Sentences with phrase «key scene of the film»

A late introduction of the recently deceased Nigel Hawthorne (as a crusty theatre critic) only serves to heighten the distance the film gains on its increasingly dismayed audience — the key scene of the film, in fact, is one with Hawthorne gazing forlornly from his second - story window at two young lovers in embrace.

One of the key scenes of the film, John Travolta and Uma Thurman winning a dance competition in Jack Rabbit Slim's, has gone down in cinematic history, thanks to superb choreography and a Chuck Berry song that no other director of a 90s movie would go near.

Not exact matches

The film tracks the behind - the - scenes details of school lunch and childhood hunger from key moments in the 1940s, 1960s, and 1980s to the present, revealing political twists, surprising alliances, and more common ground than people might realize.

The scene — and indeed the timing of key details in the film — is clearly dramatized for Hollywood, but it raises the questions: What exactly is Euler's Method?

Whether your key interest is in films or theatre shows, you will find that the Watford Palace Theatre is the ideal place for a date with a touch of culture on the Watford dating scene.

Gosling and Dunst's low - key chemistry in these early scenes hint at the film that All Good Things might have been had it bothered to ground itself in the specifics of the Marks» romance.

The key scenes might be better staged and photographed, but like the second trilogy of «Star Wars» films, new and improved isn't necessarily better.

One of the film's key scenes shows the village assembly in Hirut's area carefully debating her case, and when Meaza attempts to leave a meeting with Hirut's parents without staying for a meal, she is brought up short by a mother who insists, «you must not forget our culture.»

The Atlantic looks back on the key film scenes of 2017, this time a moment in James Franco's biographical drama - comedy.

The Atlantic looks back on the key film scenes of 2017, this time Meryl Streep's big moment in Steven Spielberg's 1970s newspaper drama.

As for that key moment that sets up the final act, I thought the film established the character motivation adequately with the earlier scenes showing us Schultz's reaction to some of the violence against slaves.

De Palma remains their only interview subject as he chronologically spins fascinating tales of his experiences intercut with photos and key scenes from his films.

These golden nuggets of cinematic genius are peppered throughout the films conservative eighty - four minute narrative, each presenting a different overall feel and visual tone to each scene, and it is this impressive variety along with the films pace and subtle humour that is key to its success.

Both characters have been conspicuously left out of Infinity War's first part, but the final moment of the film's post-credit scene suggests Brie Larson's Captain Marvel will be a key part in resurrecting this flurry of «dead» Avengers, and bringing down Thanos in the process.

While many of his scenes had been completed, a key emotional moment with Jennifer Lawrence's freedom fighter Katniss Everdeen had not been filmed.

One thing the final act can not sully is the sublime score by Michael Patton, with its echoing keyboard effects conjuring a romantic melancholy that electrifies many of the film's key scenes.

At first, Panahi announces that he is going to act out some scenes from the film he was planning to make at the time of his arrest — a Romeo and Juliet — esque love story involving a girl herself kept under lock and key by her strict parents.

The home video release of the film will also include 8 deleted scenes, a featurette chronicling the film's production, and a featurette focused on the real - world people that inspired its key characters.

Glass composes a key piece of music which is utilized during the film's finest scene, acting as a perverse type of intimate moment between Charlie and his niece.

In our discussion we explore key sound scenes including the opening title sequence, alien creature vocals and ship by's and how the sound and music team achieved a sense of confinement for the films characters.

To the point where the film finally fades to black at what feels like the middle of a key scene.

Unlike its predecessor (The Fellowship of the Ring), The Two Towers feels too long by half despite the elision of key scenes from the source tome; the picture only picks up during its last ninety minutes, and then only as an unusually well - crafted action spectacle largely lacking in the nuance, pathos, and sharply - drawn characterizations of the first film.

One of the key scenes in «Nebraska» comes fairly late in the film, when Woody and his wife and two sons (Forte and «Breaking Bad's» Bob Odenkirk) wander through the abandoned house in which he grew up.

Bonus extras on the 2 - disc 4K Ultra HD / Blu - ray Combo Pack include the featurelettes Explore the Hive and The Badass Trinity & the Women of Resident Evil;» a behind - the - scenes look at the film's stunts and weaponry; a sneak peek at Resident Evil: Vendetta; and director Paul Anderson and Milla Jovovich breaking down key moments and discussing the franchise.

«I'm thrilled that the Extended Edition will give fans the opportunity to experience certain key scenes in the film as they were originally shot, as well as an abundance of special features.

The involvement of so many real musical luminaries (in particular Aerosmith's Steven Tyler in a key rôle as himself, and Outkast's André Benjamin eating up his scenes as trigger - happy gangsta Dabu) may bring a certain postmodern edge to the proceedings, but it also goes some way to explaining the film's gently - gently approach to the record industry — an industry which would be unlikely to release its stars to a project that was aiming to score any real hits against it.

Alessandro Nivola, who plays a nameless (but integral) fashion designer character in the film, has several key scenes with Elle Fanning, and the first time he sees Fanning in the movie he sees a flower in the wasteland of beauty.

He has been a talented and effective trainer of horses, and some of the film's most moving scenes show him at this work, which he deeply loves, and which may be the key to his future.

Other highlights in this strand include: Miguel Gomes» mixes fantasy, documentary, docu - fiction, Brechtian pantomime and echoes of MGM musical in the epic ARABIAN NIGHTS; the World Premiere of William Fairman and Max Gogarty's CHEMSEX, an unflinching, powerful documentary about the pleasures and perils associated with the «chemsex» scene that's far more than a sensationalist exposé; the European Premiere of CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosof MGM musical in the epic ARABIAN NIGHTS; the World Premiere of William Fairman and Max Gogarty's CHEMSEX, an unflinching, powerful documentary about the pleasures and perils associated with the «chemsex» scene that's far more than a sensationalist exposé; the European Premiere of CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosof William Fairman and Max Gogarty's CHEMSEX, an unflinching, powerful documentary about the pleasures and perils associated with the «chemsex» scene that's far more than a sensationalist exposé; the European Premiere of CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosof CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth MosOF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosof Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosof the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosof KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosof a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth MosOF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosof mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Moss.

He has been a talented and effective trainer of horses, and some of the film's most moving scene show him at this work, which he deeply loves, and which may be the key to his future.

The story was constructed and reimagined in the editing room, with several key scenes moving from the beginning of the film to the end, Linklater says.

The omission of key scenes early on only serves to emphasise the horrendous racism of this film when the «truth» is revealed later.

Maguire is an actor whose best roles have alternated between mild - mannered creepiness («Wonder Boys») and fits of rage («Brothers»), and in this film he gets to play both, and shifts between the two effortlessly — exploding during a few key scenes but quickly putting himself back together.

The implication is that Alma is the real talent behind many of Hitch's scripts — we know that she helped edit his films, provided script revisions and even directed a key scene (or insured that it was shot the way Hitch wanted) when the director was sick in bed.

«Don't Think Twice» Mike Birbiglia's film about a tight - knit improv troupe that's split when one of its members ascends to an SNL - type show was full of top comedians (Birbiglia, Chris Gethard, Tammy Sagher, Keegan Michael Key, Kate Micucci and Gillian Jacobs make up the group) doing hysterical improv, but more impressively bringing so much heart and smart observation to this very specific scene and age group.

There are scene breakdowns giving insight into making three of the film's key sequences — included are «Lighting the Spark: Creating the Space Battle», «Snoke and Mirrors», and «Showdown on Crait».

Later backstage, Varda, flanked by JR and her daughter Rosalie, who produced the film, was asked if French director Jean - Luc Godard, part of a key scene, has yet seen the film.

Guillermo Del Toro's beauty - and - the - beast love story «The Shape of Water» had its Toronto premiere Monday at the city's historic Elgin Theater — the same venue featured in a couple key scenes in the film.

Working with a smaller budget, it's basically a four - character film which wouldn't suffer too much from being staged in a theatre — featuring unusually long dialogue scenes in diners, restaurants and motel rooms, with staccato rhythms and masculine posturing borrowed from David Mamet, another of Anderson's key, acknowledged influences.

Disc Features - High - definition digital restoration, approved by cinematographer Mark Lee Ping - bin, with 5.1 surround DTS - HD Master Audio soundtrack on the Blu - ray edition - @ «In the Mood for Love,» director Wong Kar - wai's documentary on the making of the film - Deleted scenes with director's commentary — Hua yang de nian hua (2000), a short film by Wong - Archival interview with Wong and a «cinema lesson» given by the director at the 2001 Cannes Film Festival - Toronto International Film Festival press conference from 2000, with stars Maggie Cheung Man - yuk and Tony Leung Chiu - wai - Trailers and TV spots - The music of In the Mood for Love, presented in an interactive essay, on the DVD edition - Essay by film scholar Gina Marchetti illuminating the film's unique setting on the DVD edition - Photo gallery on the DVD edition - Biographies of key cast and crew on the DVD edition - Two new interviews with critic Tony Rayns, one about the film and the other about the soundtrack, on the Blu - ray edition - A booklet featuring the Liu Yi - chang story that provided thematic inspiration for the film, an essay by film critic Li Cheuk - to, and a director's statement (DVD edition); a booklet featuring an essay by novelist and film critic Steve Erickson and the Liu Yi - chang story that provided thematic inspiration for the film (Blu - ray edition)

One of the most beloved American films of the last 25 years, this iconic movie filmed key scenes in Savannah, one of America's most beloved historic cities.

Guardians feels like the entire film is set in the key of that dense, fun, and most importantly, cocky scene.

Two key scenes that exploit the surround sound experience very well: The future war scene near the beginning of the film and the «final» battle near the end of the film.

Compared to the fantastical worlds that were created for earlier films such as Toy Story, Monsters, Inc., and Finding Nemo, which were all inspired by elements of our world, The Incredibles took place entirely in locales where humans were the key characters, and the scenes were shot from the perspective of humans.

By comparison, this film consists of maybe twenty minutes of discernible storyline — almost all of which could have simply been folded into «Darker» without missing a beat — surrounded by endless scenes of nothing much happening enacted by a couple of actors whose key motivation throughout seems to have been the knowledge that they would never have to see each other again once it finally hit theaters.

The large majority of the film plays out through one - on - one chats and table scenes, so compelling conversation is key and Shelton and co. deliver.

As it's not fair to spoil these plot points this late in the film's non-release, all I will say is that it involves a bit of precious and heavy - handed exposition involving a long - winded private moment between Han and Leia (they deserve better), and another scene involving one of these key figures that many might see coming.

While his visual take on the life of J.M.W. Turner's is among his most ambitious attempts, thanks to Cinematographer Dick Pope, outside of a few key scenes and good performances, the film lays lifeless like a PBS special on a Sunday afternoon.

However, considering how dense the Underworld mythology is and how each sequel / prequel hardly ever slows down to rehash backstory covered in previous installments (much to the franchise's credit), those in need of any sort of refresher in the world's now vast history will find this an invaluable resource, and the disc producers have executed it in such a way that it never disrupts the flow or skips and / or runs over any key scenes in the film.

The Atlantic looks back on the key film scenes of 2017, this time a moment in the Kristen Stewart — starring postmodern drama.