant tree ferns, and thick layers of moss, lichens and epiphytic vines converge to create a symphony in the key of green.
The highlight of this new musical program is a full four - movement symphony that will guide fans through a musical retelling of key chapters from The Legend of Zelda franchise.
This exhibition has been conceived as a process lasting six months, a symphony structured in three movements and an epilogue, each deriving from the study of a single key work that defines the whole movement: Echo VIII, a sculpture by Louise Bourgeois (First Movement); Fuji, an abstract painting by Gerhard Richter (Second Movement); and Silent Score, a performance by Pierre Huyghe (Third Movement).
Conceived as a process that would last six months, the exhibition has been structured as a symphony in three movements and an epilogue, each section deriving from the close study of a single key work.
Using as a starting point key pieces from the collection by Louise Bourgeois, Gerhard Richter and Pierre Huyghe, A House of Leaves is conceived as a symphony and structured in three movements and an epilogue.
Key participants in these movements include the Romanian activist Tristan Tzara (1896 - 1963); the so - called father of Conceptual Art Marcel Duchamp (1887 - 1968); the lonely Dadaist Kurt Schwitters (1887 - 1948) and his «Merzbau» assemblage; the avant - garde composer John Cage (1912 — 1992) who created the the 4 - 33 «silent» symphony; Sol LeWitt (b. 1928) the High Priest of Conceptualism and his influential essay «Paragraphs on Conceptual Art» (1967); and the Assemblage exponent and main creator of «Happenings» Allan Kaprow (b. 1927).
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