Sentences with phrase «key scenes in the film»

«I'm thrilled that the Extended Edition will give fans the opportunity to experience certain key scenes in the film as they were originally shot, as well as an abundance of special features.

Though she only appears briefly, Negasonic Teenage Warhead returns for a few key scenes in the film and during one in particular, she comes out as queer by introducing Deadpool to her girlfriend, Yukio.

Guillermo Del Toro's beauty - and - the - beast love story «The Shape of Water» had its Toronto premiere Monday at the city's historic Elgin Theater — the same venue featured in a couple key scenes in the film.

However, considering how dense the Underworld mythology is and how each sequel / prequel hardly ever slows down to rehash backstory covered in previous installments (much to the franchise's credit), those in need of any sort of refresher in the world's now vast history will find this an invaluable resource, and the disc producers have executed it in such a way that it never disrupts the flow or skips and / or runs over any key scenes in the film.

Fans of «Blue Valentine» — and I know there are many of us around these parts — should be tickled by this little discovery: the previously unidentified singer of «You and Me,» the obscure 1970 soul cut picked out by star Ryan Gosling for a key scene in the film, has been named as Nannie -LSB-...]

Here the director exclusively tells the story of a key scene in the film, which required Gyllenhaal to convey a particularly painful human struggle.

Suddenly and coincidently, we gather around the table, study the model — and by doing so repeat one of the key scenes in the film.

Kennedy then repeated the canard propagated by Helen Caldicott (which is a key scene in the film) that Chernobyl killed nearly 1 million people — proving, therefore, that nuclear energy poses an apocalyptic threat to human health.

Not exact matches

Her iconic Princess Leia is set to appear in the next two «Star Wars» films, and insiders tell The Hollywood Reporter that at least two key scenes are planned for «Episode VIII» (Dec. 15) and «Episode IX» (2019): a Leia reunion with Luke Skywalker (Mark Hamill) and a confrontation with Kylo Ren (Adam Driver), her son who killed Harrison Ford's Han Solo in 2015's «The Force Awakens.»

The film tracks the behind - the - scenes details of school lunch and childhood hunger from key moments in the 1940s, 1960s, and 1980s to the present, revealing political twists, surprising alliances, and more common ground than people might realize.

The scene — and indeed the timing of key details in the film — is clearly dramatized for Hollywood, but it raises the questions: What exactly is Euler's Method?

Whether your key interest is in films or theatre shows, you will find that the Watford Palace Theatre is the ideal place for a date with a touch of culture on the Watford dating scene.

Gosling and Dunst's low - key chemistry in these early scenes hint at the film that All Good Things might have been had it bothered to ground itself in the specifics of the Marks» romance.

The key to the film is the chemistry between Reynolds and Bateman, who work off each other but can also be very funny in their own scenes.

One of the film's key scenes shows the village assembly in Hirut's area carefully debating her case, and when Meaza attempts to leave a meeting with Hirut's parents without staying for a meal, she is brought up short by a mother who insists, «you must not forget our culture.»

The Atlantic looks back on the key film scenes of 2017, this time a moment in James Franco's biographical drama - comedy.

The Atlantic looks back on the key film scenes of 2017, this time Meryl Streep's big moment in Steven Spielberg's 1970s newspaper drama.

Both characters have been conspicuously left out of Infinity War's first part, but the final moment of the film's post-credit scene suggests Brie Larson's Captain Marvel will be a key part in resurrecting this flurry of «dead» Avengers, and bringing down Thanos in the process.

A late introduction of the recently deceased Nigel Hawthorne (as a crusty theatre critic) only serves to heighten the distance the film gains on its increasingly dismayed audience — the key scene of the film, in fact, is one with Hawthorne gazing forlornly from his second - story window at two young lovers in embrace.

The Falcon scene, in which Ant - Man battles the Avenger, is a key scene not only in the film, but in the Marvel Cinematic Universe.

Claire's mother's house was used to film a key scene in August last year.

In our discussion we explore key sound scenes including the opening title sequence, alien creature vocals and ship by's and how the sound and music team achieved a sense of confinement for the films characters.

Unlike its predecessor (The Fellowship of the Ring), The Two Towers feels too long by half despite the elision of key scenes from the source tome; the picture only picks up during its last ninety minutes, and then only as an unusually well - crafted action spectacle largely lacking in the nuance, pathos, and sharply - drawn characterizations of the first film.

Key features: A clever, very meta, tongue - in - cheek behind - the - scenes featurette; funny deleted scenes; and a nifty short film from Linehan.

One of the key scenes in «Nebraska» comes fairly late in the film, when Woody and his wife and two sons (Forte and «Breaking Bad's» Bob Odenkirk) wander through the abandoned house in which he grew up.

Whilst emotion is key to a good disaster film, the dialogue in San Andreas is so clunky that these scenes break up the action and drag.

You are able to watch key scenes from the film brought to life from the original sketches in the «Storyboards» section.

The actress officially joined the «Harry Potter» spinoff film in «a key role» and is expected to share scenes with Ezra Miller, a rival to Eddie Redmayne's Newt Scamander.

The involvement of so many real musical luminaries (in particular Aerosmith's Steven Tyler in a key rôle as himself, and Outkast's André Benjamin eating up his scenes as trigger - happy gangsta Dabu) may bring a certain postmodern edge to the proceedings, but it also goes some way to explaining the film's gently - gently approach to the record industry — an industry which would be unlikely to release its stars to a project that was aiming to score any real hits against it.

Alessandro Nivola, who plays a nameless (but integral) fashion designer character in the film, has several key scenes with Elle Fanning, and the first time he sees Fanning in the movie he sees a flower in the wasteland of beauty.

Other highlights in this strand include: Miguel Gomes» mixes fantasy, documentary, docu - fiction, Brechtian pantomime and echoes of MGM musical in the epic ARABIAN NIGHTS; the World Premiere of William Fairman and Max Gogarty's CHEMSEX, an unflinching, powerful documentary about the pleasures and perils associated with the «chemsex» scene that's far more than a sensationalist exposé; the European Premiere of CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosin this strand include: Miguel Gomes» mixes fantasy, documentary, docu - fiction, Brechtian pantomime and echoes of MGM musical in the epic ARABIAN NIGHTS; the World Premiere of William Fairman and Max Gogarty's CHEMSEX, an unflinching, powerful documentary about the pleasures and perils associated with the «chemsex» scene that's far more than a sensationalist exposé; the European Premiere of CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosin the epic ARABIAN NIGHTS; the World Premiere of William Fairman and Max Gogarty's CHEMSEX, an unflinching, powerful documentary about the pleasures and perils associated with the «chemsex» scene that's far more than a sensationalist exposé; the European Premiere of CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosin small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth MosIN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosin mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosin «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosin the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosin MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosin a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Moss.

The story was constructed and reimagined in the editing room, with several key scenes moving from the beginning of the film to the end, Linklater says.

Maguire is an actor whose best roles have alternated between mild - mannered creepiness («Wonder Boys») and fits of rage («Brothers»), and in this film he gets to play both, and shifts between the two effortlessly — exploding during a few key scenes but quickly putting himself back together.

The implication is that Alma is the real talent behind many of Hitch's scripts — we know that she helped edit his films, provided script revisions and even directed a key scene (or insured that it was shot the way Hitch wanted) when the director was sick in bed.

One of the key scenes of the film, John Travolta and Uma Thurman winning a dance competition in Jack Rabbit Slim's, has gone down in cinematic history, thanks to superb choreography and a Chuck Berry song that no other director of a 90s movie would go near.

Other production sections include «Sequence Breakdowns,» covering 6 key fight scenes and locations, and offers viewers the chance to read the scene in Goyer's screenplay, compare it with the final shooting script, view the scene through storyboards, jump to the scene in the finished film, and view video footage from the set.

But those scenes do amplify key moments in the film and are as good as any included in the almost 2 1/2 - hour running time.

But the film pushed all the right buttons in this very liberal crowd, who responded to key scenes and speeches and (rather repetitive) defining lines with cheers and applause.

Working with a smaller budget, it's basically a four - character film which wouldn't suffer too much from being staged in a theatre — featuring unusually long dialogue scenes in diners, restaurants and motel rooms, with staccato rhythms and masculine posturing borrowed from David Mamet, another of Anderson's key, acknowledged influences.

Disc Features - High - definition digital restoration, approved by cinematographer Mark Lee Ping - bin, with 5.1 surround DTS - HD Master Audio soundtrack on the Blu - ray edition - @ «In the Mood for Love,» director Wong Kar - wai's documentary on the making of the film - Deleted scenes with director's commentary — Hua yang de nian hua (2000), a short film by Wong - Archival interview with Wong and a «cinema lesson» given by the director at the 2001 Cannes Film Festival - Toronto International Film Festival press conference from 2000, with stars Maggie Cheung Man - yuk and Tony Leung Chiu - wai - Trailers and TV spots - The music of In the Mood for Love, presented in an interactive essay, on the DVD edition - Essay by film scholar Gina Marchetti illuminating the film's unique setting on the DVD edition - Photo gallery on the DVD edition - Biographies of key cast and crew on the DVD edition - Two new interviews with critic Tony Rayns, one about the film and the other about the soundtrack, on the Blu - ray edition - A booklet featuring the Liu Yi - chang story that provided thematic inspiration for the film, an essay by film critic Li Cheuk - to, and a director's statement (DVD edition); a booklet featuring an essay by novelist and film critic Steve Erickson and the Liu Yi - chang story that provided thematic inspiration for the film (Blu - ray editioIn the Mood for Love,» director Wong Kar - wai's documentary on the making of the film - Deleted scenes with director's commentary — Hua yang de nian hua (2000), a short film by Wong - Archival interview with Wong and a «cinema lesson» given by the director at the 2001 Cannes Film Festival - Toronto International Film Festival press conference from 2000, with stars Maggie Cheung Man - yuk and Tony Leung Chiu - wai - Trailers and TV spots - The music of In the Mood for Love, presented in an interactive essay, on the DVD edition - Essay by film scholar Gina Marchetti illuminating the film's unique setting on the DVD edition - Photo gallery on the DVD edition - Biographies of key cast and crew on the DVD edition - Two new interviews with critic Tony Rayns, one about the film and the other about the soundtrack, on the Blu - ray edition - A booklet featuring the Liu Yi - chang story that provided thematic inspiration for the film, an essay by film critic Li Cheuk - to, and a director's statement (DVD edition); a booklet featuring an essay by novelist and film critic Steve Erickson and the Liu Yi - chang story that provided thematic inspiration for the film (Blu - ray editioIn the Mood for Love, presented in an interactive essay, on the DVD edition - Essay by film scholar Gina Marchetti illuminating the film's unique setting on the DVD edition - Photo gallery on the DVD edition - Biographies of key cast and crew on the DVD edition - Two new interviews with critic Tony Rayns, one about the film and the other about the soundtrack, on the Blu - ray edition - A booklet featuring the Liu Yi - chang story that provided thematic inspiration for the film, an essay by film critic Li Cheuk - to, and a director's statement (DVD edition); a booklet featuring an essay by novelist and film critic Steve Erickson and the Liu Yi - chang story that provided thematic inspiration for the film (Blu - ray editioin an interactive essay, on the DVD edition - Essay by film scholar Gina Marchetti illuminating the film's unique setting on the DVD edition - Photo gallery on the DVD edition - Biographies of key cast and crew on the DVD edition - Two new interviews with critic Tony Rayns, one about the film and the other about the soundtrack, on the Blu - ray edition - A booklet featuring the Liu Yi - chang story that provided thematic inspiration for the film, an essay by film critic Li Cheuk - to, and a director's statement (DVD edition); a booklet featuring an essay by novelist and film critic Steve Erickson and the Liu Yi - chang story that provided thematic inspiration for the film (Blu - ray edition)

One of the most beloved American films of the last 25 years, this iconic movie filmed key scenes in Savannah, one of America's most beloved historic cities.

Guardians feels like the entire film is set in the key of that dense, fun, and most importantly, cocky scene.

Compared to the fantastical worlds that were created for earlier films such as Toy Story, Monsters, Inc., and Finding Nemo, which were all inspired by elements of our world, The Incredibles took place entirely in locales where humans were the key characters, and the scenes were shot from the perspective of humans.

Watch a key scene late in the film in which Emily calls Cal and we see her through a window.

As it's not fair to spoil these plot points this late in the film's non-release, all I will say is that it involves a bit of precious and heavy - handed exposition involving a long - winded private moment between Han and Leia (they deserve better), and another scene involving one of these key figures that many might see coming.

It's also a screenplay that pays homage to the original film in two key scenes, and is willing to write jokes that had nothing to do with the story, including one that was so silly it had to be delivered.

Black Panther co - writer / director Ryan Coogler wanted to include a Spider - Man villain in the upcoming film - Kraven the Hunter, inspired by a key scene in Christopher Priest's Black Panther run.

The Atlantic looks back on the key film scenes of 2017, this time a moment in the Kristen Stewart — starring postmodern drama.

In less than two weeks, Scott re-shot key scenes and re-edited the film all in time for it's original December 22nd release datIn less than two weeks, Scott re-shot key scenes and re-edited the film all in time for it's original December 22nd release datin time for it's original December 22nd release date.

Deakins showers most of the film's scenes in gold color schemes, which smartly function as a literal visual metaphor to the film's Golden Age Hollywood setting, especially in terms of the grand studio sets that introduce the professional work of several key actor characters.