Sentences with phrase «key painted series»

Not exact matches

Hilma af Klint, The Large Figure Paintings, nr 5, The Key to All Works to Date, Group III, The WU / Rosen Series, 1907 © Stiftelsen Hilma af Klints Verk.

Moving on to 1954 and the low - keyed eighth painting in the series (now in the Museum of Modern Art, New York)-- greys, blues, muffled yellows on a surface just over six feet high by three and a half feet wide, a motor metropolis of tightly curving ramps with headlight beams spreading like stains suggest a vision, slightly smudged, as if seen through the thick glass window of a skyscraper; at any rate remote from the scene of automotive nightmare.

In the second room of the gallery, Bertrand Lavier has choose to address the notion of time, key in the narrative of the exhibition, by selecting a series of his renowned Mirror Paintings.

The problem persists in a lower key in other works of the period, including pictures made in 1953, while Diebenkorn was teaching in Illinois: the Urbana series, like the Albuquerque paintings, often gives the viewer the illusion of looking down at a distant landscape, as though from the harness of a parachute, rather than across at the matter on the canvas.

Patrick is well known for his large, high key colour canvases in acrylic, often in series and in a vertical format, but he also works on a smaller scale on paper, continually experimenting with small groups of paintings, acrylics on paper, collage, studies for larger paintings or prints, groups of etchings, silkscreen prints and woodcuts.

Derived from the artist's «Color Key» paintings, this series of striking, shaped canvases offer different variations of four - sided forms on which the artist considers formal relationships of color, line, and shape.

That same year, a key example of Goode's milk bottle painting series appeared on the cover of Artforum; another commences CAM's exhibition.

In 1964, on return from his first visit to New York, Hoyland started work on a group of paintings that seemed to signify a maturation point; Mel Gooding has described them as «an astonishing series of huge acrylic canvases of high - key deep greens, reds, violets and oranges deployed in radiant fields, stark blocks and shimmering columns of ultra-vibrant colour.

On view are key works from Colescott's «Bathers» series (1984 - 85), which place black protagonists into the foreground of classical turn of the century paintings.

Reinterpreting Malevič, Tatlin, El Lisitzky and other key exponents of these movements allowed Pardi to take the still vital elements of these artistic directions and become one of the most active and qualified representatives of the history of contemporary painting and sculpture.This extensive retrospective illustrates the development of Pardi's explorations at every phase, from the first depictions of architectural interiors and exteriors of the 1960s, such as the Environments and Hanging Gardens, to subsequent works from the 1970s, which he named Architectures.The series Diagonals are from the early 1980s and consist of straight lines whose tight rhythm oscillates between black and white to a search for new montages and movements.

With their formal language and compositional principles, the works on view connect with earlier series of the artist such as the alcohol paintings (2013 - 2015) and the monochrome works with key hole motifs from 2009.

The event will offer a unique insight into Keane's award - winning Fear series, as the artist himself discusses the key inspirations and processes behind his large - scale paintings of arrested victims from the great Stalinist terror of the 1930s.

Issue contents: Program Endowment: The Key to Future Growth; Gift of Henry Moore Carving and Drawing; Pierre Bonnard: The Late Paintings; DMA Exhibitions; September Calendar; Fall Subscription Series; Education Department; Art Museum League

Next to her was a door that leads to a long series of rooms — a former café, maybe — that have been almost entirely cleared out, save for a wilting plant and an old espresso machine with a key and a little picture of a painting of Christ atop it.

Michael Simpson makes large scale paintings in ongoing series that repeat and rework a number of key elements.

In the 1920s, Yoshida Hiroshi — the key figure of this exhibition — turned to printmaking from his original oil - painting training and created a series of naturalistic prints that attracted domestic and international collectors.

Here, the bull, painted in a bright palette, offers an early, strong example from this key series.

Among these will be «The Floor I (Studio - floor from Mosfellsbaer, Iceland)» from 1973 to 1992; a series of wall - mounted works form the 1980s comprised of such at - hand materials as toys, sweets, tools, refuse, and dead insects in plastic tubes; and key works from the «Tischtücher» series of paintings made in the late 1980s and early 1990s from used tablecloths.

A total of ten key works, six sculptures and four paintings from the series Made in Heaven, Celebration, Popeye, Hulk Elvis are on display.

In Super A's new series of paintings which make up the collective work titled, «The Key to Success» tells a story of the negative and positive experiences in the battle for balance.

KEY DATES Award - 1975 L.S Lowry was awarded an honorary Doctor of Letters by the University of Salford and the same degree by the University of Liverpool Award - 1967 L. S Lowry's painting - Coming out of school - was the stamp of the highest denomination in a series issued by the Post Office depicting great British artists Award - 1965 He was given freedom of the City Award - 1961 L. S Lowry was awarded an honorary Master of Arts from Doctors of Letters Award - 1945 L.S Lowry was awarded an honorary Master of Arts from the University of Manchester

A number of key works, such as the sculpture I Was Thinking of You and the two series of drawings An Icelandic Saga and The Story of Bern, are combined with less familiar works ranging from an early abstract painting, over a series of collages with Japanese paper and gold leaf, to a self - portrait in the shape of a polaroid, and a cooking diary from 1969.

The survey will bring together the artist's key bodies of work — including her early shaped canvases, freestanding sculptures, and light encasements that she engineered in the mid-1960s, as well as her breakthrough White Light paintings, begun in 1968, and the Black Earth series that she initiated after moving in 1970 from downtown Los Angeles to Topanga Canyon, where she lives and works today.

The exhibition features a series of recent, brightly painted, suspended forms that hover in space at different heights and angles, along with a series of recent drawings as well as key works by Shapiro from the Nasher's permanent collection.

Hirst's series of paintings, «Two Weeks One Summer» are displayed alongside a selection of key Arnulf Rainer works in an exhibition curated by Rudi Fuchs.

Following that series the artist began to move increasingly in the direction of painted relief sculpture, initially with the collage works of the Polish Village series, and then to early painted reliefs made from sheets of honeycomb aluminum such as Talladega (1980) from the Indian Bird series — an orgy of writhing cut - out forms covered with pretty high - key colors and glitter.

As early as 1967, he wrote that «a colour is used as a key for a painting or a series of paintings», using a musical analogy to indicate how mood and feeling can be created in purely abstract paintings.

The textured power key and volume rocker sit on the right spine of the Alcatel 5 Series, which has a metallic paint exterior, though it's actually made of plastic.