Sentences with phrase «key paintings such»

A Retrospective showcases key paintings such as Whaam!

Not exact matches

In its semi-annual financial stability report, Canada's central bank painted a picture of a housing market where key steps have been taken to improve the quality of lending, particularly in the most expensive cities such as Toronto.

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It includes such things as $ 3,590 for an optional paint, $ 4,070 for bigger wheels, up to $ 6,600 for two - tone leather interior, $ 4,370 for adaptive sports seats, $ 630 to have the logos painted body colour, $ 750 for tinted tail lights, $ 560 to have the key and leather key pouch in body colour etc..

Visit the upper level to see exceptional works such as the mid-19th century cedar sideboard crafted by George Dowden for the Cribb family's historic Ipswich residence «Gooloowan», Australian paintings such as Frosty morning by key Australian landscape painter Elioth Gruner, and the exquisite Australian wildflower tea service designed by renowned Australian botanical artist Ellis Rowan.

My colleague John Mac Kah donated a painting to such a local nonprofit association of lawyers, and thereafter made several thousands of dollars of sales to clients who saw his painting at the event and wanted to talk about commissions or were interested in other originals / prints.The key is to be visible at such an event and to make it easy for interested people to connect with you.

Each «Controlled Substance» painting such as «Morphine Sulphate» — often painted on irregularly shaped canvases — corresponds to a «Controlled Substance Key Paintingpainting such as «Morphine Sulphate» — often painted on irregularly shaped canvases — corresponds to a «Controlled Substance Key PaintingPainting».

AWB: I have a pretty good sense of your paintings and sculptural, or installation work, but could you tease apart some of the key differences between works such as CALL «GIRL» (2014), [email protected] (2013) and Bridal Shower (2013)?

He studied painting in Paris in 1918 and met key figures in the Parisian art scene of the 1920s, such as Juan Gris and Fernand Léger.

The historical dimension of the «Five and Forward» installation is irresistibly lovely, keyed to that sweet spot of American Impressionism so deftly relayed to the canvas in such gems now on view as seven paintings by William Merritt Chase, who founded his plein air art school in Southampton in 1891.

The works on view will show key examples of the artists» unique approaches to sculpture and painting, tracing a dialogue that engages issues such as materiality, repetition, nature, and subjectivity, and shows how their work has created a pathway for the female artists who followed them.

Through key examples of paintings, drawings, large - scale sculpture, graffiti, and products such as toys and apparel, this exhibition aims to reveal critical aspects of his formal, conceptual, and collaborative developments.

Displaying key works such as Robert Rauschenberg's Barge (1962 — 63) and Mark Rothko's Untitled (1952 — 53), as well as an extraordinary group of large - scale paintings by Anselm Kiefer transcendently juxtaposed with Joseph Beuys» Lightning with a Stag in its Glare (1958 — 85), Bilbao plays its most powerful trump card: scale.

The exhibition brings together key works by Rembrandt which remain in British collections, including Belshazzar's Feast (c. 1635) from the National Gallery London, and Girl at a Window (1645) from Dulwich Picture Gallery, as well as star paintings now overseas, such as The Mill (1645/8) from the National Gallery in Washington, which left Britain when it was sold to a US collector for the staggering sum of # 100,000 in 1911.

Further reflecting his interest in the notion of trilogy, each painting relies on three key elements; the silk screened texts by Blanchot, the female figures and hand - drawn phrases such as I Love You Too Much and You Take My Breath Away, which are also the titles of the works.

This tour - de-force presentation includes key paintings by American Precisionists such as Charles Sheeler, Georgia O'Keeffe, and Charles Demuth, and iconic works by the masters of straight photography such as Paul Strand, Berenice Abbott, and Edward Steichen.

Rarely seen paintings by key figures associated with the original Surrealist movement, such as Eileen Agar and Leonora Carrington, are shown alongside modern and contemporary artists including Maria Bartuszová, Louise Bourgeois, Claude Cahun, Tracey Emin, Mona Hatoum, Linder, Laurie Simmons, Gillian Wearing, and Hannah Wilke.

For this second solo outing at New York's Ameringer McEnery Yohe, Yossifor applies the same structural concepts of musical movements — divisions of longer works that each have distinct structural components such as key and tempo — to her artworks: each painting is produced within specific time constraints and rules.

The opportunity to see key early works such as The Red Mill (1911), alongside some of the acclaimed grid paintings with which Mondrian is particularly associated.

This exploration is one of the key elements in the work of many very established painters, such as Robert Ryman, where for him not just the paint application comes into play but his choice of methods for attaching the painting to the wall or the actual date and signature on the work become a pivotal piece of the composition.

Through a range of image sources and her stage - like environments, such as gallery walls painted with Chroma Key blue paint used in film or TV studios, Hamilton explores our associations to surreal and seductive cultural imagery while examining the histories of art, film, and performance.

In such works, the retinal afterimage excited by colored lightbulbs incorporated into the glossy surface is reproduced by Clarkson as painted dot patterns in high - key colors.

Reinterpreting Malevič, Tatlin, El Lisitzky and other key exponents of these movements allowed Pardi to take the still vital elements of these artistic directions and become one of the most active and qualified representatives of the history of contemporary painting and sculpture.This extensive retrospective illustrates the development of Pardi's explorations at every phase, from the first depictions of architectural interiors and exteriors of the 1960s, such as the Environments and Hanging Gardens, to subsequent works from the 1970s, which he named Architectures.The series Diagonals are from the early 1980s and consist of straight lines whose tight rhythm oscillates between black and white to a search for new montages and movements.

With their formal language and compositional principles, the works on view connect with earlier series of the artist such as the alcohol paintings (2013 - 2015) and the monochrome works with key hole motifs from 2009.

Painted with thick layers of oil paint, and incorporating objects such as stones, hair, shells and keys, the Madonnas are both menacing and mesmerizing — typified by unnerving gazes and prominent, tooth - filled mouths that grimace and gape.

Isolating key sentences and phrases from the novel for his paintings and drawings such as «In California you chew the juice out of grapes and spit away the skin, a real luxury,» «the holy con man began to eat,» or «fit and slick as a fiddle,» Ruscha adds another layer of deadpan aesthetic analysis to Kerouac's original and radical use of language.

His action - based painting style was the Eastern, independently born answer to some of the key artistic developments in the post-war American art scene, such as Jackson Pollock's Abstract Expressionism and Allan Kaprow's Happenings.

«The Collection of Hermann and Margrit Rupf» features 70 works from the Rupf Collection including paintings by key artists from the first half of the 20th century, such as Pablo Picasso, Georges Braque, Juan Gris, Fernand Léger, Paul Klee, or Vasily Kandinsky, juxtaposed to works by contemporary artists from the second half of the 20th Century until today.

Among these will be «The Floor I (Studio - floor from Mosfellsbaer, Iceland)» from 1973 to 1992; a series of wall - mounted works form the 1980s comprised of such at - hand materials as toys, sweets, tools, refuse, and dead insects in plastic tubes; and key works from the «Tischtücher» series of paintings made in the late 1980s and early 1990s from used tablecloths.

Works on view explore several key ideas in modern and contemporary sculptural practice, such as the exploration of unorthodox materials, new choices in subject matter, and the dissolution of the boundary between painting and sculpture.

In 1951, he played a key role in the organization of the important exhibition 9th Street: Exhibition of Paintings and Sculpture at the 9th Street Gallery, New York, which showcased many artists who would become the prominent figures of Post War American art, such as Jackson Pollock, Robert Motherwell, and Lee Krasner.

Work by leading photographers such as Martin Parr, Craigie Horsfield, Sam Taylor - Wood, Richard Billingham, Julia Margaret Cameron and Gustave Le Gray will be on display beside key paintings from the National Gallery collection.

In «The Vocabulary of the Visible World — Painting,» held at Duisburg's Museum Küppersmühle for Modern Art, Fujian - born Wang Guangle's structured Coffin Paint canvases (2004 ---RRB- and Zeng Fanzhi's large - scale canvases, Hare and Head of an Old Man (both 2012), are displayed adjacent to key works by big - name artists such as Zhang Huan, Zhang Enli and Zhang Xiaogang.

The Whitney's Hopper works are supplemented by key loans, including such major paintings as the Art Institute of Chicago's Nighthawks and the Museum of Modern Art's New York Movie.

Women were notoriously marginalized in the movement, and painters such as Elizabeth Murray and Maria Lassnig were omitted from many of its key exhibitions, most notoriously the 1981 «New Spirit in Painting» exhibition in London which included 38 male painters but no female painters.

The exhibition includes further key paintings by Pollock, as well as by artists who were close to him, including Lee Krasner and Robert Motherwell, as well as those who subsequently responded to his legacy, such as Andy Warhol.

The essays place Manolis» Key West paintings in perspective, portraying the island, the southernmost point of the United States, as a storied artists» colony and a centuries old source of inspiration for such legendary figures as John James Audubon, who depicted the abundant tropical wildlife, and Winslow Homer, whose mesmerizing harbor scenes are considered some of the greatest watercolors ever painted.

The exhibition begins by considering the documentation of important performance works such as Yves Klein's Anthropometrie de l'epoque blue 1960, a live painting event using the bodies of naked women, as well as key 60s performances by Yayoi Kusama, Marta Minujín and Niki de Saint Phalle.

A number of key works, such as the sculpture I Was Thinking of You and the two series of drawings An Icelandic Saga and The Story of Bern, are combined with less familiar works ranging from an early abstract painting, over a series of collages with Japanese paper and gold leaf, to a self - portrait in the shape of a polaroid, and a cooking diary from 1969.

In Pollock's famous painting we find bits of the «real world» embedded into the surface, objects such as nails, thumbtacks, cigarette butts, coins, buttons, and a key.

While the figures have been removed from this more recent body of work, it is not hard to see their enduring impact on Rojas» art: with their lively angularity and bold chromaticism, these paintings are equally evocative of folk art and the formalist reductions of key modernist abstract artists such as Alexander Calder, Matisse, Malevich or Ellsworth Kelly.

Following that series the artist began to move increasingly in the direction of painted relief sculpture, initially with the collage works of the Polish Village series, and then to early painted reliefs made from sheets of honeycomb aluminum such as Talladega (1980) from the Indian Bird series — an orgy of writhing cut - out forms covered with pretty high - key colors and glitter.

Include a bullet point summarizing key details that paint a picture of the place you worked, such as the product / service rendered and a company headcount.

Write key words such as $ œlitigated, $ $ œresearched, $ $ œmonitored, $ or $ œanalyzed $ to paint a clear picture for HR.

I know it's not the most glamorous blog post ever written, but carpet & paint selection are such key decisions for a space!

The book offers the key to painted finishes and design motifs such as: marbled and distressed colour; layered, glazed colour; rustic grained finishes; and a range of applied decoration, from Rocco arabesques and floral pieces to the stylized brushwork used to build up traditional motifs.

Or bring a dove grey living room to life by highlighting a key feature, such as a fireplace, with an eyecatching paint shade.If you love eclectic, colourful room schemes, try a bright boho look.

Luckily, changing a few key details, such as staining the natural knotty pine floors a greyish brown and painting the apple green window frames black, went a long way toward achieving a modern look.