Sentences with phrase «key pieces in the exhibition»

One of the key pieces in the exhibition, said Stout, would be a video by Tsang, titled A Day in the Life of Bliss, which Stout described as extraordinary.

Perhaps the key piece in the exhibition is a small linocut by Jasper Johns, his first work in this medium, and limited to 26 pieces, most of which are in Museums or National Galleries.

Not exact matches

He has been subject to numerous solo and group exhibitions in galleries across the country as well as abroad lending to most of his works becoming key pieces in many prominent private and public collections including The Metropolitan Museum of Art, The De Young Museum, San Francisco, CA and the Hirschhorn Museum and Sculpture Garden, Smithsonian Institute, Washington, DC.

The exhibition consists important bodies of new «Strip», «Flow» and «Doppelgrau» paintings, the show will also include a large glass sculpture and a selection of key earlier pieces that help the viewer to understand his course in the art world.

This exhibition will feature key works from the Museum's collection, including sculptures in stone, a selection documenting Noguchi's experimentation with stainless steel and aluminum sculptures from the 1950s, as well as rarely shown pieces from the early 1940s incorporating string and wood elements.

Published to accompany a major exhibition which tours to four venues in Europe, William Kentridge: Thick Time undertakes an overview of the artist's recent works, focusing on a sequence of five key pieces dating from 2003 to 2015.

This solo exhibition showcases a new Garry Fabian Miller tapestry created in collaboration with Dovecot Tapestry Studio, placing it within Garry Fabian Miller's recent body of work as well as tracing back long term influences through key early pieces from the artist's career.

Some of Broodthaers's earliest pieces, which were on display in the exhibition's second gallery, take national identity as their key subject, while simultaneously portraying the artist as subject to his national identity.

A key ambition of the exhibition is to show artists in the specific contexts from which their pieces emerged, as well as speak to a historical and artistic evolution that both question and advance the conversation about the black effect.

Investigating issues around social exclusion, the pieces in this exhibition are united in challenging circumstances in which individuals, or sometimes entire communities, are blocked from the rights and resources that are key to social integration.

Hypothesis», is his first survey exhibition in Italy, presents a series of key pieces together with recent works and music according to a mise en scène devised by Parreno.

A BLACK RUBBER DOG TOY is a key component of all but one piece on view in Haim Steinbach's most recent show, held at Sonnabend Gallery, his first New York solo exhibition in a decade.

This exhibition brought together key works from the artist's career alongside new pieces made in response to Hestercombe, its gardens and landscapes.

Using key works from the Guggenheim Museum Bilbao Collection, along with selected works from other Guggenheim museums and pieces from major international collections, this exhibition invites visitors to join in a celebration of place and architecture through art.

Published to accompany a major exhibition which tours four venues in Europe, «William Kentridge: Thick Time» undertakes an overview of the artist's recent works, focusing on a sequence of five key pieces dating from 2003 to 2015.

Upcoming Matheson - sponsored New Art at IMMA projects in 2015 include exhibitions by Lebanese artist; British photographer; Irish artist; and, an exhibition of Surrealist works, alongside key conceptual and contemporary pieces, exploring the 20th century notion of love at the heart of which will be a series of new commissions supported by Matheson by artists including Seamus Nolan, Lucy Andrews and Jim Shaw.

Analyzing the proposal of each of the artists participating in these exhibitions would be an interminable task, especially considering that most of the work is of exceptional quality and constitutes key pieces within the MOCA collection.

Upcoming Matheson - sponsored New Art at IMMA projects in 2015 include exhibitions by Lebanese artist Etel Adnan; British photographer Chloe Dewe Mathews; Irish artist Grace Weir; and What We Call Love, an exhibition of Surrealist works, alongside key conceptual and contemporary pieces, exploring the 20th century notion of love at the heart of which will be a series of new commissions supported by Matheson by artists including Seamus Nolan, Lucy Andrews and Jim Shaw.

In addition, key pieces from other public and private collections will help to form the historical and contextual thread of the exhibition.

If art pieces are mostly active when experienced by onlookers in an exhibition ecosystem, then the practice should be self - conscious of the possible keys it is able to give.