Sentences with phrase «key scenes from the film»

De Palma remains their only interview subject as he chronologically spins fascinating tales of his experiences intercut with photos and key scenes from his films.
You are able to watch key scenes from the film brought to life from the original sketches in the «Storyboards» section.
Mark Cousins» Scene by Scene BBC series consists of detailed, incisive discussions in which film directors analyse key scenes from their film output.

Not exact matches

The film tracks the behind - the - scenes details of school lunch and childhood hunger from key moments in the 1940s, 1960s, and 1980s to the present, revealing political twists, surprising alliances, and more common ground than people might realize.
The scenes between him, Wilkinson and their clubby buddies are the film's best, although two key speeches written for Hunt, significant diversions from the original play, are brave efforts by Himelstein to bring meaning to the adaptation.
A late introduction of the recently deceased Nigel Hawthorne (as a crusty theatre critic) only serves to heighten the distance the film gains on its increasingly dismayed audience — the key scene of the film, in fact, is one with Hawthorne gazing forlornly from his second - story window at two young lovers in embrace.
At first, Panahi announces that he is going to act out some scenes from the film he was planning to make at the time of his arrest — a Romeo and Juliet — esque love story involving a girl herself kept under lock and key by her strict parents.
Unlike its predecessor (The Fellowship of the Ring), The Two Towers feels too long by half despite the elision of key scenes from the source tome; the picture only picks up during its last ninety minutes, and then only as an unusually well - crafted action spectacle largely lacking in the nuance, pathos, and sharply - drawn characterizations of the first film.
Key features: A clever, very meta, tongue - in - cheek behind - the - scenes featurette; funny deleted scenes; and a nifty short film from Linehan.
Other highlights in this strand include: Miguel Gomes» mixes fantasy, documentary, docu - fiction, Brechtian pantomime and echoes of MGM musical in the epic ARABIAN NIGHTS; the World Premiere of William Fairman and Max Gogarty's CHEMSEX, an unflinching, powerful documentary about the pleasures and perils associated with the «chemsex» scene that's far more than a sensationalist exposé; the European Premiere of CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Moss.
The story was constructed and reimagined in the editing room, with several key scenes moving from the beginning of the film to the end, Linklater says.
There's also a featurette where director Michael Bay discusses some key shots from the film, a behind - the - scenes look at production and a trip to Hasbro headquarters.
Other production sections include «Sequence Breakdowns,» covering 6 key fight scenes and locations, and offers viewers the chance to read the scene in Goyer's screenplay, compare it with the final shooting script, view the scene through storyboards, jump to the scene in the finished film, and view video footage from the set.
Working with a smaller budget, it's basically a four - character film which wouldn't suffer too much from being staged in a theatre — featuring unusually long dialogue scenes in diners, restaurants and motel rooms, with staccato rhythms and masculine posturing borrowed from David Mamet, another of Anderson's key, acknowledged influences.
Disc Features - High - definition digital restoration, approved by cinematographer Mark Lee Ping - bin, with 5.1 surround DTS - HD Master Audio soundtrack on the Blu - ray edition - @ «In the Mood for Love,» director Wong Kar - wai's documentary on the making of the film - Deleted scenes with director's commentary — Hua yang de nian hua (2000), a short film by Wong - Archival interview with Wong and a «cinema lesson» given by the director at the 2001 Cannes Film Festival - Toronto International Film Festival press conference from 2000, with stars Maggie Cheung Man - yuk and Tony Leung Chiu - wai - Trailers and TV spots - The music of In the Mood for Love, presented in an interactive essay, on the DVD edition - Essay by film scholar Gina Marchetti illuminating the film's unique setting on the DVD edition - Photo gallery on the DVD edition - Biographies of key cast and crew on the DVD edition - Two new interviews with critic Tony Rayns, one about the film and the other about the soundtrack, on the Blu - ray edition - A booklet featuring the Liu Yi - chang story that provided thematic inspiration for the film, an essay by film critic Li Cheuk - to, and a director's statement (DVD edition); a booklet featuring an essay by novelist and film critic Steve Erickson and the Liu Yi - chang story that provided thematic inspiration for the film (Blu - ray edition)
Compared to the fantastical worlds that were created for earlier films such as Toy Story, Monsters, Inc., and Finding Nemo, which were all inspired by elements of our world, The Incredibles took place entirely in locales where humans were the key characters, and the scenes were shot from the perspective of humans.
Eros's nice two - disc edition of the film includes a packed bonus disc featuring all the film's trailers and TV spots, behind - the - scenes featurettes on the film's action sequences and key musical numbers, as well as a collection of 30 complete (but, alas, unsubtitled) song scenes from other films by producer Boney Kapoor.
These scenes, however, far from being a mere distraction from Joel's traumatic headtrip, reflect and refract key motifs about love, chemistry, memory and repetition, in a film whose ingeniously warped structure and chronology only become fully apparent by the end.
Plus, he talks about the enormous amount of deleted scenes, how a key scene in «The Golden Circle» is a deleted scene from the first film, and chickening out on meeting Adam Driver.
It looks like the extras are about the same: a low - key commentary track by Green, Orr, and Schneider; a deleted scene; two short films by Green; a 1969 short film by Clu Gulager; a Charlie Rose interview; and a «cast reunion» from 2001.
Ray Pride (with «additional contributions» from Brian Hieggelke) offers a rundown of the film talent located between the coasts, with his list of 50 — Count «em 50 — key players in the Chicago movie scene.
A SOW focusing on some key scenes from Shakespeare's A Midsummer Night's Dream, including activities where students reimagine part of the film as a science fiction.
The Clip Reel organizes scenes from the film according to four key themes related to the central role of the principal in improving teaching and learning: Stewardship of a Vision, Leading Instructional Improvement, Creating the Instructional Environment and Holding People Accountable.
Reimagined in LEGO form and told in TT Games» signature classic LEGO humor, the thrilling adventure recreates unforgettable scenes and action sequences from the films, allowing fans to play through key moments and giving them the opportunity to fully explore the expansive grounds of Isla Nublar and Isla Sorna.
With the artist cast in the roles originally played by Jack Nicholson, Faye Dunaway, John Huston and Belinda Palmer, key scenes are reenacted in front of printed backdrops that are digitally rendered from film stills and kept intact within the video installation.
In Candice Breitz's new video installation Treatment, the artist brings an original soundtrack to three key scenes from director David Cronenberg's seminal film The Brood.
The thrilling adventure recreates unforgettable scenes and action sequences from the films, allowing fans to play through key moments and giving them the opportunity to fully explore the expansive grounds of Isla Nublar and Isla Sorna.
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