Sentences with phrase «key part of this exhibition»

A key part of this exhibition will be ongoing conversations with the artists, but also with each other.

Not exact matches

Geoff Leech, art and framing director at James Cropper Paper, said: «Culture and heritage play a huge role in the Turkish Tulips exhibition and, with these being key values of our own, we're honoured to play a part in its history.

Language and articulation are in fact key aspects of Le fort des fous, which was in part commissioned by this summer's documenta 14 exhibition, where it was presented as an installation before its festival premiere in Locarno's Filmmakers of the Present section.

Some successful exhibitions even have had key components selected by visitors — voted on in advance or as part of the gallery.

Note: This entry is part of August Review, our annual look back at this season's key exhibitions.

Inspired by the special exhibition Jasper Johns and Edvard Munch: Love, Loss, and the Cycle of Life, this gallery talk contemplates three works by Ernst Ludwig Kirchner (1880 — 1938), part of the Ludwig and Rosy Fischer Collection, a key German Expressionist artist with consideration of the impact of his life experiences.

Focusing on two key works — the Pietà and the Raising of Lazarus — this exhibition examines the artistic fruits of their camaraderie, which was borne in part out of a rivalry with the High Renaissance painter Raphael.

Perhaps Desmarais» jagged - edged sculptures are «small parts» fractured from some invisible «whole,» which the wall text suggested as a key facet of a «sample,» or maybe her square patches of painted wall «correct, enhance, or modify» the «routine» of exhibition display techniques.

Parts of this text were re-worked for «Inglorious Food,» exhibition catalogue essay for Anthony Key (Eddie Chambers, 2002), and «If You Were There», exhibition catalogue essay for Mayling To: If You Were There (Margaret Harvey Gallery, 2005)

The three - part seminal «Videostroia» exhibition series at the Haifa Museum of Art curated by Ilana Tenenbaum (catalogues with key texts available for each exhibition)

Mother of God (ca. 1950), part of an informal group of artworks that was included in his first solo exhibition at Betty Parsons Gallery, New York, in 1951, is a key example of the innovations Rauschenberg achieved in those years.

Part retrospective, part new work in response to our glorious Beaux Arts galleries, this exhibition will include the full range of media (painting, sculpture, works on paper) covering many of the key themes that have featured regularly in Kiefer's work across the years but will also surprise and delight with new site - specific installatiPart retrospective, part new work in response to our glorious Beaux Arts galleries, this exhibition will include the full range of media (painting, sculpture, works on paper) covering many of the key themes that have featured regularly in Kiefer's work across the years but will also surprise and delight with new site - specific installatipart new work in response to our glorious Beaux Arts galleries, this exhibition will include the full range of media (painting, sculpture, works on paper) covering many of the key themes that have featured regularly in Kiefer's work across the years but will also surprise and delight with new site - specific installations.

As part of our 25th anniversary programming, we have invited curators, artists, critics, and others to select a key exhibition from The Power Plant's history and deliver a presentation about it inside the Dissenting Histories gallery space.

The first part of the exhibition gathers key large - scale works, each produced through a specific construction tactic — extraction, framing, obstruction, reinforcement.

More recently Pablo Bronstein, Lis Rhodes, BBjarne Melgaard, and Juergen Teller have all staged key solo exhibitions, whilst a new generation of artists, including Luke Fowler, Lucky PDF, Hannah Sawtell, and Factory Floor have taken part in exhibitions and residencies.

Invented in secret in the privacy of Oiticica's New York loft in the early 1970s, they were not shown as works of art until 1992, twelve years after Oiticica's death, when the first and third in the series — CC1 Trashiscapes and CC3 Maileryn — were exhibited as part of the first traveling retrospective of the artist's work.3 Prior to that exhibition, Oiticica's New York sojourn was little analyzed due to the perceived paucity of his artistic production between the years 1970 and 1978.4 The 1992 presentation of the Cosmococas was revelatory in this regard: not only did these quasi-cinemas demonstrate the continuity and conceptual elaboration of key aesthetic concerns within Oiticica's work (the vertiginous passage from painterly to narcotic «pigment» in service of the sensorial is surely the most striking of these animating threads), they indicated the artist's pointed engagement with the avant - garde artistic culture of New York.

The exhibition forms part of Partners in Art which is a key element of Pallant House Gallery's Learning and Community Programme providing opportunities for people with Continue Reading»

A major part of the Garage summer exhibition season, the show — curated by Massimiliano Gioni and Gary Carrion - Murayari from the New Museum in New York — brings together around four hundred works, including ephemera and materials from the personal archive of a figure who has been key to the American art scene since the 1990s.

The exhibition will display key work he did in the postmodern vein as part of Memphis, the Milan - based design collective — a group whose work was all about elaborate juxtapositions of bright colors and wild shapes.

The MATRIX format — spontaneous, flexible, small - scale, and short - term — was «key to engendering experimentation on the part of both the artists and the institution, resulting in a mix of exhibitions that defied categorization and kept Berkeley at the forefront of international contemporary art,» according to the BAM / PFA website.

Co-organized by Zoë Ryan, chairwoman and curator of architecture and design, the exhibition will allow visitors to experience Mr. Adjaye's work at one - to - one scale by entering Horizon, a wooden pavilion created for the Albion Gallery in 2007, and walking around mock - ups of parts of key buildings.

28 Apr 2016 07 May 2017 IMMA Collection: A Decade IMMA, as the national cultural institution for collecting modern and contemporary art, aims to acquire examples of the most significant Irish art of the day as well as key works by international artists many of whom have been part of the museum's temporary exhibition and residency programmes.

In general in the installations located upstairs in this exhibition, part of the video footage of the video composition is recorded in the Amazon in Peru, then is combined with choreographies performed on chroma key backgrounds.

June 2016 Exhibition Honors Four Benefactors of the Newark Museum Newark Stories: Four Newarkers Who Made a Difference As part of the Newark Museum's commemoration of Newark's 350th anniversary, a new exhibition will showcase the stories of four Newarkers who were key benefactors of the Museum: Lida Clanton Broner, Caroline Bamberger Fuld, Howard W. Hayes and W. Clark Exhibition Honors Four Benefactors of the Newark Museum Newark Stories: Four Newarkers Who Made a Difference As part of the Newark Museum's commemoration of Newark's 350th anniversary, a new exhibition will showcase the stories of four Newarkers who were key benefactors of the Museum: Lida Clanton Broner, Caroline Bamberger Fuld, Howard W. Hayes and W. Clark exhibition will showcase the stories of four Newarkers who were key benefactors of the Museum: Lida Clanton Broner, Caroline Bamberger Fuld, Howard W. Hayes and W. Clark Symington.

Some key works from the Daimler Art Collection can be seen as part of the Just what is it... exhibition at the Zentrum für Kunst und Medientechnologie (ZKM) in Karlsruhe until April 2010.